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"Clay Rendering is a new band born of Aries couple Mike (Wolf Eyes, Hair Police, Failing Lights) and Tara Connelly (the Haunting and The Pool at Metz). The two began work on the project in the fall of 2012, dedicated to resurrection, (much like their sun signs) with a focus on arcane structures. Droning and melancholic guitars are propelled by the skeletal remains of industrial music. Low light vocals weave in and out of the stark atmosphere. Electronics mix with acoustics, vocals and gui…
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
All tracks written and performed on the oniscus by Coti K. in Stockholm and Tinos island in 2012.Thank you: Stelios Goulas and The mess with Julia for letting me use their rehearsal space in Stockholm. Gunnarsons Conditori for energy and relief. Etten, for the patience. Dimitris Kariofilis, Nikos Veliotis, Babis Makridis, Hristos Lainas for everything else. Harry Patramanis and Eleni Asvesta for asking me to write music to their film “Fybnos”, tracks 1,2 and 8 first appeared in it.
Grapes and Snakes is the first collaborative work of two of the most respected American underground experimental/noise artists, Aaron Dilloway and Jason Lescalleet. Using purely analog synths and tape manipulation, they build a foggy psychoacoustic mass that lies between dynamic yet patiently treated tape-music and industrial howl. Aaron Dilloway has been releasing and recording music since the age of 16. He was a member of experimental bands Couch, Galen and Universal Indians. He is a form…
Polar Satellites is a mesmerising collection of percussion improvisations performed in duo by Nathan and Scott deep in the winter of 2009 and 2010 with absolutely no overdubs. Building on the starkness of last years Effigy by Pelt, the duo have recorded an even bleaker, more minimal and hermetically vibed record together. Unnerving and hypnotic, Polar Satellites is an intense journey into the unknown, awash with uncategorisable percussive instruments, kalimbas and banjo.
Nathan and Scott first m…
This has gotta be a piece of history right here. These 12 songs comprise Alan Lomax's first recordings of the legendary Fred McDowell in an incredible, on-the-spot document of his soul-stomping, spirit-wrenching blues. Fred is joined by Miles Pratcher on second guitar for a number of songs, and accompanied by Annie Mae McDowell's vocals and Fanny Davis on hair comb, running through a repetoire of spirituals and original songs. We're by no means Blues experts, but you don't need to know jack sh*t…
Five recordings, 2 from 1977 at Tempo Natural and 3 from 1993, where Tony Oxley leads various permutations of improvisers Derek Bailey, Paul Rutherford, Pat Thomas, Matt Wand, Phillip Wachsmann, Ian Brighton. The first track from 1993 brings all musicians together for a 29 minute work of great dynamic and dialog. The following track present a quartet with Oxley, Bailey, Thomas and Wand from the same session, and the final 1993 track is the duo of Oxley and Rutherford. The first '77 tra…
In December 2011, I recorded the album Stroomtoon, which was released by the French Nuun label the year after. The music was constructed using recordings from improvisations with a setup that I was trying out for upcoming live performances. It's actually the same setup that I still use nowadays, consisting of an old Phillips analogue tone generator and a selection of effects pedals. The Stroomtoon album still feels like an accomplishment. It's layered, subtle and considered, but I wanted to see …
With nary a praising documentary, coffee table photo book or tribute band to their name, The Dead C are nonetheless one of the most respected, longest surviving groups in the history of rock. Still sporting the original band members (Michael Morley on guitar, vocals, Bruce Russell on guitar, Robbie Yeats on drums) from their first assemblage in 1987, The Dead C's renown has a lot to do with their stubborn unwillingness to compromise in any form. With a varied and challenging discography, the ban…
Arghiledes' is a brilliant homage to Greek Rebetiko music of the early 20th century by No Neck Blues Band's David Shuford aka D. Charles Speer. It's his 2nd solo LP under this moniker and a deeply researched, beautifully executed effort replete with in depth sleeve notes and paste-on cover. Coming from a Blues playing American of Greek descent, the project reflects the syncretic nature of Rebetiko music, itself made up of the many disparate elements which formed Greek urban folk music (European …
In 2005, Sublime Frequencies released Choubi Choubi: Folk and Pop Sounds from Iraq, and in the ensuing years it has become one of the most beloved and venerable titles in their catalog. Now almost 10 years later, this highly-anticipated second volume is finally here. Compiler and producer Mark Gergis has once again put forth a revelatory and poignant collection of Iraq's national folk music. What has happened to Iraq since the 2003 U.S. invasion and eventual occupation? Endless death, destructio…
Two new long tracks on a 33rpm 7". Maginot features gorgeous vocals & acoustic guitar. Alaskan Lashes is a smear of found sounds & ambient tones. Housed in a heavy card sleeve, a mini lp style sleeve, complete with title on the spine. Pressed on very pretty, pale YELLOW vinyl. Limited to 500 copies!
