New Arrivals / Last 2 weeks
Phase III
Endless Happiness reissues the 1968 British jazz classic Phase III by The Don Rendell/Ian Carr Quintet, showcasing their creative peak and innovative spirit.
One Flight Up
One Flight Up by the legendary Dexter Gordon. Recorded in Paris on June 2, 1964, this album stands as a testament to Gordon’s leadership and the vibrant European jazz scene of the era.
Seven Dreams
Dominique Pifarély, Lina Andonovska, and Izumi Kimura—three versatile, internationally acclaimed musicians—unite in a unique trio project born from a residency.
Canyon
Jerome Deupree, Sylvie Courvoisier, Joe Morris, Lester St. Louis unite for an album of explosive solos, profound improvisation—a canyon where all musical worlds collide in boundless synergy.
Ethereal Chant
The Lava Quartet—Berlin to Portugal—unites for free improvisation, blending creativity and extended techniques. Their debut album, "Ethereal Chant," showcases boundary-breaking, unpredictable soundscapes.
This Is Not Speculation
Long-time collaborators and legends of the British improvised music scene, the great saxophone virtuoso John Butcher and the master of the double bass John Edwards, join forces in a duet journey through a fascinating land of sounds, sometimes undiscovered, sometimes impossible, and always breathtaking.
Lights On A Satellite: Live At The Left Bank
Available for the very first time, the intergalactic icon Sun Ra and his Arkestra’s Lights On A Satellite: Live at the Left Bank was recorded on July 23, 1978 at the Famous Ballroom in Baltimore, Maryland by the Left Bank Jazz Society. The limited-edition 2-CD set contains audio from the Sun Ra Archives and was researched and compiled by Sun Ra archivist Michael D. Anderson. The critically acclaimed independent filmmaker Robert Mugge has also provided audio from the recordings he made at the Lef…
Exuma
Exuma is the debut studio album by Bahamian folk musician Exuma. It was originally released in May 1970. In the early 1960s, Exuma (born Macfarlane Gregory Anthony Mackey) had moved to Greenwich Village, New York and started playing guitar and singing in the cultivating folk rock scene developing in that area. After producer Bob Wyld came up to him offering a record deal, he chose to adopt "Exuma, the Obeah Man" as his name. Wyld adopted the pseudonym "Daddy Ya Ya" and recruited a few musicians …
Remscéla
Milkweed’s new album draws from ‘The Táin’ Irish epic, mixing “Slacker Trad” with global sounds. Critically acclaimed, their music merges Appalachian folk, hauntology, and experimentation.
Cosmogonical Ears
Amosphère’s »Cosmogonical Ears« explores time, space, and perception via long-form, minimalist-electroacoustic pieces, merging myth, meditation, and quantum physics for immersive, transformative sonic experiences.
with time, we learned to ask less
Giuseppe Ielasi & Riccardo D. Wanke’s debut duo album blends electric guitar and piano with reverb, showcasing shared improvisational artistry and a delicate sculpting of sonic space through careful interplay and mindful silences.
Chronotopia
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**Belgian artist Elisabeth Klinck’s “Chronotopia” marks a new artistic phase, blending violin and voice in song-based, intimate soundscapes. Recorded in the Pyrenees, it playfully explores time, duality, and transformation, balancing improvisation with melody-led structure.**
Unnameable Glory
Plume Girl’s ‘Unnameable Glory’ merges Hindustani, ambient, and pop, dissolving boundaries between language, sound, and feeling. Somanath explores the luminous freedom found beyond definition and the joy of shared, wordless experience.
Resta chi va
Antonio Borghini and Banquet of Consequences continue on their path of jazz, freedom, and rigor, in which writing, improvisation, tradition, and chaos coexist in a vital and surprising mixture. Well-organized music that uses disorder to its enrichment and is a harbinger of melodic flourishes and references many different kinds of music.
In Movimento
Tip! Two long pieces, a live performance and a rehearsal at home, make up this work by the Braida Locatelli duo, a new stage in their 30-year journey. Improvised music that often sounds composed. Improvised, decomposed, recomposed, composed? A true duo, where one plus one makes one.
Armageddon
Victoria One reissues "Armageddon" by The Maze, digitally restored for new audiences. Featuring original 1968 tracks plus rare bonus content, this release offers the definitive psychedelic legacy of late 60s San Francisco.
Occam Hepta I
Edition of 250 copies. Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other for analog synthesizer (performed by Ryoko Akama).
In Eliane Radigue's work, we oppose electronic works (composed until the early 2000s) to those written for acoustic instruments. From 2002, the artist began a series of compositions, Occam, orally transmitted living music. In her own words, she fully realized what s…
B-X0 NO-47A
A cornerstone of avant-garde jazz, B-X0 NO-47A captures Anthony Braxton at a pivotal moment in his career and in the history of the Association For The Advancement Of Creative Musicians (AACM). Recorded in Paris in 1969 and newly restored from the original master tapes, this classic session finds Braxton leading a quartet of fellow AACM visionaries: trumpeter Leo Smith (before adopting the name Wadada), violinist Leroy Jenkins, and drummer Steve McCall.
The group’s instrumentation is strikingly …
Domino - Live At Radio Bremen Tv-studios 1963
On September 30, 1963, American saxophonist and multi-instrumentalist Rahsaan Roland Kirk and his quartet gave a small concert in the TV studios of Radio Bremen. The concert was broadcast on ARD in the spring of 1964 as part of the popular "Domino" series.
Now the original tapes have resurfaced in the station's archives. Sensational! The former sideman of Charles Mingus, Gil Evans and Quincy Jones had come to Germany not only with his successful Mercury albums "Domino" and "We Free Kings" in his…
Other Worlds And Habitats
The Sorcerers' latest long player lands in perfect time for the summer, offering a further progression into their unique take on Ethio-inspired jazz.