New Arrivals / Last 2 weeks
Time Machine & Electric Silence
Formed in 1972 as a quintet, Dzyan recorded their self-titled debut album after only two months and released it on Aronda, a small Bad Homburg label owned by producer Günther Müller. The original line-up, which never performed live, broke up after a few months. Bassist Reinhard Karwatky soon formed a trio that took the band's name. Karwatky, guitarist Eddy Marron and drummer Peter Giger signed a contract with Bacillus/Bellaphon, Peter Hauke (Omega, Nektar, Jeronimo, etc.) produced and Dieter Die…
Gesprächsfetzen & In Sommerhausen
Alto saxophonist Marion Brown was an initially underrated hero of the jazz avant-garde. It was only after he moved from Atlanta to New York and joined John Coltrane that the public and the critics took notice of him.Dedicated to discovering the far-reaching possibilities of improvisational expression, Brown possessed a truly lyrical voice. In the early seventies, she played with Anthony Braxton, Andrew Cyrille, Bennie Maupin, Jeanne Lee, and Chick Corea, among others. On this recording he was ac…
The Straight Horn Of Steve Lacy
Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes…
A Rainbow In Curved Air
Esoteric Recordings are pleased to announce a new remastered edition of the wonderful ambient and experimental work by composer Terry Riley, "A Rainbow in Curved Air”. One of the great modern musical works, Riley composed this influential piece utilising tape loop recording in 1967, performing every instrument himself.A pioneer of modern music, Riley’s all night performances of his work were ground breaking experimental events and influenced composers such as Philip Glass. Released as an album i…
Ghosted III
Oren Ambarchi, Johan Berthling, and Andreas Werliin return with Ghosted III, their most immediate and adventurous collaboration yet. Recorded at Stockholm's Studio Rymden, this third excursion into spontaneous rhythm creation blends ambient neo-jazz, postkraut, and minimal funk with newfound looseness and wild exuberance.
KBh 2023 til 2025
In the summer of 2024 I was browsing through some unmarked tapes in my studio, Where I found a cassette with a mysterious recording which I couldn’t figure out who had made. In the following month I played it for a dozen different people to see if they had any knowledge about this magical treasure but no one knew anything about it. However after a lot of searching I figured out that the tape included recordings of my great friend Johannes’s new rock group Bending Backwards, we shared studio spac…
Femøren
A Friday evening last year I were hanging out as usual in the Afvikling headquarter probably reading about some stupid 80s action film. However that evening took an unexpected turn when this release suddenly landed in my inbox. Naja is a great friend of mine and she has already done a lot of amazing music but this tape made together with longtime collaborator Jonas Sommer is especially impressive I think. 25 minutes of very sweet and heartwarming Lofi pop songs from the top shelf of great songwr…
Møl
Such a beautiful release from my friend Frederik. Acoustic instruments and a lot of silence. I hope he is going to do many more releases for the label.
Slomomall
Unplugged post rock from this new guitar group. I don’t know if awkwardness is usually a good thing in music but these recordings feels restrained and yeah, slightly awkward in a really charming and beautiful way. i’ve listened to the tape countless times, and it’s still a bit of a mystery to me, maybe also to the musicians themselves. I like music I don’t really get and I think this tape is really goodA: bendy boo, low flo, waves B: kunstige satelitter, d mol, slomomall
Taknemmeligheden om morgenen og længslen om aftenen
Celebrating one year of Afvikling.“Your true colors are beautiful like a rainbow”
Silentium
A breathtaking journey into Arvo Pärt’s sacred minimalism. This LP features rare and moving renditions—including a radically slowed performance of Silentium—that illuminate the composer’s most intimate, time-suspending work.
My room is an oyster
First cassette from my friend Jeff, hopefully many more to come.Side a is quite tense, side b is really sweetlovely tapeMy Room Is An Oyster
Side A
A series of dissociative solo guitar compositions inspired by overstimulation and political desperation.
Side B
A lil less of lonely conceptuality - the guitar as a blank canvas to be discovered with the people in the room.Feat. Casper Hejlesen and Malina Midera
Highdelberg
Guitarist Ax Genrich began his career in 1970 with a brief stint with German prog-kraut rockers Agitation Free. There he was able to develop his improvisational style, but was soon poached by Mani Neumeier to join Guru Guru. Together with bassist Uli Trepte, Genrich and Neumeier enjoyed their first major successes and were soon regarded as the new figureheads of Krautrock, releasing Känguru in 1972, a milestone in the genre. After four years and four albums, Ax Genrich left Guru Guru because the…
Prey detection in web building spiders
*Dubbed on new ferro tapes* Second release from L. Linebacker. Needy guitar handling and eventually a talkative radio recorded directly to tape. Only rough edits and simple reamps done afterwards.
I’m going to have to ask you to
*Dubbed on new ferro tapes* One long composition for each side. Reminding me of an ultra-stretched version of the beautiful interplays on talktalk’s spirit of eden. Brittle percussive repetitions and muted trumpets slowly maneuvering into lovely tensions.
Compiled loops & experiments
*Dubbed on new ferro tapes* Tape loops, wind-up gramophone manipulations, and other audio fascinations. All of these sounds share the fact that they didn’t fit into any other release. Collected throughout 2024 and 2025, they were set aside on my harddrive. This is a documentation of scrap material, assembled in rough form.
Whatevershebringswesing
2025 stock Melancholic with a tendency towards ballads, this 1973 third album from Kevin Ayers is nonetheless the most accessible of his early work. Featuring the core musicians of guitarist Mike Oldfield, keyboardist David Bedford and drummer Robert Wyatt, the LP is a solid, consistent, and focused outing, which continues to be at the top of Ayer's solo work. Original artwork. New detailed liner notes.
Talisman (Live In Nagoya)
2025 stock Bringing together three of the most voracious and energetic musical minds in new music, Painkiller was one of the most intense live bands ever. Here they are captured at their absolute peak. Culminating their legendary 1994 tour of Japan in a masterful set featuring one of their longest and most inspired improvisations, the thirty-five minute Batrachophrenoboocosmomachia. Beautifully recorded by the unsung fourth member of the group sound engineer Oz Frith and packaged in deliriousl…
The Prophecy
2025 stock John Zorn and Bill Laswell are two of the Downtown scene’s most consistently intrepid musical explorers, and PainKiller, formed in 1991 is their longest running project together. “The Prophecy,” the first official PainKiller release in over ten years, was recorded live in Europe in 2004–5 and pulls together music from several concerts into a powerful and mind blowing suite unlike anything the group has ever released before. Featuring master drummer Yoshida Tatsuya (Ruins, Korekyojin)…
Hyderomastgroningem
2025 stock Along with the Boredoms, Naked City and very few others, this amazing drums/bass duo are masters of quick-change, stop/start tempos, time-signatures and textures. Ruins' explosive and intricately composed tunes are sung in a peculiar language of their own invention. Yoshida cites Magma, This Heat, Debussy and Webern as influences. Masuda's favorites are James Brown and Fred Frith.
Hardcore, art rock, psych, heavy metal, funk and lots more - if Ruins have heard it, they are likely to…