★Solid Records
Splashes (Tribute To Wilbur Little)
Bluesy, aggressive, typically expressive. Splashes (subtitled Tribute to Wilbur Little) is an album by saxophonist Archie Shepp's Quartet which was recorded in Holland in 1987 and released on the L+R label. With Horace Parlan (p), Harry Emmery (b), and Clifford Jarvis (d). It's one of those deep European records that gets missed because Shepp was recording so much and in so many ways overseas in his later years. The style here is a great distillation of the modes he was exploring in the years a…
The Fifth Of May
Archie Shepp, a saxophone tenor icon, collaborates with keyboardist Jasper Van't Hof - of Toto Blanke's Electric Circus (it was while with Blanke that van't Hof co-founded a group called Association P.C.)in a creatively innovative record. Jasper incorporates elements from his 70s electronic work into the song, blending them with acoustic piano in a way that resonates well with Archie's spirit, a departure from his previous style.
In Memory Of
Trumpet superstar Chet Baker recorded a session with Archie Shepp in 1988, an unexpected collaboration given their different styles. At the time of the event, Shepp had adopted a more traditional approach, yet still retained an appreciation for the contemporary elements that characterized his earlier creations. Meanwhile, Chet had embraced a more modern style in his music, which differed significantly from Archie's direction, partly due to the physical transformations Baker had experienced. The …
Reunion
This lovely session from the 1980s features saxophonist Archie Shepp and pianist Horace Parlan, who both initially recorded in the United States but eventually discovered a more accommodating environment in Europe (they crossed paths many times while recording in Europe) Shepp began his career as a dedicated avant-garde player, but he eventually discovered the joy of applying his modern approach to more conventional material, such as these well-known ballads that Parlan paints with delicate, sou…
Dream Talk
German pianist Wolfgang Dauner's early session sounds as fantastic as the title suggests! The "dream talk" component comes from Dauner's gentle, yet modern approach to the keys, which is clearly learning from 50s modernists like George Russell or Bill Evans but is stretching out here in some of the bolder freedoms of the European scene at the time. It's a precursor to later modes on MPS and Saba, but performed here with more restraint. The record is acoustic and inventive, with a "set free" soun…
Cool Dogs & Two Oranges
An incredible early German bop session! In the 1950s, pianist Jutta Hipp recorded straighter sides for Blue Note in the US, but this first album features her with German contemporaries Joki Freund on tenor sax and Emil Mangelsdorff on alto, creating a dark, sharper sound than expected! Hipp leads, but Mangelsdorff and Freund's horn interaction on several song intros, slashing back and forth like a double-edged blade and then bursting forth into lovely compact solos, makes the record sparkle.
Yogi Jazz
*2023 repress* Tremendous early work from German saxophonist Joki Freund a player who would go onto much greater fame in the progressive years at the end of the 60s, but who already sounds plenty darn great on this early combo side from 1963! The style of the work is incredibly hip with a definite John Coltrane modal groove in place, but also a sense of globally conscious jazz that's very much in the spirit of classic Saba/MPS work, but which predates most of that by a number of years! Freund pl…
Voices
"Manfred Schoof grew up perfecting his innovative jazz style, often practicing on either his jazz trumpet or his flügelhorn. By the time he reached high school, Schoof was composing his own arrangements. In 1955, Schoof decided to purse a musical career, enrolling in the Music Academy (Musikakademie) at Kassel. After studying and performing there for three years, he moved to further his studies at the Cologne Musikhochschule. While there, Schoof took a jazz class by Kurt Edelhagen, a West German…
Tension
This rare 1963 recording showcases the incredible early work of German trombonist Albert Mangelsdorff and his quintet. Featuring Heinz Sauer on tenor saxophone, Gunter Kronberg on alto saxophone, Gunter Lenz on bass, and Ralf Hubner on drums, the ensemble creates a groundbreaking modernist groove comparable to the innovations of Ornette Coleman and Joe Harriott. The absence of piano and the three-horn frontline contribute to a bracing and powerful sound, striking a dynamic balance between freedo…
Now Jazz Ramwong
