New Arrivals
Liminal Spaces
Liminal Spaces, by Ed Jones and Emil Karlsen, sketches a quiet but complex dialogue between saxophone and percussion. Their communication is fluid, as fleeting motifs and rhythmic fragments surface and dissolve, inviting the listener into the shifting boundaries of spontaneous improvisation.
Moon
Moon sees Simon Rose and Nicola Hein map a shifting terrain between breath and electricity. Baritone saxophone and microtonal guitar unfurl in subtle layers, crafting a microcosm where fragility and abrasion lie side by side, always moving, always searching.
The Duke of Wellington
The Duke of Wellington is a vivid portrait of Derek Bailey and John Stevens in spontaneous conversation, recorded live at a London pub in 1989. The set captures their dynamic synergy; jagged guitar and agile percussion interlock and diverge in an unrepeatable display of free improvisational skill.
Within (2) / Appearance (2)
Within (2) / Appearance (2) by Michael Pisaro-Liu presents a contemplative exploration of duration and silence, foregrounding gradual transformation. These extended works for guitar and double bass, created with Michael Francis Duch, reward patient listening and engage with resonance and subtlety over spectacle.
Zaum´ - Заумь 1981-1989
Edition of 80 copies, signed and numbered by Scherstjanoi. Published on occasion of the exhibition “Valeri Scherstjanoi – Auf dem Weg zum Scribentismus, Experimentelle Texte und Gesten. 1982-1989” at Rumpsti Pumsti (Musik), Berlin, June 2012. Featuring previously unreleased Phonetic-Poetry pieces recorded 1981-1989. Screenprinted sleeve featuring scribentic artwork by Scherstjanoi, black vinyl, stamped label, black poly-lined innersleeve, insert.
Ausgewählte Kurze Hörstücke 1961-1987
special edition of 60 copies, signed, with additional CD Unlike previous Gerhard Rühm editions on Tochnit Aleph which portrayed his phonetic poetry and longform radio-plays, the pieces on Ausgewählte Kurze Hörstücke are more conceptual, actionist, and (mostly) sound-based works recorded between 1961 and 1987. Liner notes by Gerhard Rühm in English and German.
Akustisches Abreaktionsspiel
Special edition of 10 copies with Signed photoprint and CD Hermann Nitsch’s very first release, originally published 48 years ago by Edition Galerie Klewan in a limited edition of 100 copies..Produced and recorded at the WDR Radio in Cologne, Germany, the Akustisches Abreaktionsspiel (Aktion 38b) is "neither a radioplay nor a work of music. it merely portrays the acoustic part of an "abreaktionsspiel“ (a play of abreaction). the special and specific usage of the acoustic possibilities are in the…
Gong
Gong, newly reissued on CD with bonus tracks, finds Sissy Spacek at their inventive peak, transforming the noise duo format into a meticulous, sprawling environment. The album’s two extended pieces are collages of violently manipulated junk noise, shattered electronics, and warped musical fragments, merging chaos and structure. Through masterful tape edits and dense, eerie atmospherics—including glass, metal, piano, and field recordings—the band delivers an immersive, unpredictable journey into …
Raiser
Raiser captures a 2013 Bronson session of Sissy Spacek—Phil Blankenship, Charlie Mumma, and John Wiese—in Los Angeles, channeling an intense fusion of harsh noise and noisecore. The album is a relentless, cathartic experience: shriek-laced blasts, searing electronics, and disintegrating metal fragments, all reassembled into monstrous, meticulously pieced sound collages. The result is sonic destruction made compositional, a full-spectrum assault that melts into jittery static and transformed debr…
Porch Music
Porch Music documents No Hope Orchestra, an ambitious large ensemble led by Paul McCarthy and featuring core members of the Los Angeles Free Music Society. Recorded live at The Box gallery concert in Los Angeles, the project harnesses a vivid assembly of improvisers—Mitchell Brown, Elaine Carey, Dennis Duck, Ace Farren Ford, Juan Gomez, Mike Gonzalez, Joseph Hammer, Keith Lubow, Nathaniel Mellors, Joe Potts, Rick Potts, Trevor Rounseville, Alex Stevens, Molly Tierney, and John Wiese. This releas…
Ex-Org
Ex-Org is the fourth album from Extended Organ, featuring Paul McCarthy, Fredrik Nilsen, Joe Potts, Tom Recchion, and Alex Stevens. Recorded in January 2018, the album documents two sessions: one as-performed and another “decomposed” by John Wiese. Here, Extended Organ conjures an unpredictable sonic environment - Joe Potts’s Chopped Optigan, McCarthy’s improvisational guitar and vocals, and a dense fabric of homemade and vintage instruments combine to create a powerful blend of immersive ambien…
Le Grand Couturier
Le Grand Couturier debuts with a self-titled album that threads together imaginary exotica and daring contemporary experimentation. The trio crafts a distinctive palette of analog warmth, improvisational spirit, and whimsical elegance, resulting in a record that both intrigues and soothes with its lush arrangements and unpredictable textures.
