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CD reissue of the 1971 debut solo album from the former vocalist for the Zombies. One Year was co-produced by Blunstone's former Zombie colleagues Rod Argent and Chris White who also contributed three songs to the album. On the album, Blunstone is backed by Argent, led by Rod and featuring Russ Ballard, Jim Rodford and Robert Henrit.
2025 stock This compilation documents part of an exciting, and somewhat neglected period in Australasian jazz. Recorded in Sydney (1966), we can hear Bernie McGann was already one of the great Australian jazz stylists. But at the time the only publicly available recording he made was two tracks on the JAZZ AUSTRALIA compilation (1967) (CBS BP 233450). All five tunes are also early recordings of two New Zealand greats - Kim Paterson and Andy Brown, who were living in Sydney at the time. Two years…
As Bill Orcutt’s most mature and exhilarating LP to date, Music for Four Guitars was a slab of undeniable Apollonian beauty. Its approachability and obvious novelty landed it not only on the year- end lists of every key-pushing codger in the underground in 2022, but also on NPR in the form of the Bill Orcutt Guitar Quartet, an ensemble assembled to perform this music and featuring Wendy Eisenberg, Ava Mendoza, and Shane Parish. But while their Tiny Desk Concert gave a whiff of the quartet’s easy…
Recorded August 18, 1969 in Paris with Archie Shepp on soprano, Grachan Moncur III on trombone, Dave Burrell on piano, Sunny Murray on drums plus Arthur Jones, Beb Guerin and Earl Freeman.
Restored & remastered from the original tapes Pressed on 180-gram black vinylInsert featuring insightful essay by author & music journalist Kevin Le GendreLP original gatefold sleeve & artwork faithfully reproduced
Big Tip! An essential jazz masterpiece from celebrated Canadian pianist Paul Bley, presented in a deluxe edition. Originally released in 1969 as part of the iconic Actuel series, this definitive remastered edition of Ramblin' invites listeners to experience the artistry of Paul Bley’s 1966 Rome session in unprecedented clarity.
Recorded at Studio RCA in the Eternal City on July 1, 1966, Ramblin’ captures Paul Bley alongside the formidable rhythm section of double bassist Mark Levinson and drumme…
Dated 1968 this Rogerio Duprat album still sounds as a wild mix of pop-rock elements and various forms of Brazilian music. Infectious Latin rhythms, astonishing covers of US and UK hits of the era, easy listening atmospheres and a variety of odd arrangements. A must for all Tropicalists out there!
"Mondo imagined a future more far-out than any of its time. In its pages, readers glimpsed a hyper-accelerationist consumer dream of cyberspace made all more frighteningly real – then and now – by its prophetic synthesis of capitalism, psychedelic culture, and the computer age." - Dr. J. Christian Greer
Mondo Vision is an exploration of the visual culture of Mondo 2000, the iconic cyberculture magazine published 1984-1998, edited by R.U. Sirius and Queen Mu. Under the art direction of Bart Nagel…
Music-lovers of all lands, rejoice! Here you have the re-release of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4: Jo Maka. But before that, a bit of history: The Intercommunal Free Dance Music Orchestra was created in 1971 by an "old hand" of French free jazz, François Tusques. "Free Jazz" was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François J…
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…
In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
This tape is an edit of Emiliano Maggi's live performance at Villa Lontana on 22 November 2022. It includes selected tapes from the artist's personal archive, vocals and acoustic instruments played live by Emiliano Maggi. The title comes from an essay by Clarice Lispector published in the Jornal do Brasil in 1967.
Another mixtape in our series in partnership with Philadelphia's World Gone Mad, this time surveying South American punk and post-punk between '81 & '90 - featuring bands from Colombia, Peru, Ecuador, Chile, Paraguay, Uruguay and Argentina.
Our third mixtape in partnership with Philadelphia punk archivists World Gone Mad, this time specifically focused on the late 1980s/early 90s punk & hardcore scene in Medellín, Colombia.
"There are moments in which art perfectly reflects the surroundings in which it was born. This is the case of the entire hc/punk/metal scene in late 80s/early 90s Medellín. It was, at the time, the most violent city in the world because of drug cartels, corruption, oppression & poverty. This violence was the rea…
Another mixtape reissued by Death Is Not The Enc in partnership with Philadelphia's punk archivists World Gone Mad, a 90 minute overview of rare material from the annals of Poland's dark wave scene, 1982 to 1989.
Miles in France is the eighth installment in the celebrated Miles Davis Bootleg Series and this edition focuses on the birth of the Second Great Quintet in 1963 and 1964. The music heard here represents the sound of an end and a beginning coming through at once. The set contains 5 separate performances of the Miles Davis Quintet spread over 8 LPs or 6 CDs and the energy and depth of feeling in the transcendent playing hint at the special relationship Miles and the group had with the French natio…
A Tribute to Jack Johnson was originally conceived as the soundtrack for a documentary on the life of the first african american heavyweight boxing champion, but the album stands on its own as one of the most brilliant, compelling fusion recordings ever made. This is due in large part to the increasing influence of rock and funk on miles's aesthetic, to the superb musicians (including Davis himself - who turns in some stunningly vigorous solos), and in part to the production skills of Teo Macero…
Widely acknowledged by jazz critics and aficionados as a landmark in 'hard bop' and one of the greatest jazz albums ever, Miles Davis' 1956 Columbia Records debut showcased his first legendary quintet featuring John Coltrane.
We are very happy to present the second installment in our collaboration with SMEM. Dorian Concept spent 10 days at the Swiss Museum for Electronic Music Instruments to record Music From A Room Full of Synths. Even though he doesn't consider himself a "gear-guy," his unique approach led to a record defined by its playful curiosity and free-form arrangements. The entire album was recorded live, with no sequencing or programming involved. Thus, capturing the rawness of the moment, while celebratin…
«Music gives us the illusion that time is not time, but space. It is then that the music transforms from process to object, which I find a very interesting thought; a materialisation of the sound process. Sound is matter.» - Noémi Büchi
*Very limited edition* Cosmic Ear is a new group bringing together Christer Bothén, Mats Gustafsson, Goran Kajfeš, Kansan Zetterberg and Juan Romero. Their debut album Traces is released by We Jazz Records on 23rd of May, 2025. Including 6 deep cuts, Traces is an album that sees Cosmic Ear tracking down the "traces" of the legendary Don Cherry's legacy while paving their own way in contemporary creative music expression.
Christer Bothén, a collaborator with Don Cherry during his Swedish period i…