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Expanding Erik Skodvin's extremely limited 2008 cassette edition Penpals Forever, this vinyl release remasters the original content and adds a whole extra side's worth of new material, all of which is exclusive to the LP. You wouldn't necessarily discern this straight away from the Deaf Center member's elusive and teasingly enigmatic music, but apparently 'Penpals Forever And Ever' is an "imaginary tale of a long dead baroque painter and his telekinetic correspondence with a flightless b…
Mark Lorenz Kysela plays contemporary music for a instrumental soloist, sound extensions and tapes. An artist on various saxophones and clarinet. Performs as a soloist, in combination with (live-) electronic or analogue enhancements and tapes. Mark Lorenz Kysela presents six completely different pieces: artistic individual positions focusing on the radical nature of musical language, on shaping and on the soloist. Christoph Ogiermann, 'Druckblöcke und Zeichenakkumulationen BCC' for saxophone, l…
Studio session recorded for BBC Radio 3 'Jazz on 3', May 2012. Gino Robair, energised surfaces & synth. John Edwards, bass. John Butcher, saxophones. "Built around extrasensory sonic perception their strategy advanced amoeba-like, continuously melding and breaking apart timbres in different configurations and with varied possibilities. Edwards' super-speedy wood and string smacking was sometimes appropriately violent; Butcher's output jumped from sonorous glissandi to staccato reed bites an…
"The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble's unique sonic resources in diverse stylistic settin…
Sleeper line is a five-track EP constructed from the original components of a live set performed in December 2012. These components — manipulated found sounds — were recorded at various times and in various environments: Dungeness Power Station (2012), street recordings post-Notting Hill Carnival (2007), a prior live performance at the White Building in London (2012), and a cassette recording made in the cloakroom of the Metalheadz Sunday Sessions club night (1997). The cyclical process of merg…
Using modern technology, Patrick Feaster is on a mission to resurrect long-vanished voices and sounds--many of which were never intended to be revived. Over the past thousand years, countless images have been created to depict sound in forms that theoretically could be "played" just as though they were modern sound recordings. Now, for the first time in history, this compilation uses innovative digital techniques to convert historic "pictures of sound" dating back as far as the Middle Ag…
Now in their tenth year the band have been gathering plaudits and accumulating new fans with every release, and after playing to thousands at Supersonic Festival last year, things are accelerating at an even faster pace. As with each album release, Hey Colossus continue to mutate and for their eighth album they have enlisted the support of a new drummer, Part Chimp guitar/vox man, Tim Cedar, who has undoubtedly brought a whole new kind of energy that has reinvigorated the band. When the rhythm s…
Ass-whooping live set from the Full Blast trio, recorded in Cologne in 2006: Brotzmann’s work with electric bassist Marino Pliakas and drummer Michael Wertmuller extends his work with Last Exit in that it combines an almost metal/No Wave attack with a fluid non-stop dynamic and a feel of electric blues. Brotzmann has always favoured electric bassists – Bill Laswell, Massimo Pupillo – and there’s something about the unyielding aspect of the instrument that acts as a propulsive metal backbone for …
"2012's Rifts compiled Oneohtrix Point Never's (aka Daniel Lopatin) first three full albums alongside a crop of rare and out-of-print CDR and cassette material in a deluxe, five LP vinyl box set. Following the success of this sold-out one-time release, we are pleased to present all five LPs for sale individually. Each LP includes a digital download code. Betrayed in the Octagon was originally released on cassette by Deception Island in 2007. Subsequently released on LP in an edition of …
The Shadow Ring was founded by guitar player Graham Lambkin and percussionist Darren Harris in Cheriton, Kent, England in 1993. Tim Goss joined the Shadow Ring in 1996 performing on a variety of electronics. The group disbanded in 2003. 'Remains unchanged' is the long-time-coming archival overview of the shadow ring. Spanning the full decade of their existence, 'Remains unchanged' offers an alternate account of the group's labor, told through 20 never-before-heard tracks. From the lumbering mono…
Polyphtong was conceived as a live quadraphonic composition for voice and computer. It was premiered at Stanford University in March of 2012. In August of 2013, Blonk radically reworked the piece to create the stereo version presented on this album. All sounds heard in it are derived from Blonk's vocals. Spatial placement and movement are extended by electronic means. The phonetic concepts of diphtong and approximant are an important focus in the more meditative sectons of the work. It also uses…
Inconsistent Images includes three works of musique concrète composed in 2012. The title is derived from an observation of inconsistencies in stereo image, but also describes the destabilisation of certain media, utilised for their musical properties, and at the same time suggesting a pseudo-visual response.”
