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“It's flashback time at Shock! Everybody loves the '80s now innit, and everybody positively adores old tapes of bedroom noodling... So, always keen to exploit the latest trends, Shock has rummaged through the archives to come up with EATEN AWAY BY SHADOWS, over 79 minutes ('value' for money!) of SJ archive stuff recorded between '82 - '83, before editing Shock Xpress, playing in Whitehouse, Skullflower etc…This was recorded mostly in Bristol, some in London while living in a squat up the road fr…
Styles Upon Styles follow that ace BAT single with three stealthy, motorik techno mutations from Mexico City's White Visitation. 'Permanent Swing' synchs swirling machine patter and rolling square bass as a tentative opener for the tight, latinate shuffle groove and subtly ascendent chord and guitar slivers of the Moritz Von Oswald-esque 'Home', and 'Blood Revision' cruises out on a gauzy autobahn/highway tip coming off like a technoid cousin of Willie Burnett's Black Deer gear.
LP version with CD; first pressing limited to 500 copies, 180 gram pressing. Please allow us the pleasure of introducing Axel Willner's Loops Of Your Heart. Hailing from Sweden, the man behind this record alone needs no introduction, as he is already well-known in the electronic music scene for his project The Field. Loops Of Your Heart reflects Axel's experience in Germany, where during his lengthy stays, his mantra-like arpeggiators contributed to the first manifestation of the sound of …
Recorded live at the Donaueschingen Music Festival in Germany on October 17, 1971, this rare concert has not been available on vinyl since the seventies! This recording, while still firmly rooted in the American free jazz tradition of Ornette Coleman and Albert Ayler (with whom Don Cherry frequently recorded), brings in elements of traditional Indian, African, Chinese, Mayan and Balinese music. Of the three pieces found here, the first two are composed by Cherry and feature an internationa…
*Strictly limited vinyl-only album* Geoff Mullen is a hugely respected member of the New England experimental/improv scene, often found in the same circles as Keith Fullerton Whitman aka Hrvatski. He makes his Type debut with an utterly bewitching, secretive set of sounds which were originally heard on a cassette released by the 'Razors And Medicine' label earlier this year, containing six tracks of personal, heavy and undeniably magical drone music. He uses a modest setup of treated guita…
Examples on record of sunny murray's enduring originality and influence as a drummer are many (refer to eremite 14, 45 & 46, among others), but very few recordings demonstrate his strikingly unusual voice as a band leader and composer. none do so more spectacularly than his 1969 album big chief. unfortunately it's been a sick collector's item since long before ebay. so it is with great pride and satisfaction that eremite returns to our friends in the human clan this long unavailable masterpiece.…
For the past fifty years, Mike Cooper has been constantly experimenting with live composition, field recordings and free improvisation; in the late 90s he developed a particular kind of contemporary exotica inspired by his trips in the Pacific area; the result is, in his own words, an “imaginary, exotic, ambient soundscape of places that didn't exist”.“New Globe Notes” collects material previously released on Mike Cooper's own imprint Hipshot Records, and is accompanied by a 32 paged bookl…
Every new Richard Youngs LP is in some way an event – his modus is so restless and yet his muse remains so distinctively personal that it’s always a thrill to see where he’s gonna dive in next. Amaranthine puts his vocals way up front for a series of four ecstatic bardic/future folk classics that ride in on wave after staggering wave of free form percussion, clanging household objects, shakuhachi and fuzz guitar. The vocals fall into the classic post-Summer Wanderer style of endlessly rep…
The infamous missed-on-the-internet Griffin's Side B originally conceived for the shocking full lenght "Sikkknastafari Slash Crasstafari" is now available on wax with some new extra tunes like the instant-party classik "ILLUMINKNOTTY DREAD" and the hazy riddim "SPACE SLENG POLICE TENG".
