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Limited copies back in stock. Last year's 'Drawn' from the amazing duo of Soccer Committee and Machinefabriek was a flickering beacon of hope in its understated beauty. A record which improved with age, the simple and unfussy folk songs were helped along by Rutger Zuydervelt's careful (and incredibly restrained) electronic production, giving them an individuality only bolstered by Mariska Baars' stunning voice.
It was seemingly inevitable then that Rutger would get round to fielding the tracks o…
Limited copies back in stock. It's hard to believe that it's been almost a year since Rutger Zuydervelt helped nail our jaws to the floor with his exceptional album 'Dauw'. It used to be that there was a new Machinefabriek album almost every week (sometimes two or three) but since 'Dauw' it seems like Rutger's slowed down and withdrawn into a self-imposed silence . And that's no bad thing - 'Shuffle' is his first self-released record in some time and it shows in the near-obsessive quality of the…
may 2009 release: label-less lp release (“private,” if you will) covering the first ever duo set between myself & geoff mullen, recorded in concert at the brendan murray-curated “uppercase sound #2” event @ pa’s lounge, somerville, ma, 02143, usa, on july 19th, 2006 ...the music is entirely improvised, with geoff sticking largely to a suitcase-electronics-based setup (although he does provide some fine guitar & pedal alterations throughout) & myself to the doepfer (ditto guitar & korg guitar-syn…
BROKEN GUITARS is the first recording by Italian visual artist Michele Lombardelli: acoustic guitar improvisations between Loren Connors, Derek Bailey and Robbie Basho, with a tinge of sadness that permeates every moment and creates a sense of longing and nostalgia that seems destined for a nameless past. Hused in a spectacuar multifold cover, limited LP edition of 150 copies
His first album, with recordings by the mid 70s: Butzmann has been plying overt eccentricity for quite some time, as "Wundershone Ruckkoppelungen" (released archivally on Vinyl-On-Demand) documents via his work from the late 60's/early 70's, though he'd find his true metier during the NDW zeitgeist, a period during which his work was hugely influential, having been an early member of D.A.F. "Das Madchen..." was Butzmann's second full length missive to gain release under his own name (he also ope…
Very nice catalogue with many colour-pictures of installation-works and texts in german & english, released on the occasion of the PARKPLATZ-exhibition (Wolfsburg, Juli-September 2006) from this german soundart-artist. On the CD 63 minutes of material with highly abstract and nice droning musique concrete
Amazing catalogue (english/italian) focused on a 1999 Exhbition/Performance by Michael Harrison, Charlemagne Palestine, Philip Glass e Terry Riley, with amazing early pictures. A must have it for those into early minimalism, 60 pages, fully illustrated. Very few copies available, long out of print
Major archival unearthing that makes available for the first time the bulk of the 'official' releases - plus a ton of unreleased material - from the mythic Butte County Free Music Society, a collective of musical oddballs, 'noise' musicians, art pranksters, record collectors and rock/roll fans who modeled themselves on the Los Angeles Free Music Society in order to create an umbrella organization that would shelter 'out' musicians during times of musical drought, this one taking place in the ear…
His first solo LP, focused on his late 60s compositions. Bernard Heidsieck commenced sound poetry in 1955 with his 'poem partitions' and, since 1966 on, a species he terms 'biopsies'. Both types are rooted in a direct relation to everyday life. Heidsieck sometimes refers to both the biopsies and poem-partitions as 'action' poems (not to be confused with the action poetry of either Steve McCaffery or Robert Filliou). 'Action' since the pieces incorporate the actuality of quotidian soundscapes: su…
Amazing 2LP document of the Fluxus and associated art scenes from the US and elsewhere. The line-up on these records are amazing. Comes in a beautiful gatefold jacket with a 2-sided pull-out poster with artwork/words from all involved. gatefold sleeve with titles and text-information inside. *With inserted Introduction by Robert C. Morgan (folded sheet) and folded sheet with portraits of the participating artists: i.a. Jud Fine, Eleanor Antin, Terry Fox, Les Levine, Hannah Wilke, Vincenzo Agnett…
A collection of impro recorded in A Spirale basement studio, consisting in Maurizio Argenziano (guitars), Mario Gabola (reeds), SEC_(synth, elettronics), Emilio Barone (plastics, voice).Possible directions, new relations, from spastic and destructured funk to free folk, to avant-noise...A music that is like a desert, yes, but swarming, crossed by fluxes, teeming crowd in it; a swarm of bees, a rumble of soccer players, or a group of Tuareg. Myriad of lines dripping from any side, unpredictable m…
84 page Hardcover book with embossed cloth cover & spine, also includes 12 page cd-booklet. Recorded & mixed between 1988 and 1995. Sound sources are stones collected all over the world. Beautiful artist book by Giancarlo Toniutti in collaboration with Siegmar Fricke, that comes with a nice CD (with an extra booklet) "speaking of "KO/USK," there has been a double trajectory in composing/recording it. On one side, following a decision implying the use of such sound sources (stones), a decision li…
Ltd pressing of only 300 copies, long gone and sold out. This is the reissue of this legendary LP – with Taj Mahal Travelers, Minami Masato, Acid Seven and Hadaka no Rallizes aka Les Rallizes Denudes. Without a single doubt, this bloodsucker of a disc is one of THE holy grails of the Japanese early seventies lysergic psych scene, together with Speed Glue & Shinki, Sato Masahiko & Soundbreakers and People/Ceremony. Privately released in a tiny edition on the OZ Days label way back in 1973, the re…
Gray-area bootleg issue, with paste-on xerox sleeve. No details on the source or date (or anything). But another essential document of the Fluxus-associated mechanical music machines of Joe Jones. If you're interested in Orchestral Sound Art, no wall will stand in the way of acquisition... The music machines of legendary Fluxus artist Joe Jones are a paradox of prepared sounds voicing astoundingly human bursts of free-flight sonic caterwaul. Why is it that a roomful of musicians can't muster the…
an AWESOME album by A Sprirale, consistin in Massimo Spezzaferro (drums) Maurizio Argenziano (guitars) Mario Gabola (alto, ten.) Tonino Taiuti (voice, objects) The entire album moves forward in a complicated, constantly mutating web of stylistic references to musical precedents within jazz and twentieth century music, overlapped in a restless search for new textures, moods, dramatic interludes, and possible resolutions
An art installment in wich the artist has imagined the room 25 at the Beat Hotel rue Git-le-Coeur, where Brion Gysin and William Burroughs lived between 1957 and 1965. The room was an improvised center of intellectual and creative avant-garde. They used there tapes and tape recorders, they discovered through their work that language manipules us and that one can enlarge his perception fields using language. The question what is the use of a tape-recorder leads to the question what is the use of …
LP reissue. Self-described as "...a cosmic rock relaxation creation to elevate sensory awareness to include the aura of intuitive perception of higher realm of human/divine consciousness using the astral body projection experience vehicle to pierce time/space/logic dimension barriers on the return voyage to the ultimate concept." On Steven Stapleton's Nurse With Wound list, of course. Moolah was comprised of two youths from New York, Walter Burns and Maurice Roberson. This revolutionary psyched…