★Treader
Bishopsgate Concert
Recorded at Bishopsgate Institute, London 14/11/2012 "John Tilbury solo using two pianos-one prepared,the other not, the former being the famous old piano which once belonged to to Myra Hess. Ishmael Wadada Leo Smith solo accompanied by the spectral sound of sympathetic strings from John Tilbury's prepared piano,followed by a long and utterly absorbing duo from these two masterful musicians.
Live In Antwerp
Recorded live in 2007 at the WIM free music festival,here we have Spring Heel Jack's penultimate live concert. This beautifully recorded set featuring the great Pat Thomas, Alex Ward and Paul Lytton captures the vivid and multilayered musical imaginations of this quintet brilliantly.An essential record.
Spukhafte Fernwirkung
Concert performance, 20 October 2012 Sporthalle der Gewerblichen Schulen, Donaueschingen & Studio performance, 19 October 2012 Schlossbergsaal, SWR-Studio, Freiburg "Following in the august footsteps of Berg,Webern,Messiaen and Ligeti,Richard Barrett and Paul Obermayer assembled this wonderful international octet for the Donaueschingen Festival in 2012.Their live improvisation with Phil Minton, Ute Wassermann, Lori Freedman, John Butcher, Rhodri Davies and Paul Lovens was then used as material f…
The Founder Effect III
Excellent as the two quartet discs are, the trilogy saves its ace to the end, thus bringing it to a fitting climax. (Despite that, it is worth stressing that this trilogy should best be heard altogether, rather than one of its discs being cherry-picked.) The pairing of Pat Thomas's piano and Steve Noble's percussion—credited as "The Both"—is an ideal match. The two had recorded together before, on And (Rectangle, 1997) with Derek Bailey, but with Noble on turntables not drums—an encounter that g…
The Founder Effect II
With a generosity of spirit that is touching, the three tracks on this disc are titled after deceased (and much missed) improv heroes—drummer Tony Marsh, saxophonists Lol Coxhill and John Tchicai. (Coxhill never recorded for Treader but Marsh and Tchicai both did.) That gesture serves as a reminder of the close-knit nature of the improv community—a factor which is vital to its music. Although this CD features the same four musicians as the first one, Coxon here plays synthesiser instead of guita…
The Founder Effect I
You cannot judge a book by its cover. Maybe, but music fans somehow know that expression doesn't lend itself to album covers (in this case, CD covers). Look at the Blue Note Records covers from the 1960 sixties, Miles Davis' On The Corner (Columbia, 1972), or The Clash's London Calling (Columbia, 1979), and tell me you don't have a very good idea what you'll hear on those records. Covers matter, and more importantly they reveal essential information about the music found inside. Since 2004, the …
Abbey Road Duos
Two behemoths of improvisation go head-to-head in the impressive surrounds of Abbey Road Studios for this eight-piece set. Celebrated Brit avant-garde saxophonist Evan Parker takes the lead here, and he doesn't half throw his entire bag of tricks at this one, firing off a vast repetoire of breath articulations while American free jazz figurehead Matthew Shipp does a tremendous job of matching his every move. The opening suite finds the two maestros sizing one another up, only to launch into full…
Trio With Interludes
Another fine disc from the Treader label, this time featuring the marvellous Evan Parker alongside John Coxon (Roland MKS 80, piano and harpsichord), Mark Sanders (Drums and percussion) and Ashley Wales (bass drum, riveted tambour and piano). As the title suggests this collection of improvisations is interspersed with brief interlude tracks, whereby Parker takes a backseat in order for his fellow musicians to plot out some experimental, palate cleansing sonics. During the main body of these piec…
Amplified Trio
Dutch drumming legend Han Bennink teams up with Treader mainstays John Coxon and Ashley Wales for an amplified onslaught of ferocious freeform jazz. For this session Coxon kits himself out with an electric guitar while Wales mans electronics and samples. Between the two of them there's a barrage of flurried sonic ideas ranging from discordant string ensembles and abstract soundscapes to jagged wah-wah abuse. Throughout all this, Bennink's drumming comes across as boundlessly inventive, constantl…
SpaceShipp
That is one slick title, is it not? Though I must say, I for one would have preferred it had they gone with ShippMan. Oh, perhaps not... Both repeat offenders on the Treader label, Jason Pierce (of Spiritualized and Spacemen 3 notoriety) teams up with modern jazz icon Matthew Shipp, who plays celeste and harmonium over these two extended drone pieces. This collaboration first came about for Patti Smith's Meltdown festival, and this recording represents a studio incarnation of that performance. T…
Abbey Road Quartet
These quartet recordings feature the improvisational skills of trumpeter Ishmael Wadada Leo Smith, guitarist John Coxon, keyboard player Pat Thomas and drummer Mark Sanders - an ensemble that convened at Abbey Road Studios last year to commit these five pieces to tape. Wadada takes the lead, perhaps most staunchly reminding you that this is, at heart, a jazz album thanks to his florid, lyrical phrasing. The relationships formed between the instruments are an immediate source of intrigue, forming…
About
A new group comprising Hot Chip's Alexis Taylor, This Heat's Charles Hayward and Treader label regulars John Coxon and Pat Thomas, this quartet are an explosive improvisational outfit, with Hayward leading from the backline via some stunningly powerful drumming. The remainder of the musicians take up predominantly electronic instruments - mostly synthesizers and samplers, but within Taylor's musical menagerie you'll hear a spot of electric guitar, percussion and shruti box. This record is more o…
Treader Duos
Recorded February 2008, this album captures a specially organised Treader concert at St Giles-in-the-Fields church in London's West End. A series of duos played at the event, each improvising over the course of a twenty-five minute set. First up, the excellent John Butcher (on tenor and soprano saxophones) pairs with drummer Mark Sanders for 'Tooth Pivot', an incredible opener that stumbles into life through the reverberant performance space, with Butcher at first sounding measured and contempla…