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Hermetika IX – Vox Angeli II pushes Bernhard Lang’s obsession with loops, fracture and stylistic collision into explicitly metaphysical territory. Centring the female voice, the piece takes its texts from the Nag Hammadi scriptures, a body of early Christian and Gnostic writings in which the tension between spirit and flesh, transcendence and fall, is particularly charged. Across four sharply contrasted movements, Lang treats those texts less as doctrine than as volatile material: sensual biblic…
Across … in grief and detail presents Michael Hersch at his most concentrated and exposed. Composed between two shattering personal crises, these three compact works push his already uncompromising idiom into a realm where every sound feels physically paid for. Writing for soprano, violin and bassoon in shifting combinations, Hersch strips away any sense of orchestral distance; what remains is a chamber theatre of proximity, in which the smallest inflection of the voice, the slightest change in …
On Buenos Antwerp, Elko Blijweert and Anla Courtis turn a chance Borgerhout encounter into a two‑part psychedelic correspondence, one acoustic, one electric, a cross‑Atlantic guitar séance wrapped in Dennis Tyfus’ cut‑and‑paste visual delirium.