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*2026 stock* With "Onda", Regensburg artist Markus Guentner releases his follow-up to Empire, which appeared on A Strangely Isolated Place in 2021.
"Onda" captivates with its orchestral-like progressions, an endlessly interwoven carpet of sound that …
Limited edition of 33 copies in black cardboard boxset. 1980. Working alone from his home in the Mantuan town of Pomponesco, twenty-four years old, equipped with little more than an analogue synthesiser, a tape machine, and a small bank of effects, M…
Across three decades of uncompromising sound, this series of vinyl reissues traces a raw and evolving lineage within Japanese noise. From the mid-1980s underground to the turn of the millennium, these works capture a continuous process of transformat…
* Edition of 199 copies * Originally released on cassette in 1985, H·A·D·A·Y·R·O is a landmark of Japanese noise music. It documents the early vision of Solmania and the singular sonic approach of Masahiko Ohno. For years, it remained a cult artifact…
* Edition of 199 copies * Between 1999 and 2000. By the early 2000s, Merzbow had entered a markedly new phase. The tape collages, junk electronics, and analogue chains that had defined his work across the 1980s and 1990s gave way to a digital practic…
* Edition of 199 copies * Government Alpha, the project of Yasutoshi Yoshida, is one of the central figures in Japanese harsh noise, emerging from Tokyo's early 1990s underground scene. Through his Xerxes label, he developed a style that is both extr…
101 Copies. Recorded in July 1980 and issued shortly thereafter on Andrew Cox's YHR Tapes with the catalogue number YHR 005, Voyeur Tape was the first MB cassette to cross the Channel into the British industrial underground, preceding by a matter of …
Edition of 101 copies. Recorded in June 1980 and self-issued the same year on cassette, Atomique Tape belongs to the legendary first wave of releases under the MB name, the moniker Maurizio Bianchi adopted that spring after closing his earlier projec…
101 Copies. Recorded in the autumn of 1980 and originally issued the same year on Andrew Cox's YHR Tapes in the United Kingdom, Cold Tape marks the moment Maurizio Bianchi's music first crossed the Channel into the British industrial underground. Aft…
This is where it begins. Recorded in May 1980 and self-released the same year as catalogue number 01, Industrial Tape is the founding document of the MB project, the first cassette Maurizio Bianchi issued under his new name after closing the Sacher-P…
Tip! 17 Re is the third studio album by Italian New Wave band Litfiba, released by I.R.A. Records in December 1986. Although little known outside Italy, It is still considered by many to be Litfiba's stylistic masterpiece. It is part, with the previo…
A long overdue gathering. For more than half a century, Cyrille Verdeaux's Clearlight project has occupied one of the strangest and most overlooked positions in the landscape of 1970s European progressive music - a French ensemble whose foundational …
On Vol.3, Heimito Künst abandons drift for brutal repetition, channeling Thomas Bernhard and 19th‑century auditory therapy into a krautrock‑acid vortex where Moog, Mellotron and pounding drum machines turn obsessive sonic loops into a deeply psychede…
*27 copies limited edition* A limited edition of 27 reel-to-reel tapes, assembled by hand. Housed in a rigid black 'pizza' box and sealed with a pink sticker, each copy carries traces of manual handling and slight variation. The reel sits exposed wit…
On Live in Europe 1968 & 1972, Marion Brown leads a borderless quartet through two rare European concerts, pairing his singing alto with Gunter Hampel's vibes, Barre Phillips' bass and Steve McCall's drums in a sound that hovers between lyrical free …
On Sonic House Reunion, Bobby Bradford, Mark Dresser and Hafez Modirzadeh reconvene a long‑running alliance, turning cornet, five‑string bass and hybrid reeds into a quietly radical chamber unit where Ornette‑rooted lyricism, spectral tuning and deep…
On Sun’s Blessings, Sunny Murray and Sabu Toyozumi meet as a double‑drum frontline, turning a 1999 Sapporo concert into a two‑part ritual where clattering polyrhythms, rolling thunder and sudden hollows of space make free improvisation feel both volc…
On Keeping It In Context, Daniel Carter, Sabir Mateen, William Parker and Lou Grassi turn a 1996 Context Studios session into a blazing, deep‑listening workshop, with twin reeds, singing bass and restless drums stretching free jazz language without l…
Scorn is dead. Mick Harris has said it himself, repeatedly, over the years, but this time the sentence has the weight of finality. Anamnesis, expanded to a four LP set and issued by GOD Records as catalog GOD 80, is the last word. Few projects have t…
Paradessence, Visible Cloak’s third full length, is an album of tension and reassurance. Its thirteen songs shift, heave, and shimmer against a faintly luminous backdrop of night, a cavern-like space shaped by sparse hyperreal representations of the …