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On That Porous Line, Push For Night dwell in the blur between song and atmosphere, trading in smudged hooks, low-lit textures and slow, pulsing tension where guitars, electronics and voice seep into one another instead of standing apart.
On Country / The Country, J.WLSN and Liam Keenan pare things back to the bone, using repetition, space and grain to sketch a faint, flickering idea of “country” where landscape, memory and rusted‑out song forms quietly bleed into one another.
On Headwater, Helen Svoboda traces an intimate, slow‑moving current through bass, voice and carefully placed sound, letting murmured melodies, extended techniques and silence pool into an ecosystem where every ripple feels both fragile and tidal.
On Maps, Driftwood - the duo of Nick Ashwood and Aviva Endean - deepen their microtonal pump‑organ world with clarinets, guitars and quietly feral electronics, letting overlapping instruments and live processing drift into a tender, otherworldly haze…
Nostalgia is not an ideology, though in this moment, we could be mistaken for thinking it might be just that. Over the past years, the idea of nostalgia has been filtered through various political and technological lenses and has become a tool used f…
Somewhere in the Wind is the third record that Loren Connors and I have made together. Of the three, it’s the first that consists exclusively of electric guitar duos and it’s the first that was recorded live. To me it feels very much like a live reco…
Clear Vinyl. For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, c…
"In late 1975, Annea Lockwood realised her composition World Rhythms. It represents one of the first creative works exploring the potentials of field recordings in a multichannel setting. It is a landmark work and a composition that, on its 50th anni…
When you’re creating something loosely referred to as “art” with another person, you’re mining the depths of minds and experience, searching connections with pasts, each of us producing from a different place. Communication exists as unspoken and sim…
TripleAkuma is the third in a series of essential live documents from Merzbow. The stage and the studio are not the same place, and Merzbow has an acute understanding of this juxtaposition. Whilst the sheer density of the music might be maintained ac…
Akira Kosemura’s Polaroid Piano is a record that is very close to my heart. In fact, it is Akira’s work that was one of the drivers for Someone Good, one of the Room40 sibling labels, to be founded. Polaroid Piano marks the beginning of what would la…
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him …
I have long pondered the concept of connectedness in relation to life’s existence. The Dalai Lama teaches that destruction of one’s neighbour equates to destruction of oneself. In contrast, modern Western culture has placed the individual at the epic…
Spring 2024. Carl Stone and Asuna performed together for the first time at an international experimental music festival held in Kanazawa city, where Asuna lives. Carl Stone is a pioneering composer of computer sampled music. and Asuna known for its “1…
Our approach to making records has always involved an exchange of individually created sounds, which are joined together through live improvisation, studio recording, and the use of diagrammatic visual scores. Over the last several years, we have bee…
"The Sound Leaves" began as an interactive sound performance and installation based around humans’ impact on the environment and how that impact is altering the sonic landscape of our world. As ecosystems change due to climate collapse, the sound of …
A note from Carlos... "I initially recorded all tracks in California between 2024 and 2025. The tracks were then sent to various locations around the world to each collaborator for completion, before returning to me in California for final touches. T…
Degraded, faded cities now empty of people. You can hear household appliances in the kitchens still talking, but only to each other. The phrases are distorted, unclear; broken English , Japanese and a few Korean and Chinese automated voices, syllable…
Meditations is a set of 8 works based on the experience of meditation practice. Music made for both meditation and reflecting the realities of a life of daily practice. The breath, the quietness, the listening, the distracted dissonant and consonant …
With For a Moment the Sky Knew My Name, Peter Knight extends his fascination with the porous relationship between body, instrument, and environment into one of his most personal and immersive solo works. Due for release in November 2025 on Room40, th…