★Rvng Intl.
Paradise Crick
— Black Vinyl edition — Like a winding system of trails and paths cutting through a digital forest-scape, M. Sage’s Paradise Crick is shaped by time. Full of wonder and charm, designed patiently and from a rich, curious mulch of synthesized and acoustic sound, the versatile American artist and magic realist’s new suite of music is an imaginary destination and a pastoral fantasy that envisions the natural and fabricated worlds as one.
Matthew Sage is a musician, intermedia artist, recording engin…
Fragments
Rachika Nayar’s fragments is a collection of sonic miniatures constructed from guitar loops and in the familiar comforts of her own bedroom. First released as a limited edition cassette by RVNG Intl’s Commend THERE imprint in 2021, fragments (expanded) adds an entire new side of previously unreleased music to the collection, which has been newly mastered by Rafael Anton Irrisari.
While growing up and developing a relationship with the instrument and her capabilities, using delay pedals to improv…
Sound Scribbles
*200 copies limited edition* For many years, Brian Belott has scribbled on paper, making and showing his paintings alongside collages and sculptures. For almost as long, he has scribbled with sound, using his mouth alone to spill language into a pool of abstraction, humor, and musicality. "Sound Scribbles" marks the first-ever collection of Brian’s multifarious work in sound and music, at times beautiful and repulsive, painful and calming, hilarious and disturbing.
Brian is an archivist as much …
Awa (Expanded)
*150 copies limited edition* Satomimagae breathes new vitality into Awa, her beguiling debut album, revisited and expanded for its tenth anniversary. Originally recorded, mixed and mastered by Satomi between 2011 and 2012, Awa conveys the keen-eared, wide-eyed DIY approach to the songcraft that underpins Satomi’s signature combination of lyrical haze, acoustic guitar and environmental artifacts. More of a deep reverberation than a big bang, Awa is one of several origin stories within Satomi’s un…
WOW
Kate NV’s WOW offers listeners a prismatic shift in perspective and scale, a parallel dimension in which the mundane becomes funny, unfamiliar, and altogether sensational. Turning the contents of her 2020 album Room for the Moon upside down and spilling it across a floor checkered with intrigue and surprise, Kate places sound, object, and ritual under the microscope to magnify the delight hidden in plain sight of everyday life.
Volume II
Following the compass of an entrancing debut, Flore Laurentienne’s Volume II presents another palette of rich orchestral sound, where changing forces of water inspire metaphorical markers that navigate passages of life and loss.
Mathieu David Gagnon resumes his voyage into environment and emotion with Volume II, drawing inspiration from the rivers and rugged wilderness of the composer’s native Quebec. In his return as Flore Laurentienne – the namesake of an inventory documenting St. Lawrence Val…
Advanced Myth
Advanced Myth is the lucid debut album from Dialect, the now long standing project of British composer and musician Andrew PM Hunt. An enchanted exploration of unusual source synthesis, electro-acoustic arrangements, and found sound, Advanced Myth is its own cosmos expanding in real time. Newly mastered from definitive mixes by Stephan Mathieu, and available for the first time on vinyl.
In the absence of conventional structure, it’s shifts in spirit that provide Advanced Myth’s emotive signposti…
Under - Between
Dialect's Under~Between unfolds with the hopeful energy of seedlings springing forth from soft earth. The longstanding project of Liverpool-based artist Andrew PM Hunt, Dialect’s cross-pollination of acoustic and synthetic ensembles with human voice on Under~Between grows into a joyous ecosystem of delicate sound and intimate, unexpected melodies, yielding a strange yet delectable fruit. Recorded and produced by Andrew PM Hunt in the The Consulate (Liverpool, UK), January - October 2019 Mixed by…
FRKWYS Vol. 16: In a Word
**CD edition** In a Word, the sixteenth installment of the intergenerational collaboration series FRKWYS, brings together postminimalist composer Daniel Lentz with vocalist and sound artist Ian William Craig for an album that embraces erosion and the fertility of the loam left behind. A document of shared transformation, Lentz’s elegant piano figures and Craig’s trembling tenor are wilted, warbled, and looped through manipulated tape machines in a real time composition that evokes a strange warm…
Burn the Night / Bruciare la Notte: Original Recordings, 1983-1989
Burn the Night / Bruciare la Notte: Original Recordings, 1983–1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 1980s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR-909 drum machine, and early sampling technology.
