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Australian progressive fusion-jazz-symphonic rock act Pantha burst from the mid‑1970s with a uniquely spirited record, Doway Do Doway Do !?!!, a thrilling hybrid of rock, jazz, Latin American rhythms, West Indian grooves and occasional Zappa‑styled eccentricity. Originally released in 1975, the album showcases the group’s deft ability to marry virtuosic musicianship with irresistible danceable energy.
Doway Do Doway Do !?!! draws on the Santana hallmark of driving rock over Latin beats but expan…
Don Shinn’s Departures, first issued in 1969 and recorded at Lansdowne Studios in London just months after his acclaimed debut, returns in a newly remastered edition that highlights the record’s adventurous spirit and Shinn’s singular command of the Hammond organ. Where his debut established him as a rising force, Departures reveals a more overtly jazzy, exploratory side — muscular, unpredictable and deeply musical — that helped influence a generation of keyboardists, including the young Keith E…
Ocarinah re-release of Premiere Vision De L’Étrange is a bold return to the space‑progressive roots of late‑1970s French prog. Across five expansive tracks the band delivers a masterclass in dynamic contrast, thematic development and instrumental daring — a record that feels both timeless and freshly strange. Recorded with a raw, immediate production that recalls vintage live tape, Premiere Vision De L’Étrange blends the loose, exploratory spirit of Canterbury progressive rock with the atmospher…
Make Up, the fourth album from pioneering Japanese rock outfit Flower Travellin’ Band, captures the group at a point of bold experimentation and artistic growth. Released in 1973, the record was conceived as a deliberate hybrid of live performance intensity and studio-crafted exploration, offering listeners an immersive portrait of a band expanding its sonic and creative horizons.
Following the band’s return from Canada, Flower Travellin’ Band set out to build an album that balanced raw concert …