Adam Asnan is a London based composer-performer of musique concrète, acquiring an MA under the supervision of Denis Smalley in 2009. Adam’s work promotes the aesthetic potential of f…
The Sounds of Lindisfarne and the Gospels. To celebrate the exhibition of the Lindisfarne Gospels at Durham Cathedral from July to September 2013, awardÐwinning wildlife sound recordist Chris Watson has researched the sonic environment of the Holy Island as it might have been experienced by St Cuthbert in 700 A.D. 'A 7th Century Soundscape of Lindisfarne. Throughout human history artists have been influenced by their surroundings and the sounds of the landscape they inhabit. When Eadfrith, the B…
Based around the married couple Paul and Limpe Fuchs, the group Anima, also known as Anima-Sound, was one of the most radically avant-garde and creative groups to emerge from the thriving Krautrock scene of Munich at the end of the 1960s. In fact, their improvised atonal sounds and unconventional instrumentation is much closer to the spirit of experimental free jazz than anything remotely close to rock music. The Fuchs began in the late '60s as part of the counterculture at the time. Adding to t…
There are no words to say how amazing the Heinz Hopf's debut album is. They are a harsh noise duo consisting of Matthias Andersson and Dan Johansson. The first is the mind behind the label Release the bats, and the second is the man behind the moniker Sewer Election. The result is 32 minutes of pure, brutal and uncompromising harsh noise. Comparisons with Incapacitants is too easy, their love of the Japanese noise is too evident. Comparisons that do not lead to the cloning of a sound. Thei…
Toshimaru Nakamura returns with another outstanding full-length of no-input mixer improvisations. Hello, Dear…ah, anyone who takes this up in front of your eyes and ears. Here’s my new (in 2013) solo album. I hope you find it worthy enough to take your time and have a listen. It was recorded in one day. Compared to my previous releases, “Maruto” on Erstwhile Records (2 years to produce), “Egrets” on Samadhisound (5 years), it came to life quite quickly. Almost like it popped out. But it took thr…
This LP is the first release from young Melbourne-based composer Robert McDougall, presenting four electroacoustic studies, the fruits of many hours of private sonic research and improvisation. Simple electronics, acoustic instruments, field recordings and textural manipulations are subtly processed, fragmented and iterated into patiently evolving forms. Eschewing the jump-cut dynamics of academic electroacoustics while making use of a large variety of source material, McDougall allows the eleme…
Jason Kahn : drum set, voice, metal objects, radio, mixing board, contact microphones, magnetic coil, speaker, computer, chairs, plastic bags. Recorded in Kunstraum Walcheturm, Zürich, Switzerland on April 14, 2013. Mixed and mastered May 2-31, 2013. Cover design Jason Kahn. Audio CD, 6 panels digipak. 'Back in 1981 I was studying at the University of London in the School of African and Asian Studies. One lecturer had us read Chinua Achebe's novel 'Things Fall Apart.' Aside from the book moving …
Further to their acclaimed 'New Slaves' LP of spring 2010, Zs offer 'Essence Explosion' backed with new remixes on vinyl from Thee Majesty (Genesis Breyer P-Orridge and Bryin Dall), JG Thirlwell (Foetus) and Cex, plus a download code for mixes by Gabe Andruzzi (The Rapture), Zebrablood (Excepter), Weasel Walter (Flying Luttenbachers), and Ecstatic Sunshine redeemable directly from the label. It's hard not to be wowed by the velocity of their explicit noise skronk on the original version, …
After the great 2012 record by Brötzmann / Noble / Edwards, the worse the better, Peter Brötzmann and Steve Noble started to play some gigs as a duo. It worked out really well, wonderful pieces of music that had to be put on cd; an expert, you might even say telepathic, interplay between those two outstanding musicians, sometimes delicate and swinging, sometimes full-force free jazz.