Beside Herself
Michele Mercure often dreams of music, and in her waking life, reclaims
fragments of these fleeting, floating melodies in her compositions and
sound art. Beside Herself, an anthology of Mercure’s self-produced and
distributed cassettes released between 1983 and 1990, collects these
dreamlike passages and lo-fi nocturnes, preserving the qualities of
discovery and intimacy surrounding their genesis. Mercure’s sound is a porous electronic art that overlaps ambient,
abstract, and industrial se…
Tomorrow Was The Golden Age
'Tomorrow Was the Golden Age' is an unmistakably gorgeous and refreshing suite of microtonal minimalist composition by New York-based ensemble, Bing & Ruth. Helmed by writer, conductor and lead pianist, David Moore, and supported by two upright bassists, two clarinetists, a cellist and a tape delay tech, Bing & Ruth genuinely sweep us off somewhere sublime without recourse to overblown conceit or cliche - something all too prevalent and cloying in today's neo-classical quarters. Their sk…
We Are Not The First
For those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents We Are Not The First, an Epic conducted and deconstructed by Chicago artist Hieroglyphic Being and the J.I.T.U. Ahn-Sahm-Bul. We Are Not The First combines the musical forces of Marshall Allen, Daniel Carter, Greg Fox, Shelley Hirsch, Shahzad Ismaily, Elliott Levin, Jamal Moss, Rafael Sanchez, and Ben Vida in deep dialogue with each other and humans’ hidden sonic history. Tracked…
Reassemblage
We just knew last year's debut Visible Cloaks offering for RVNG, the Miyako Koda-featuring Visible Cloaks single Valve, would be the prelude to something greater from Ryan Carlile and Spencer Doran. Reassemblage marks the Portland pair's second album and further expands upon the Visible Cloaks 'verse, calling on Motion Graphics and Root Strata alum Matt Carlson for assistance.
Inspiration for the album stems from a video essay of the same name by Trin T Minha-ha, which explored the impossibi…
The Gradual Progression
Greg Fox’s The Gradual Progression offers a new strain of spiritual jazz compelled by virtuosic playing and responsive music technology. Energetic and gestural, akin to an action painting, Fox enters a musical paradigm that allow his visceral percussion to evolve in polyphonic harmony with his compositional craft. The Gradual Progression documents Fox’s creative transformation with a cosmic cast of collaborators and elevated sound exploration.
Private Energy - Expanded
Exploring the expressivity within intense states of being, Latinx identity, and pluralistic sensibilities, Helado Negro’s Private Energy is an engrossing statement achieved through lyrically personal and political avant pop music. Private Energy carves a deep groove through the electronic music landscape, challenging to best Brooklyn-based artist Roberto Carlos Lange’s previous accomplishments under the Helado Negro moniker. Half a decade and half a dozen albums later since Helado Negro’s 2009 d…
UkabazUmorezU
"Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way it resonates w…
Shelley's on Zenn-La
For 'Shelley’s on Zenn-La,' Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of 'Shelley’s,' and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants.
Lex
Lex is the next look into Visible Cloaks’ enduring environment design through limitless sound. On Lex, speech centralizes and synthesizes as multiversal melody embedded across generative landscapes under open liquid skies. A hopeful glimpse into the future inter-being of human and post-human inhabitants.
A portion of the proceeds from your purchase will be charitably designated on behalf of Visible Cloaks to Forest Peoples, an organization benefiting indigenous forest peoples’ rights to defend t…
Anticlines
Lucrecia Dalt’s Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres. A former geotechnical engineer from Colombia currently residing in Berlin, Dalt’s concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attent…