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Music for Writers is a wordless collection of pieces meant to accompany thought and inspire another way. It is music made in both stillness and motion, music that listens as much as it speaks. Each track offers a space—open, textured, often slow-moving—where ideas, images, and feelings drift in and out. It's a record I've been thinking about and wanting to make for a long time - my first solo instrumental album. The album was recorded across places—Brooklyn, Berlin, Latvia—using a minimal setup:…
Blue Vinyl. Three Lobed and Sunburned Hand of the Man have a long history. The label has been releasing the group’s output for nearly two of its three decades of making music. As Sunburned has picked up momentum again in recent years, the label’s been right there, releasing the highly acclaimed "Pick a Day to Die" in 2020, and in late 2022 reissuing a 20th anniversary edition of "Headdress", the classic and confounding first Sunburned LP. Label head Cory Rayborn acted as the catalyst for storyte…
The bones of a bird, stripped of flesh and feather, give no sign of the heights and depths a living bird can reach, the lengths it can travel, or the songs it can sing. The same is true of the bones of the human hand. For all their strength and delicacy, seeing them skeletal and stark obscures our knowledge of the rhythmic energy with which they engage space, the burdens they can bear, the music they can produce. Yet, in both bird and hand, the foundation of grace and motion remain. Music above …
'I’ll set the scene – we’re all passed out face-down in the lawn of the first Bush term, scratching our heads after 9/11 and wondering how much more dystopian it’s about to get. Ash hangs in the air as we march toward endless war, and the activities of the post-hippie, post-beat, post-punk, post-jazz, post-industrial, post-experimental bohemian underground flail against the avalanche with a mystic fire you can’t get your arms around, let alone bottle up for consumption. Jars of tears, rockets fr…
This record is a head-on excavation of temporal fallibility, a collaboration between Kim Gordon(Sonic Youth, Body/Head, Free Kitten et al. and Bill Nace with Aaron Dilloway former member of Wolf Eyes or in innumerable other contexts.
"Reticence / Resistance" is the eighteenth Pelt album and the first since 2012. It was mastered by James Plotkin. Pressed on 140 gram 12 in Virginia by Furnace and housed within a gatefold jacket bearing new design elements from the band's Patrick Best. As a part of the Three Lobed Recordings 20th Anniversary series it features an OBI strip bearing an essay about the LP by Aquarium Drunkard's Tyler Wilcox. Edition of 700
three lobed recordings is extremely excited to be involved with divide by zero records in the release of tennessee & other stories…, Hans Chew’s debut solo album. while chew is best known as the honky-tonk pianist and auxiliary vocalist behind brooklyn’s psychedelic americana outfit d. charles speer & the helix (including his lead vocal turns on both “life insurance” off distillation, and “bar-abbas blues” off the “in madagascar” 7”), his skill as a piano player has also previously been on promi…
I sometimes think of Ben Chasny as an occultist of the old school. For all the searing acetylene fire and noise that courses through his work as Six Organs of Admittance, there is something curiously late Victorian about the way his mind operates. For Chasny belongs to the lineage of seekers who, in the face of the fragmenting forms of knowledge in the modern world, held out the last hopes of synthesis: that art might not be parted from religion, nor religion from science—and that science, in so…
They're back. Heavy Winged has continued to stretch their leathery, scarred, er, wings and grow since their last release for Three Lobed Recordings, 2008's Alive In My Mouth. The band was determined to make Fields Within Fields into a significant part of their discography from the very outset. In October 2009, the band decided to enter the 5D Studios in Brooklyn to engage in what would be a first-time experiment - recording in a multi-track studio with overdubs planned from the session's s…
As one cog in the leaderless wheel known as the No-Neck Blues Band, Dave Shuford makes music so thoroughly unplanned that even he and his bandmates can't predict what it will sound like. NNCK don't just improvise, they don't even discuss what they're going to play, traversing many styles and moods with no safety net save the one that emerges from their collective creativity. Compared to NNCK's free-form tightrope-walk, Shuford's side project D. Charles Speer and the Helix can sound downright ris…