Get Out
Get Out by Pita unfolds as a seminal work in laptop-based experimental sound, capturing the raw interplay between digital entropy and sonic melody. Rehberg’s compositions navigate between turbulence and clarity, aided by precise electronic manipulations and a single-minded commitment to his artistic vision, setting a benchmark for subsequent generations of experimental musicians.
Konoma
Konoma by Takuro Okada is an evocative exploration of musical identity informed by Afro-American traditions and a Japanese artisanal spirit. With eight tracks that weave intricate guitar textures, this album reflects Okada’s meditation on cultural connection and the possibilities of stylistic fusion, pushing boundaries in contemporary instrumental music.
A Book of Imaginary Beings
A Book of Imaginary Beings by Awkward Corners reimagines electronic groove music through an abstract, global lens. Subtle melodic threads, sparse percussion, and experimental treatments foster an atmosphere imbued with melancholy, curiosity, and intimacy. The album’s 14 tracks evoke characters, settings, and creatures for a book yet unwritten, reflecting Menist’s nuanced approach to minimalism and storytelling.
"Chaire" and "Live at Pomigliano D'Arco - 1973"
Chaire is an album built on compositions written between 1974 and 1983, newly arranged, restored, and recorded by Cervello with voice tracks of Gianluigi Di Franco restored from archival tapes. Centered on the multifaceted meaning of its Greek title—blessing, greeting, care—the album moves between memory and present, fusing Mediterranean roots, symphonic structure, and visionary arrangements into a contemporary progressive suite. Paired with Live At Pomigliano D'Arco - 1973, which documents a hi…
Melos
Cervello's Melos stands as a singular gem in the Italian progressive rock canon. Released in 1973, the album draws inspiration from Greek mythology, weaving Mediterranean folk elements into intricate prog rock compositions. Dominated by dense flute harmonies and shifting time signatures, Melos envelops listeners in a dreamlike blend of mythic storytelling, technical virtuosity, and poetic lyricism.
Fire of God's Love
Sister Irene O'Connor’s Fire of God's Love, reissued by Freedom To Spend, is a visionary 1976 private-press recording from Australia, blending devotional song with experimental electronics and echo-drenched vocals. The album’s raw spirituality, home studio inventiveness, and tape manipulations grant it a unique place in outsider pop, now made newly available to contemporary listeners in beautifully restored form.
Star Dream FM
Dylan Henner’s album "Star Dream FM" is an experimental ambient suite woven from choral textures, marimba, processed voice, and impressionistic electronics. Presented as a fictional radio transmission of Henner’s adolescence, its 41 minutes blend memory and invention, immersing listeners in shimmering sonic vignettes that blur the boundaries between personal nostalgia and collective dream.
Neverlasting
Bilders' Neverlasting, released in October 2025 via Carbon and Grapefruit, is an album of literate, restlessly inventive art-rock led by New Zealand poet and songwriter Bill Direen. Blending hard psychedelia, gothic folk, and lyrical commentary on personal and planetary adversity, the record’s 15 songs showcase Direen's songwriting at once timeless and deeply rooted in the underground spirit of Aotearoa.