Eastern-infused outstanding album by German trombonist Albert Mangelsdorff – recording here in 1964, but sounding years ahead of his time, with an amazing a blend of jazz and Asian styles! The album's one of Mangelsdorff's best ever – a set of rhythmic tunes that seem clearly informed by the work of Ornette and Joe Harriott, but also based along eastern themes picked up by the group on a tour of the Orient – and performed by a sharp-edged quintet that includes Heinz Sauer on tenor and soprano sa…
Clay
*Limited Edition* Delve into the mesmerizing trio work of Japanese pianist Yosuke Yamashita, accompanied by the exceptional reed performances of Akira Sakata. This collaboration, a highlight in 70s Japanese jazz, epitomizes a robust avant-garde impulse. Drummer Takeo Moriyama adds a thoughtful and spacious dimension to the ensemble, navigating the dynamics adeptly. Sakata's clarinet produces searing sounds, and his alto saxophone exhibits formidable force. The album includes an extended renditio…
Ecstasy of the Angels
*Limited Edition* Soundtrack to Koji Wakamatsu's 1972 pink film "Ecstasy of the Angels". Japanese pianist Yosuke Yamashita formed a bass-less trio in 1969 with drummer Takeo Moriyama and tenorist Seiichi Nakamura. Yamashita's Bill Evans-influenced style expanded to include free jazz, a rather radical step given the conservatism of the Japanese jazz scene at the time. Beginning in the '70s, his trio (山下洋輔トリオ) toured widely and played many major European events, including the Berlin and Montreux …
Jodo
*2023 stock* Takehiro Honda joins forces with Reggie Workman on bass and Motohiko Hino on drums in this outstanding trio session. The album showcases a freer side of Honda, exploring open and lyrical modes that were gaining prominence in Japan during that period. Despite the freedom, a strong rhythmic sense prevails. While one track features Honda on electric piano, the acoustic numbers stand out with a proud and righteous energy.
Legend Of The Sea-Myself
*Limited Edition* Pianist Takashi Kako brings a uniquely subtle and poetic approach to his instrument in this improvised music setting. Supported by a talented quartet featuring Keiki Midorikawa, Masahiko Togashi, and Masami Nakagawa, Kako paints in space and color with a wonderfully abstract style.
What's Going On
*2023 stock* The impossibly cool 1973 album What's Going On from Late, Great Japanese Funk & Jazz Don Takehiro Honda which swings through jazz orchestral renditions of American R&B and Funk Classics like Marvin Gaye's "What's Going On, "Otis Redding's "Sitting On The Dock of the Bay," and James Brown's "Ain't It Funky Now" turning them into the most Down Home, Grits 'N' Gravy Grooviest Versions and sounding like they were recorded at the studio of the band that taught the Memphis Rhythm Sections…
Inner Space
*2023 stock* "Japanese pianist Yosuke Yamashita built his name as one of the country's avant-garde jazz leader with his bass-less trio founded still in 1969 (with drummer Takeo Moriyama and tenorist Seiichi Nakamura, in 1973 Nakamura has been changed by alto sax player Akira Sakata). Early-mid 70s were all years of trio's fame documented by representative collection of studio and live albums, all containing high energy fast and tight strongly improvisation music.Year 1977 was a transitional for …
Farewell My Johnny
*2023 stock* The first album by the Teru Sakamoto Trio, whose beautifully lyrical piano music has enjoyed exceptionally long sales. This is a new standard work of Japanese jazz that is highly acclaimed even overseas.
Evolution
*2024 stock* "This release Shintaro Quintet’s private press release ‘Evolution’. It’s another well-chosen release that comes with superb packaging, high sound quality and some interesting sleeve notes which give a fascinating in-depth insight into the music and the musicians in Japan within the specified time period.
Recorded in New York, the one-off recording by bassist Shintaro Nakamura and his quintet features the brilliant trumpeter Shunzo Ohno, who has played on many of the quintessential J…
Enraku's Playboy Chapter 12 - The Playboy's Manual
*Limited Edition* This late '60s Japanese "Playboy Manual" features a sexy cover and a unique format. Each track begins with Japanese spoken segments from Norio Maeda, possibly on seduction, followed by groovy instrumental music. The blend of jazz and easy modes, with romping piano, blasting horns, and mod rhythms, makes it a stylish and lively record.
Jazz A Maison De Japon, Paris
*Limited Edition* Embark on a wonderful French journey with the Japanese duo of saxophonist Mototeru Takagi and pianist Takashi Kako, accompanied by the exceptional Kent Carter on bass and cello, along with Ron Pittner on drums and percussion. This performance showcases Takagi and Kako in a slightly different light, possibly influenced by the Paris ambiance. While their creativity remains modern and distinctive, there's a nuanced sentimentality in their playing, evoking a special undercurrent th…