New Arrivals / Last 2 weeks
Hanu Hansa (Bangkok Blues)
Hanu Hansa is the nomme de guerre of TJ Blake, a visual artist and musician based in Atlanta, Georgia. Known for his work in various mediums, he is perhaps best associated as a member of Lotus Plaza (Kranky) and Lyonnais (Geographic North, Hoss). Sonically, his music explores the intersection of ambient and electronic modes, often drawing inspiration from the contemplative nature of his visual work. Sonically, his music explores the intersection of ambient and electronic modes, often drawing ins…
Emo Inhaler
Roman Hiele (1991) is a Brussels-based musician and composer whose work explores the boundaries between improvisation and electronic composition. His music unfolds as a living system of shifting harmonies, fractured rhythms, and unexpected turns. At the core of Hiele’s practice lies a deep fascination for contrast, where his soundscapes act as both anchor and disruption, sharpening the emotional depth of images and spaces, a sensibility that extends into his collaborations with filmmakers, visua…
The Boston Tea Party July 11th 1969 vol.1
The Boston Tea Party Live Set from July 1969 Released in Two Brand New Volumes
The Fantastic Jazz Harp Of Dorothy Ashby
This is the sixth album by Dorothy Ashby, a Detroit born jazz harpist who passed away in her early 50s in 1986 way before her time. She left us a rich legacy of music with this 1965 release being one of her milestones. The music is pure bright and swinging with a joyful mood. Dorothy Ashby performs her lines big time with her harp and captures your soul with the melodies she picks from its strings. She is always there upfront while the brass section mostly fills the background with colour if the…
Nocturnal Rainforest
The first collaboration between Japanese noise titan Masami Akita, aka Merzbow, iconic Brazilian drummer and producer Iggor Cavalera and forward-thinking Italian guitarist and sound designer Eraldo Bernocchi, 'Nocturnal Rainforest' terraforms a sonic landscape that's almost overpoweringly dense and disorienting, but never aggressive or chaotic. It's a fully immersive experience that re-contextualizes the trio's years of work in extreme experimental music by concentrating on texture, atmosphere a…
Ambient $
Mythology has a recurring theme: creating ambiguity by rearranging worlds and creatures that normally don’t belong together. Centaurs, Minotaurs, Hydras and so on: mockery and mystery intertwine into entities that are in equal parts magnificent and ridiculous. Referencing this idea in the present, Loris S. Sarid conjures 12 compositions simultaneously showing traits of dreamlike trap, candy-flavoured New Age and Spoken Word. The lines between spiritual and mundane, drama and parody are bent and …
Polychromatic
After three years of silence, Harz returns with "polychromatic", his long-awaited second album.
Formenverwandler
Beyond excited to announce the new album Formenverwandler by Sunik Kim, a Los Angeles-based musician, writer and filmmaker who has previously released music on Notice Recordings, Rope Editions and Otoroku. Spanning almost 2 hours, Formenverwandler is a detailed and considered study on time and duration. Drawing from her extensive research on composer Conlon Nancarrow, Formenverwandler sees Kim exploring the time or tempo canon, which can pull and project the listener's senses, melting the tempor…
Live In Brighton
A wonder trio consisting of Charles Hayward, Guy Segers (Univers Zero) and Kawabata Makoto (Acid Mothers Temple), captured live. A special evening in which the three veterans met on stage, setting the atmosphere on fire with a unique concert, short-circuiting forty years of rock history from blues to noise via the most liquid and rarefied psychedelia.
Charles Hayward has always asserted a very personal idea of improvisation, in some ways equidistant from the abstractness of European free and the…
Collectors' Items
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an intensity comparable to the fervor seen in the vinyl-collecting market decades later. Gitler aimed to offer jazz fans unreleased Prestige recordings while meeting expectations for the amount of music on an LP. Initially dismissed as a mere compilati…
The Travel Agency
During the legendary Summer of Love and throughout the Vietnam protest marches, a mysterious sound emerged from beyond the conventional boundaries. The Travel Agency, a Los Angeles psychedelic rock group, unleashed their only album in 1968, produced by James Griffin of Bread fame. This record is packed with incredible proto-garage tracks and mesmerizing lysergic crescendos. It kicks off with the haunting organ intro of "What’s A Man," which astonishingly echoes the vibe later found in "Smells Li…
Le Città di Pianura
After ‘Requiescat In Plavem’ and ‘Lentius Profundius Suavius’, Krano returns with another curveball in his discography, a kolossal double-album and his first original soundtrack for the movie ‘Le Città di Pianura’ (The Last One For The Road), directed by Francesco Sossai and presented at the Cannes Film Festival (Un Certain Regard), a rollicking, bittersweet journey through the Venetian countryside, where memory and mischief ride shotgun, a road-movie through a territory undergoing great transfo…
You Can't See Speed
You Can’t See Speed is a limited-edition vinyl accompanying the artist’s major solo exhibition at the Australian Centre for Contemporary Art. Attending to the interconnected and multisensory experience of film beyond vision, You Can’t See Speed features vocal resonances and spoken descriptions written and recorded in collaboration with participants from Stefanou’s film works, alongside music composed by the artist. A cacophony of lived experience, oral storytelling, and vocality.
The B-side cent…
Smashed Platitudes Avillion, Abbotsford, Adelaide/Heaps Of Sorrow
A drastic left turn from NM label head Simon J Karis, following some notable 2024 output. The manic jubilance of both last year’s ‘Thrash’ (his collaborative effort with UK experimental/club royalty Actress) and his hugely evocative, slightly foolish solo full length ‘So Little Sorrow’ (accompanied by a book of 50 watercolour paintings by legendary ambient musician and visual artist Andrew Chalk) commanded new ears and scratched heads further across the globe than Karis had enjoyed prior. So wit…
A thousand tiny mutinies live
Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies live’ revises motifs and prompts from Franklin’s solo bass and extended technique LP for NM in 2024 with spectacular license, captured in stunning high resolution audio.
Surrounded by an encircling audience, Franklin’s fragmented acoustic cycles issued…
The Incessant Need To Fill In Blank Spaces
The album offers massive long-form drone with a beautiful ambient touch—it is the first part of a trilogy. The artwork consists of an embroidery hoop enclosing a piece of felt that holds the cassette and credit inlay.
Leikarring
The album is an experimental, atmospheric journey with wonderful sounds. The artwork consists of a wooden box with a sticker. The credits are printed on a long strip of paper that wraps around the cassette.
Empire Des Pulsions
Founder of KUMP and Meth.O tapes, Lyon’s Marc-Étienne Guibert (AKA Gil.Barte) awakens his new Mert Seger moniker for a shadowy Plaque excursion. Nine slow burners strike from the murk with venomous precision.
Remnants
"I don’t keep photographs, old letters, keepsakes or memorabilia. I have sound-files, thousands of them, un-used, un-heard: folders of field recordings; sonic sketches; experiments that failed but weren’t deleted. The files are saved on hard drives or the cards of obsolete pieces of equipment replaced – bit by dusty bit – with something new, clean and shiny. A remnant is what’s left over when the greater part it once belonged to has been used up, removed, or destroyed. I think of my sound-files …