The Pyramids' psychedelic Afro-jazz masterpiece finally lands thanks to Disko B. Originally cut in 1975 before they disbanded, 'Birth/Speed/Merging' marks a highpoint of the group's production values and was their last recording together. Since then the LP's achieved cult status for its celebratory fusion of carnivalesque groove with Sun-Ra-like cosmic vibes and progressive values; a worldly and entirely enchanting sound blessed with a real tangible sorta magic. The one to check is 'Black Man An…
CD version. "No Answer : Lower Floors is the record of 2013 you need to be most worried about. No Answer : Lower Floors is further flesh to the shadowy silhouette cast by this Michigan art abstraction unit, perenially poised on the cusp of a precipice. Wolf Eyes will carry on forever but always remain mysteriously unfinished. The No Answer : Lower Floors material covers all bases: tough to toughest to tangled, all done in the Wolves' least convoluted smooth style. The vocals, delays, primit…
Conrad Schnitzler is considered to be the keyfigure of electronic Avantgarde Music in Europe. Schnitzler was member of Tangerine Dream and Kluster and Con Many years ahead of his time, CON was revolutionary in many aspects, He predated Industrial Music, sounded like Kraftwerk and DAF before they did and makes music today at the age of 71. Some rare early works in re-edited versions by Mooner aka Zombie nation. The track ''Electroklang'' is featured as a loop only!! Amazing electronic music…
First time vinyl release for Nimh, this guy has a solid experience and has collaborated with some genius of dark ambient / done, like Maurizio Bianchi, Mathausen Orchestra, Andrea Freschi...A1 This Crying Era is a featuring with french pianist Philippe Blache, for an outstanding melody.This Lp compiles some New material, and some material released on Silentes on K7 or cd-r released in the past 10 years. (label press)
Operating out of Istanbul, Ekin Fil is the solo project of Turkish musician Ekin Üzeltüzenci. Her music first came to the ears of many by way of “Language,” a 2011 cassette release on the Root Strata label. “Language” presented listeners with a fractured, hazy soundworld in which half-remembered melodies and wraith-like vocals cohered into dark and hypnotic masses. On this self-titled album, Ekin opens the curtains a bit, letting in some light and offering up an even more refined album. This is …
Both DT and JC have been sending eachother garbage and leftovers since a few years, sometimes almost nothing, probably out of pity, often to make eachother smile or as an act of friendship.Sharing the last spoon of cold soup on a cold winter night, when the heater does not want to be touched. these 36 pages are filth, with found imagery or buggles that the cleaning lady forgot to sniff out, images that have been dominating our seperate rooms for years and that remain unnoticed because of the dai…
Macronympha side project focusing on the heavy low end sound often the basis for Macronympha compositions. OVMN III removes the layers of sound to reveal the thick crumbling distorted base. Constantly moving forward while seemingly static, this piece is enveloped by and progresses in a wave of distortion. Recorded in 1995 by Joe Roemer and Rodger Stella with cover art by Sam McKinlay. Lp comes in a deluxe silver silkscreen on black cardboard sleeve. Edition of 99 copies w/insert.
Lau Nau, Islaja, and Kuupuu all together in one band - it's like the dreamiest aQ daydream come true! All three of these ladies have been responsible for some of the most mystical and beautiful recordings of the last few years, all of which have become permanent favorites with everyone here. Lau Nau, and Islaja's recent recordings have shown them moving toward a more direct approach in their songwriting, but this project really lets all of these ladies dig deep into their textured, exper…