★Wallen Bink
Mona Call
Two long-lost recordings from Marc Moulin's Placebo band, and it's earliest incarnation, Kiosk. Debuting unreleased outtakes from Placebo's second album, '1973', and the first ever official reissue of the proto-Placebo single by Kiosk. Originally pressed in tiny numbers in 1970 as a promotional release for Moulin's Sunday night radio show, Dimanche Musique, at RTB, Brussels. Taken from the only existing mastertapes, just recently resurfaced!
Phalene I / IV
*300 copies limited edition* Two long-lost recordings from Marc Moulin's Placebo band, and it's earliest incarnation, Kiosk. Debuting unreleased outtakes from Placebo's second album, '1973', and the first ever official reissue of the proto-Placebo single by Kiosk. Originally pressed in tiny numbers in 1970 as a promotional release for Moulin's Sunday night radio show, Dimanche Musique, at RTB, Brussels. Taken from the only existing mastertapes, just recently resurfaced!
Erich Kleinschuster 6tet Feat. Clifford Jordan & Charles Tolliver / ORF / 1968-69 / Erich Kleinschuster 6tet Feat. Joe Henderson & Dusko Goykovich / ORF / 1968-70 / Erich Kleinschuster 6tet Feat. Carmell Jones, Slide Hampton & Art Farmer / ORF / 1968-71
In process of restock This bundle includes three double LP sets, namely "Erich Kleinschuster 6tet Feat. Clifford Jordan & Charles Tolliver / ORF / 1968-69," "Erich Kleinschuster 6tet Feat. Joe Henderson & Dusko Goykovich / ORF / 1968-70" and "Erich Kleinschuster 6tet Feat. Carmell Jones, Slide Hampton & Art Farmer / ORF / 1968-71".Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 196…
Erich Kleinschuster 6tet – Feat. Carmell Jones, Slide Hampton & Art Farmer – ORF / 1968-71
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Erich Kleinschuster 6tet – Feat. Joe Henderson & Dusko Goykovich – ORF / 1968-70
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Erich Kleinschuster 6tet – Feat. Clifford Jordan & Charles Tolliver – ORF / 1968-69
Erich Kleinschuster’s projects and initiatives played a vital role in establishing a spiritual home for jazz in Vienna. The founding of his sextet in 1966 and, in 1968, a jazz department at the Vienna Conservatory, were catalysts for a scene that attracted international stars as well as nurturing the careers of home-grown virtuosos. Many jazz exiles, admired in Europe as they never were in the United States, settled for long periods, carving out new lives on the continent. The recordings in this…
Sarava / Canto De Ossanha
Saba developed ‘world music’ beyond its jazz label remit, the eclectic ‘Jazz Meets The World’ series brought together artists from Japan, India, Tunisia, Indonesia and Brazil. Producer Joachim-Ernst Berendt travelled to Rio in 1966 to create SABA’s first Brazilian release with a giant of the scene, guitarist Baden Powell. The resulting album, one of Baden’s greatest, bore two deeply rhythmic, spiritual titles found on this 45. ‘Sarava’ is a trance-like ritualistic number designed to whip dancers…
Blue Dance / Milky Way
Original created by Roland Kovac’s studio band for an industrial commercial, Hans Georg Brunner Schwer, an admirer of Kovac’s work, released the recordings as a full length SABA album in 1968 under the title ‘Trip To The Mars’. The recording has a sound somewhere between atmospheric soundtrack, library and modal jazz. Sort after for the modal waltz dancer ‘Blue Dance’, presented here in it’s ultimate sonic form – AAA analogue mastered and cut to 45rpm. Side 2’s ‘Milky Way’ is a heady trip mixing…
Theme From Zoltan / Mister E
Another highly collectable Nathan Davis release on SABA, also recorded in 1965, ‘Happy Girl’ has remained unissued on vinyl since the 1960s. The date gathers together another top drawer line-up, with Woody Shaw on Trumpet and Larry Young, the Coltrane of the organ, uniquely found on piano for this session. Jimmy Woode again supports on bass, with a furious Billy Brooks on drums. ‘Theme From Zoltan’, a fierce modal original by Shaw, was recorded by Young the following year on his classic Blue Not…
Carmell's Black Forest Waltz / B's Blues
Nathan Davis recorded ‘The Hip Walk’ in 1965 alongside his school mate, trumpeter Carmell Jones (who a month later went on to record the Song for My Father album with Horace Silver). The quintet is backed by the tightest of rhythm sections: Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums. One of the most beautiful, swinging jazz pieces ever captured on tape, ‘Carmell’s Black Forest Waltz’ is presented in all-analogue richness on 45 single format for the first time. On side …
Sconsolato / Just Give Me Time
Although considered to be the greatest jazz singer the world has ever known, Mark Murphy remained underground with a cult status. Perhaps the pinnacle of his recording career was Midnight Mood released by SABA in 1968, aligning his unique vocal skills with the Clarke-Boland Octet. With the arrangements of Francy Boland, Kenny Clarke playing offbeats and between-beats, and individualists like Sahib Shihab and Ake Persson, the backing on this date provided a unique dialogue for Murphy. After the l…
Ensadinado / Night Lady
Recorded in 1966, Fats Sadi’s ‘Ensadinado’ was his second recording as leader, his first album had been an early Blue Note 10”. Essentially comprising the Clarke-Boland rhythm section, with Sadi on vibes, Francy Boland on piano, Jimmy Woode on bass and Kenny Clarke on drums, this 45 features the two standout tracks from this rare SABA LP, which remains unissued on vinyl since its release in 1966. ‘Ensadinado’ finds the quartet playing a latin oriented title penned by Jimmy Woode. Boland’s ‘Night…
Sun Is Rising / A Day In The Life
** First unedited MPS release on 7” 45 single. AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** For this 1969 recording Wolfgang Dauner expands beyond his more typical jazz settings, introducing psych and eastern raga touches wit…
Mathar / Regards From Freddie Horowitz
** AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** Through the combination of Dave Pike’s vibes and Volker Kriegel’s exploratory electric, acoustic guitar and sitar stylings, The Dave Pike Set was a visionary quartet with a uni…
Love and Happiness / Yellow Bird
** First ever release on 7” 45 single. AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** For his MPS album ‘Rass’, Monty Alexander returned to Jamaica to turn out a jazz-funk groover. Recorded in Kingston in 1974, the date assembl…
My Soul / Au Right
** First ever release on 7” 45 single. AAA Transfers from analogue mastertapes. Audiophile-grade vinyl – single one-off batch limited-edition pressing. New artwork authentically recreated on heavyweight gloss sleeves. Cut at Abbey Road Studios by Grammy award winning engineer, Sean Magee. Manufactured at Pallas Group GmbH, Germany. Metallic hype sticker ** Wallen Bink presents My Soul / Au Right by George Duke. In 1971, following his tenure with Frank Zappa’s Mothers of Invention, George Duke to…
I Don’t Care Who Knows It
** 180 gram audiophile quality double LP. Gatefold cover artwork features previously unpublished original Blue Note session photos. All Analogue mastering: taken from Rudy Van Gelder tapes; transferred by Grammy-Award winning mastering engineer Sean Magee at Abbey Road Studios ** Wallen Bink presents I Don’t Care Who Knows It - The Complete 68’ to ‘70 sessions by Duke Pearson. This collection of performances, previously unissued in their entirety, drawn from five recording sessions from 24 June …