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Under The Snow is a project by Stefano Gentile (guitar, objects, field-recordings) and Gianluca Favaron (microphones, field-recordings, processing). Stefano Gentile is well known for his work as owner of the Silentes and Amplexus labels; he is part of Maribor (along with Maurizio Bianchi, Nimh, Andrea Marutti and Gianluca Favaron) and in the past he has collaborated with Aube and Amir Baghiri. Beyond releasing under his own name, Gianluca Favaron collaborates with Ennio Mazzon on the Zbeen proje…
probably the most anticipated record of the year for this household. the clip below has been on repeat for a couple months. Kye is proud to present 'French Antarctica', the debut LP by Good Area. Drawing from a palette of guitar, rhythm box, cornet, shortwave radio and room activity Good Area have crafted the ultimate stand-alone testament to instantaneous expression. Bypassing such obsolete concepts as dexterity and restraint 'French Antarctica' cuts loose with a raw unbridled rush of creative …
Recorded in December 1970. "Peter Walker is an American original, as eclectic and enigmatic as the songs he writes. The legendary seventy-five year old raga/psychedelic/folk acoustic guitarist, who was schooled by masters such as Ravi Shankar, and Ali Akbar Khan, has been described by Larry Coryell as, “One of the most original practitioners of contemporary music” and proclaimed by the Beatles’ press agent Derek Taylor as “Perhaps the greatest guitarist in the world.” His music, celebrated by t…
The computer-controlled Hoover bass is back: EVOL have returned with their unique brand of extreme economy on Right Nightmare, the latest instalment in their continuing ‘rave synthesis’ series. And this time they have brought a friend.Despite the lack of variation – a general description of EVOL’s work being one sound source stretched to absolute breaking point – the progression found in Right Nightmare as the latest in a series is noticeable. The material, admittedly, is only spread across two …
CD version. "No Answer : Lower Floors is the record of 2013 you need to be most worried about. No Answer : Lower Floors is further flesh to the shadowy silhouette cast by this Michigan art abstraction unit, perenially poised on the cusp of a precipice. Wolf Eyes will carry on forever but always remain mysteriously unfinished. The No Answer : Lower Floors material covers all bases: tough to toughest to tangled, all done in the Wolves' least convoluted smooth style. The vocals, delays, primit…
Super.Trigger is an absolute trove of percussive tensions and frequency-driven finesse and deals mainly with the basic principles of any modern music: rhythm. Frank Bretschneider takes his, never simple, but all the more heartfelt relationship to rhythm and its complexity to an intense inventory and, this time, works less out of suspenseful abstract sounds, than out of grooves. There is a real sense of perpetual evolution and coiled tightness to the pulsating rhythmic programming, while t…
An outstanding recording, and an unjustly neglected contribution to prepared piano performance by Area member Patrizio Fariselli issued on Cramps in 1977 (in the legendary "DIVerso" series), a record with energy that's somewhere between John Cage and Cecil Taylor! At times, Patrizio Fariselli plays with a great sensitivity to silence – letting it emerge with as much force as his well-placed work on the keys of the piano. But at other times, he comes off with a full, frenzied sound that's really …
Song Islands Vol. 2, released under the Mount Eerie moniker as opposed to Microphones like the original Song Islands compilation, is a sizable compendium of songs covering from the 2002 release of Song Islands to the present day. Coming in at a total of 31 tracks, Song Islands Vol. 2 continues Phil Elverum’s powerful and decidedly exploratory musical style. The compilation maintains an incredible sense of intimacy, even when the vocals get choral, which is on the precipice of being the rule as o…
Both words in Eternal Tapestry's name say something about their music, but it's the first that's key. This Portland band's expansive psych rock sounds like it could go on forever, and most of their releases have in fact been culled from longer, open-ended improvisations. The way they slowly build these jams-- adding parts, increasing volume, and cresting in unison-- you get the feeling they're always playing, and their records are just glimpses of an endless stream.For A World Out of Time, Etern…
november 2009 release ; pristine electro-acoustic work from cenotaph’s john w. fail (responsible for both a criminally under-appreciated quadruple tape-box on c. spencer yeh’s dronedisco &, partially, the “lied music vs. boy-band tax returns” lp on ultra eczema ... as well as full-length collaborations with spiral joy band & ben reynolds) ...inhabiting similar head-space as graham lambkin’s recent “softly softly copy copy,” the piece in question here takes it source material from live-played ins…
