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“It's flashback time at Shock! Everybody loves the '80s now innit, and everybody positively adores old tapes of bedroom noodling... So, always keen to exploit the latest trends, Shock has rummaged through the archives to come up with EATEN AWAY BY SHADOWS, over 79 minutes ('value' for money!) of SJ archive stuff recorded between '82 - '83, before editing Shock Xpress, playing in Whitehouse, Skullflower etc…This was recorded mostly in Bristol, some in London while living in a squat up the road fr…
Styles Upon Styles follow that ace BAT single with three stealthy, motorik techno mutations from Mexico City's White Visitation. 'Permanent Swing' synchs swirling machine patter and rolling square bass as a tentative opener for the tight, latinate shuffle groove and subtly ascendent chord and guitar slivers of the Moritz Von Oswald-esque 'Home', and 'Blood Revision' cruises out on a gauzy autobahn/highway tip coming off like a technoid cousin of Willie Burnett's Black Deer gear.
LP version with CD; first pressing limited to 500 copies, 180 gram pressing. Please allow us the pleasure of introducing Axel Willner's Loops Of Your Heart. Hailing from Sweden, the man behind this record alone needs no introduction, as he is already well-known in the electronic music scene for his project The Field. Loops Of Your Heart reflects Axel's experience in Germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of …
*Strictly limited vinyl-only album* Geoff Mullen is a hugely respected member of the New England experimental/improv scene, often found in the same circles as Keith Fullerton Whitman aka Hrvatski. He makes his Type debut with an utterly bewitching, secretive set of sounds which were originally heard on a cassette released by the 'Razors And Medicine' label earlier this year, containing six tracks of personal, heavy and undeniably magical drone music. He uses a modest setup of treated guita…
Recorded live at the Donaueschingen Music Festival in Germany on October 17, 1971, this rare concert has not been available on vinyl since the seventies! This recording, while still firmly rooted in the American free jazz tradition of Ornette Coleman and Albert Ayler (with whom Don Cherry frequently recorded), brings in elements of traditional Indian, African, Chinese, Mayan and Balinese music. Of the three pieces found here, the first two are composed by Cherry and feature an internationa…
Examples on record of sunny murray's enduring originality and influence as a drummer are many (refer to eremite 14, 45 & 46, among others), but very few recordings demonstrate his strikingly unusual voice as a band leader and composer. none do so more spectacularly than his 1969 album big chief. unfortunately it's been a sick collector's item since long before ebay. so it is with great pride and satisfaction that eremite returns to our friends in the human clan this long unavailable masterpiece.…
For the past fifty years, Mike Cooper has been constantly experimenting with live composition, field recordings and free improvisation; in the late 90s he developed a particular kind of contemporary exotica inspired by his trips in the Pacific area; the result is, in his own words, an “imaginary, exotic, ambient soundscape of places that didn't exist”.“New Globe Notes” collects material previously released on Mike Cooper's own imprint Hipshot Records, and is accompanied by a 32 paged bookl…
Object Lessons is a musical collaboration between Justin Lieberman and C. Spencer Yeh. The record is a spoken rendition of select object descriptions from the Corrector's Custom Pre-Fab House that were reworked into an experimental music format utilizing electronics and an amplified violin. Object Lessons is a limited edition of 250.
French-Catalan musician Pascal Comelade's world is atypical and his inspirations come from many different sources -- from contemporary music to The Cramps -- making him one of the most creative and original artists of our times. At the crossroads of many different arts, never where he's expected, he never ceases to surprise his audience, taking the listener on poetic paths of primitive perception. El Pianista del Antifaz is the latest album in Comelade's galaxy. The artwork was designed by Du…
Sublime Frequencies is pleased to present the second volume of Northeast Syrian dabke music from legendary vocalist Omar Souleyman and his group. This record was compiled by Mark Gergis to coincide with the Sublime Frequencies UK/European tour in May and June of 2009, featuring live performances by Omar Souleyman himself. Culled from dozens of cassettes recorded in Syria from 1999-2008, the music here is an extension of Omar's Highway to Hassake: Folk & Pop Sounds of Syria (SF 031CD) release, to…
For Sven-Ake Johansson, the capricious and mercurial character of Paul Klee's texts is not a flaw, but a quality in its own right. His thirteen settings capture precisely this quality of the texts. Johansson's clear diction, his distinct, almost exaggerated elocution, imbues Klee s texts with a lapidary air without stripping them of their personal and intimate nature.
RESTOCKED things were different in thailand a few years back, since it's inhabited by the sleazy christophersons or lou de preycks of our time, you can not just enter cocktail bars anymore without showing your ID! the idea is simple and plain though: watching the sunset with purple sunglasses and a fresh strawberry diahreah with ice in your hands while listening to classic german kraut or early kraftmenship from the same country! sliding over the autobahn while dreaming away on the analog…
Ensemble Skalectrik is a side-project of Nick "Ekoplekz" Edwards. Previous emissions include the self-released psycho-geographical abstraction of Snuff Mill Tapes and a homage to Maurizio Bianchi via Feral Tapes. Focusing entirely on spontaneous composition and one-take improvisation, Ensemble Skalectrik represents the most raw, extreme performance-based electronic music in Edwards' repertoire. On Trainwrekz, Edwards has dusted-off his turntables, grabbed a stack of old vinyl (mainly sound e…
This is the first album by Liberez, a group formed by recording engineer John Hannon and Pete Wilkins in Southend. The project began life exploring a deconstruction of the traditional "band" form before expanding to a quartet with the addition of vocalist Nina Bosnic, and multi-instrumentalist Tom James Scott. Musically rooted in improvisation, the band sought a progression from the loosely described "noise rock" sound at their inception into more abstract territories. The tracks were recorded a…
People of the North is Kid Millions (drums) and Bobby Matador (keyboard, synth, vocals) of Oneida, and Sub Contra is their Thrill Jockey debut. While their sound, like Oneida's, is constantly shifting and absorbing new concepts and ideas, Sub Contra is a work that fully embraces tumult and darkness in startling and dramatic ways. People of the North have been an active entity since 2003, but it wasn't until 2010 with the release of Deep Tissue on their own Brah imprint and Steep Formations, whic…
Here’s a very limited coloured vinyl thing by Cicciolina Holocaust. There’s one of those photocopied pictures on the front where I’m pretty sure I don’t want to look at it for long enough to figure out what’s going on, much like Urashima seem to specialise in - it looks like some people are doing something very bad to another person. The tracks here originally came out on cassette in 1984 and have been remastered for this release.It’s dark industrial droney harsh no…
Forms represents Pausal's sophomore production for Barge Recordings and sees the British duo merging their finely detailed sound design and ambience with a newly heightened sense of space and structure. Simon Bainton and Alex Smalley have clearly developed their compositional abilities since their earlier output; the ten pieces here are presented as four long tracks and feel natural in their melding of experimentation and harmonic progression. The rich, sprawling waves of aural grandeur a…
Mindblowing comp of obscure, highest-calibre DIY Post-Punk and Synthwave from the archives, brilliantly compiled by Darren McCreesh and brought to you by Finders Keepers' Cache Cache sublabel - so damn good. There's been a deluge of post-punk reissues and rarity compilations in the past five years, and in turning their spades to the same ground, Finders Keepers have dug way deeper than anybody else, and come up with a cache lost classics that are both truly lost and truly classic - the quality c…
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…