New Arrivals
Live at Triton 2009
In 2009, the Triton venue (near Paris, France) was sold out to celebrate the 35th anniversary of Univers Zéro, an iconic band of the Rock In Opposition movement. These two exceptional concerts highlighted a radical and unique style of music, at the crossroads of new music and chamber rock, skilfully blending acoustic and electric instruments, as heard on the cult album 'Ceux du Dehors'.
Became These
Became These, the newest double LP by Lou Mallozzi, collects previously unreleased sound works spanning 1996–2020. Released by Pentiments in October 2025, it showcases Mallozzi’s enduring practice of dismantling and reconstituting gesture, sound, and language, enveloping the listener in a poetic destabilization of the familiar through experimental audio collage and improvisation.
Ex Stasis 69
Ex Stasis 69, the new audio work by Joseph Nechvatal. Fuses erotic tension, cybernetic poetics, and immersive noise aesthetics into a hypnotic sound experience. Drawing from his decades-long inquiry into “viral” media and the sensual limits of perception, Nechvatal explores the ecstatic collapse between machine, body, and dream.
Fatti di Gente Perbene
Originally composed in 1974 for Mauro Bolognini’s film Fatti di Gente Perbene (The Murri Affair), Ennio Morricone’s score returns in 2025 with a newly remastered limited pink-vinyl edition from Cinevox. Long considered one of his most lyrical and overlooked works, it merges romantic melancholy and psychological suspense through exquisite writing for strings, piano, and subtle chamber textures.
October Flowers for Joe McPhee
October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and improvisation into a deeply human meditation on influence and kinship. Each piece, named after flowers, resonates as both homage and renewal.
Nāsūr
Nāsūr, the new album by Arash Akbari, expands his vocabulary of austere drone and emotional abstraction. Released in 2025, it blends granular synthesis, degraded tape atmospherics, and muted harmonic motion to evoke the residue of wounds—emotional and historical—that never fully heal. The result is a haunting essay in texture, silence, and persistence.
9
On 9, Rick Sanders distills a decade’s worth of ambient experiment into a patient, somber meditation on texture, memory, and impermanence. Released in late September 2025, the album leverages modular synthesis to gently fracture time and space, culminating in soundscapes that are immersive, contemplative, and quietly luminous across seven long-form tracks.
The Intimate Overlap
On The Intimate Overlap, o[rlawren] refines his immersive approach to ambient electroacoustics, weaving field recordings and digital textures into a delicately crafted soundworld. The album unfolds with understated depth and resonance, inviting careful listening into the nuanced emotional spaces that lie between nature and technology.
Breakthrough
On Breakthrough, Muriel Grossmann envelops her quartet in a vibrant exploration of spiritual jazz, interlacing tradition with fresh, forward momentum. The record distills Grossmann’s lyrical saxophone voice and trademark rhythmic interplay into a rich, organic sound, balancing meditative introspection and eruptive, soulful drive. Each composition furthers her pursuit of transcendence, unfolding as both a deeply personal statement and a communal celebration.
Pancake Moon
On her sophomore album Pancake Moon, Michiko Ogawa crafts a liminal soundworld suspended between darkness and light, fusing sho, piano, and synthesizers into reflections on memory, loss, and renewal. Released in late 2025 by Futura Resistenza, the record drifts through introspective layers and subtle textures, inviting listeners into an immersive experience that is at once deeply personal and quietly radiant.