Over two years in the making, Cold Pin is the new full length record by Eli Keszler. Both a composition and stand alone installation, 14 strings ranging in length from 25 to 3 feet are strung across a 15 x 40 curved wall, with motors attacking the strings, connected by micro-controllers, pick-ups and rca cables. Recorded in Boston's historic Cyclorama, a massive dome built to house the Cyclorama of the Battle of Gettysburg painting in 1884. The b side features in addition, a 'dry' version …
It's been three years since Rhode Island sound artist Geoff Mullen released his last album for the Type label, but he's hardly been taking it easy in the interim. After a few small-run cassette releases and a string of dates in Europe (both solo and in the Oxtirn trio with PAN's Eli Keszler and Ashley Paul) he found some time to get stranded in the woods and craft this beguiling long-form record. A mono recording of a multi-channel installation piece, Filtered Water is probably the most unu…
2013 repress. Born in Osaka, Kouhei Matsunaga is a musician and an illustrator. He started drawing during childhood under the influence of his grandfather. He grew up listening to hardcore techno and hip-hop, studied architecture and has been mainly making music since 1992. Under many different aliases (NHK, NHKyx, Internet Magic, Koyxen) he has released numerous albums on labels such as Skam Records, Wordsound, Raster-Noton and his first-ever album Upside Down on Mille Plateaux in 1998. He …
Hailing from Northern California, John Davis is a sound artist, composer and filmmaker who has released music on labels such as Root Strata and Digitalis. With “Ask the Dust,” he offers up a moving suite of compositions made using a plethora of instrumentation including guitar, piano, tape loops, Max/MSP, field recordings and the newest addition to his arsenal, a complex assortment of Blacet synthesizer modules. Davis uses the synth not as the crux of his recordings but as a tool among many in h…
On Audience of One, Oren Ambarchi, presents a four-part suite which moves from throbbing minimalism to expansive song-craft to ecstatic free-rock. While his previous solo albums for Touch have exhibited a clear progression towards augmenting and embellishing his signature bass-heavy guitar tones with fragile acoustic instrumentation, Audience of One, while also existing in clear continuity with his previous recordings, opens the next chapter in his catalogue of solo works. Remarkable in i…
Most of us are living in an urban world, dominated by constant noise and contagious stress. Our ears are conditioned by this aggressive environment and have often lost the ability to perceive another discreet world surrounding us. It might be hidden but also swarming, vivid and incredibly musical. We are all able to prick up our ears to some birds chattering together, the wind shaking leaves, toads singing serenades or old spirits telling us their immemorial adventures…Since its creation in 2006…
The second chapter of SStudios (Software Studio Series). SStudios is a new venture in the Software Recording Co.'s expanding catalog that invites artists in the field of electronic music to create collaborative works of quality and vision. Inspired by the historical intersections of live performance and studio post-production, Wake Up Awesome is a modern kind of fusion in technique as well as genre. At its core are three artists highly experienced with both instant and labored composition.…
Celer & Machinefabriek are having a great year. In addition to their separate releases, they’ve toured, released a download set of the tour, and completed a trilogy of fine vinyl singles, of which Hei/Sou is the final piece. Perhaps the most exciting thing about their collaboration is the extent to which each seems to have been inspired and invigorated by the presence of the other. By pushing each other into new territories, they’ve each upped the ante, as best demonstrated on Celer’s late…
Music for Earbuds is composed entirely from headphone feedback which makes some surprisingly organic (as well as electronic) sounds, Stephen Cornford writes to introduce his new CD. A collection of sounds stark and stubborn, as a listener you hit against their form, slide on their surfaces. These sounds so alien yet alluring call you to spend time with them, attend to them. They mark the edges of hearing and understanding. The edge here is the ear that hears as listening encounters nothing but i…
First ever live acoustic recordings from The Acid Mothers Temple & The Melting Paraiso UFO. LP edition limitedto 1000 copies. Recorded live in Nagoya. Design by Kawabata Sachiko. Features acoustic versions of fan favorites Pink Lady Lemonade & La Novia.