This record is dedicated to Antonio Corbetta aka Space Police. REST IN SPACE
2009 issue "The album begins with a percussion intro that sounds more like a gunfight than any sort of recognisable drumming routine, and continues to get weirder and weirder from there on. New York avant-garde-ists Zs might be seen as a kind of post-modern free-jazz ensemble, combining sax, guitars and live kit sounds with all the tumult of contemporary electronic drone music. This LP absorbs the impact of no-wave, industrial music, Merzbow and (on the ornate rhythmic figures of 'MMW I…
Spectral Arrows is an ongoing series of long-duration performances for guitar and electronics. In Spectral Arrows, Fusinato arrives at the venue when it opens for business, sets up his equipment facing a wall and proceeds to play for the whole day until the end of business hours. Fusinato presents himself here in the guise of a worker, clocking on and unceremoniously clocking off at the end, refusing to allow the behind-the-scenes mystery of rehearsals and preparations to lend an aura to the per…
A somewhat surreal audio rendition of the sounds of The City of London. BJ Nilsen (b,1975 Sweden) is a sound and recording artist. His work is based on the sound of nature and its effect on humans. Heprimarily uses fieldrecordings and electronic composition as a working method. He has worked for film, television, theatre, dance and as sound designer.Track notes: In 2012 I received a scholarship from the Leverhulme Trust for a one-year Artist in Residency at the UCL Urban Laboratory in London, …
Charlie Nothing was the fractured-psyche pseudonym of author, father, horsekeeper, organic farmer, beekeeper, philosopher and clown Charles Martin Simon, inventor of the dingulator (guitar sculptures made out of the metal from American cars). Charlie's only visible offering to the record buying public was really anything but. Due to its rarity, The Psychedelic Saxophone of Charlie Nothing, issued by Takoma Records in 1967, has been a source of consternation for in-the-know types for years. …
LP version. Debut album from the Edinburgh-based duo of Marc Dall and Alex Ander, who work with intricately-stacked percussion, dub-wise bass and a rich harmonic tapestry of processed voices, keys, harp, vibraphone, guitar, woodwind, strings and synthesizer -- every sound re-sampled to the nth degree then subjected to subtle automation and rigorously fine-tuned over a period of many months. From the mesmerizing, pastoral drift of "Anger Sees Red" and "Dwelling by the Meadow" to agitated arabesqu…
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
Emeralds co-pilot Steve Hauschildt follows up his 'Tragedy & Geometry' album for Kranky with the plush new age disco dreamscapes of 'Sequitur'. Arguably, Steve is the lazy one in Emeralds, conjuring only three solo album to date compared with the gazillion respective works from bandmates John Elliot and Mark McGuire. But, as evidenced here and previously, he's also the canniest and most pop-wise, honing a more concise, richly rhythmic and melodic style of composition still rooted in cereb…
It's been three years since Rhode Island sound artist Geoff Mullen released his last album for the Type label, but he's hardly been taking it easy in the interim. After a few small-run cassette releases and a string of dates in Europe (both solo and in the Oxtirn trio with PAN's Eli Keszler and Ashley Paul) he found some time to get stranded in the woods and craft this beguiling long-form record. A mono recording of a multi-channel installation piece, Filtered Water is probably the most unu…
New full-length from San Francisco based Common Eider, King Eider. Themes, instrumentation, and vocal decay is stretched out even more dramatically by this mysterious band of outsiders. Genres bleed into each other and smear reality as elements of drone, doom, neo-folk, and black metal deliver a harrowing and somber reality of loss and emptiness. Silence weaves in and out of vocal arrangements, violas, and guitars creating unease throughout the entire listening experience. Four new pieces…
Oren Ambarchi live recordings assembled on Cheryl Cole's iPhone at her house in Winnipeg. Not really, but it's that's how I first misread the description. Amulet actually presents two iPhone recordings assembled at Chez Cole, Winnipeg, July 2013 by the inestimable Oren Ambarchi. We've no further info but from what we can hear these are rudimentary iPhone recordings excerpted and crudely edited from a live performance (a shard of applause possibly gives the game away) between rippling, dynamicall…