Sahib Shihab And The Danish Radio Jazz Group
2025 Repress. In the pantheon of jazz "holy grails," few albums combine rarity and excellence like this one. Recorded in 1965, this session represents a forceful reminder of the limitations of the "great names" approach to jazz history, capturing Sahib Shihab (Edmund Gregory) at the height of his creative powers with Denmark's finest musicians. Shihab played with many of jazz's finest. Shortly after he became one of the first jazz players to change their names due to an Islamic conversion, he jo…
Vertigo
After more than 25 years of confusing the heck out of anyone who dares turn up to a concert expecting to hear a run-of-the-mill jazz trio, Sydney mavericks The Necks are set to continue to push the trajectory of jazz out of the stratosphere of convention with their new, incredible album. The Necks 18th album Vertigo is an eventful, kaleidoscopic tone poem set against a darkly shimmering background. Slowly but inexorably moving forward, it crosses many frontiers yet remains true to the mission an…
Unaccompanied Barre
Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Hollan…
Water Messages On Desert Sand
The extraordinary 1987 debut album from the Italian legendary duo. Water Messages on Desert Sand was the very first sound creation from the Italian avantgarde duo of Roberto Musci and Giovanni Venosta. A classic work in the genre, released by Chris Cutler's Recommended Records in 1987. Back in the mid Eighties, Musci & Venosta, both on sampler, synthesizer, guitar, piano, effects and tapes were masters in overlaying and constructing rhythmic and harmonic pictures of transparent sound from electr…
Tomorrow Is the Question!
This was definitely a perfect title for Ornette Coleman's second and last album for Contemporary before switching on Ertegun's Atlantic label. Originally released in 1959 "Tomorrow is the Question" was an early evident step towards the revolution to come. An adventurous yet accessible, bluesy album with Coleman and Don Cherry tasting for the first time the freedom of a pianoless rhythm section featuring Percy Heath or Red Mitchell on bass and the great Shelly Manne on drums.
Rinse Cycle
150 copies only. French saxophonist Sakina Abdou and Philadelphia guitarist Bill Nace present Rinse Cycle, a striking first encounter between two of improvised music's most uncompromising voices. Released October 15, 2025 on Open Mouth Records, this LP captures the duo's incendiary exchange recorded during a U.S. tour that included performances at Philadelphia's legendary Solar Myth. Abdou, whose searing solo work Goodbye Ground (Relative Pitch, 2022) established her as a formidable presence in …
King Of The Tenors
King Of The Tenors is a landmark album by Ben Webster, recorded in 1953 and initially released as The Consummate Artistry of Ben Webster, then retitled for its classic 1957 Verve Records reissue. Webster is joined by jazz icons including the Oscar Peterson Trio throughout, as well as Benny Carter (alto saxophone) and Harry “Sweets” Edison (trumpet) on select tracks, resulting in ensemble interplay that balances lush ballads and blues with joyous swing. The program includes Webster originals like…
Flight to Jordan
Flight To Jordan is a celebrated hard bop album by Duke Jordan, recorded at Van Gelder Studio in 1960 and released on Blue Note in 1961. Featuring a quintet of Duke Jordan (piano), Dizzy Reece (trumpet), Stanley Turrentine (tenor saxophone), Reggie Workman (bass), and Art Taylor (drums), the album stands out for its memorable melodies and dynamic interplay. With compositions reflecting Jordan’s lyricism and Bud Powell-influenced rhythmic sense, tracks like “Flight to Jordan,” “Star Brite,” and “…
By All Means
By All Means is the new album from Aaron Parks due for release on November 7, 2025 via Blue Note Records, expanding the acclaimed Parks-Street-Hart jazz trio into a luminous acoustic quartet with the addition of tenor saxophonist Ben Solomon. This set of seven original compositions explores Parks’ signature mix of modern jazz innovation and tradition, highlighted by tender dedications to his wife and son and the sly, swinging lead track “Parks Lope”.
Revoada
Revoada is the anticipated solo album by Mauricio Fleury, blending traditional Brazilian musical heritage with jazz, electronic, and global influences. Singles like “Briluz” and “Kadıköy” showcase Fleury’s ability to traverse styles, drawing on the spirit of artists such as Gal Costa, Joao Donato, and his work in the Afrobeat collective Bixiga 70. With organic grooves, nuanced arrangements, and sonic references to both Brazilian and Turkish musical history, the album is a celebration of migratio…