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'I really don't know what to say... I have just released a 10' by my favorite band! Released to coincide with the first Sigillum S concert in the US, which we hosted in Chicago on June 7th, 'Organic Skyscrapers & Occult Wastelands' features three brand-new tracks. With unusual electronics, processed and treated guitars, piano, etc., and a host of other elements, rhythms and loops, it takes the listener on a bizarre and beautiful journey.The music and imagery of Sigillum S has intrigued and capti…
'Gene P' was released as a cassette in 1980, and among the true Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan music, or wind chimes. Its music with not many changes, music that is not loud and actually quite pleasing.The other side is more experimental. It uses vinyl, scratchy vinyl that is, with the needle jumping all over the place. Its a bit much experiment for the sake of experiment for me here. A mo…
'The third part in Jupitter-Larsen's series of old trade union / battle songs follows Internationale (Banned Production 2010) and Solidarity CD (Banned Production 2010). Written by the Viennese lyricist and essayist Fritz Brügel, presumably in the late 1920s, this piece deals with the events during the so-called July Revolt in the capital of Austria on July 15, 1927, caused by a court verdict which acquitted three members of the right-wing Frontkmpfervereinigung Deutsch-Österreichs (the sa…
Abe at his best! Crudely generalising a contrast in free jazz tendencies between AMM/SME/MIC/FMP and AACM/ESP, it's hard to say if Abe's closer to the gentle, bearded intellectualism of some European improvisation, or to the gutsier funk of more US freedom fighters. Up there with the best of both Western sides of the sea, but unlike any one from either, his stroppy, razor-sharpening alto style mixes tousled emotionalism with dogged puzzling, like an amalgam of Anthony Braxton and a sadder, angri…
Terrific new release by the cult 'a dear girl called Wendy' italian label: this recordings are a natural progression from the recent "Förruttnelsen" LP on Release The Bats. Like before filthy and decaying reel-to-reel/cassette/tape-echo loops, electronics, junk, field recordings, feedback blasts is mixed with industrial decay and creepy dynamic noise. Minimalistic textures raped by tapeloops, field recordings and junk abuse. Just raw electronics. Organic machine music. No happiness there. 7"…
The second series of compilations that presents the best artits that have sprung out of Italy's Northeast scene, rotating around Vittorio Veneto, Codalunga and the Three days of struggle festival, this scene is one of the most interesting and growing scenes of Europe. An intricate of labels, distribution and concert programmers. Featuring exclusive material from Be invisibile now, Bus de la Lum, Der Weze, Excellent Italian, Fantamatres, Kam Hassah, Lettera 22, Magic Towers, Nihil is me, Ottaven,…
The cooperative of composer/improvisers John Wiese (Sissy Spacek) and C. Spencer Yeh (Burning Star Core) presents in a terrific session recorded in August 26, 2007 at The Compound, San Francisco. The work reveals further unexpected developments and strategies of this ongoing partnership. Familiar machineries were primed, but an increasingly alien attitude was fed through and processed into churning and bewildering shapes.
A new EP featuring unreleased recordings from this Dutch electronic master. For over twenty years Prins has explored the spatial, textural and compositional possibilities of electronic systems with his custom circutry; both through sound and his arts practice. Reconsidering the technologies of club culture he has defined his own very radical approach to music; having also collaborated with the likes of Christian Fennesz, Lee Ranaldo, Carlos Giffoni as well as being an integral member of MIMEO.Th…
Just arrived, stellar release as usual! FIRST EDITION ON VINYL!!! In 1999 SISSY SPACEK made their first recordings as a more or less "conventional" blur/grindcore duo consisting of CORYDON RONNAU (vocals) and JOHN WIESE (bass and drum machine). Shortly after, the band entered a recycling period in which Wiese produced a number of albums and EPs, the first of which was this s/t CD (originally released on Helicopter), transforming their original source material into hardcore musique conc…
Obscure artist from Italy, harsh noise with not so dynamic structures, junk abuse, no space for field recordings or concrete parts. A brutal assault, perfect mix between early Bastard Noise era and 90s Japanese scene.
Recordings from Masami Akita and Kiyoshi Mizutani. Kiyoshi was a member of Merzbow in the 80's and has made solo works since 1989, though main man Masami Akita has been the backbone of the band since 1979. These recordings are mainly from the '87-'89 era, but some of the earliest recordings were released in 1979. The first Merzbow tour abroad was in 1988 in Russia, featuring Masami Akita and Kiyoshi Mizutani. The second was in Europe (Holland, Germany, and France) in 1989 where Kiyoshi als…
"United" collects the 4 long out of print and rare Throbbing Gristle 7"s issued between 1979-1980, plus a version of "United" by Marc Almond as bonus, originally found on a 1984 flexi-disc. Only a few copies available.
Amplified metal, electronics and tapes from Denmark. Alleypisser takes inspirations from italian industrial gods like M.B. and Mauthausen Orchestra and his phenomenal use of tapes and metal ensures that Alleypisser is one of the best industrial act in Europe.. The result for Kvalt is a 7" and a c38 for something like 50 minutes of music. All package in a reel to reel box with insert.
Limited edition of 413 copies in dvd box including a numbered insert with a M.B. essay from 1982 titled After The Entrance, The Final Solution. The material conained here was previously issued under the moniker Leibstandarte SS MB. The moniker Leibstandarte SS MB and the nazi speeches that were added to the music were used without Maurizio Bianchi knowledge and without his consent. Cassette releases on the Come Organistaion Label, hence the Liebstandarte SS prefix, added by William Bennet…
The First all new Ramleh album since 1997, and the first new power electronics recordings from the project for 25 years. And yet Valediction is no ordinary “power electronics” record, nor is it anything as straightforward as simply a return to their roots. Valediction is very much an entity of its own – both consolidating and expanding upon everything Ramleh have touched on in the past, but also digging into entirely fresh ground for the band. Valediction is, perhaps, Ramleh’s most bleakly psych…
Features Prurient, Pedestrian Deposit, Sewer Election, Panicsville, Immaculate Grotesque, Ahlzgailzehguh, Barrikad, Omei, Climax Denial, Stegm, Mark Solotroff, FFH, A Fail Association, etc. etc." Includes poster. "i started putting this compilation together in 2004 while residing in providence. at that time the climate of noise was rather hi-fi, technological, and cold. This was the start of noise as entertainment rather than entertaining. personal communication became lost. noise becam…
Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it at 45rpm as loud as possible you can. You know you need it. Artwork by John Wiese. Limited edition of 200 hand-numbered copies, one time presssing
conceived by artist Nico Vascellari as contribution to the Diedrich Diedrichsen-curated exhibition Rock Scissors Paper at Kunsthaus Graz. Lago Morto is “about things that casting calls usually exclude -- targeted aggression, unpredictable social effects and local politics.” The band performed for fifteen days in Vittorio Veneto in nonmusical venues such as bars, hotels, pizzeriaa, laundrettes, video stores etc. All fourteen of the band’s songs are on the CD. The DVD contains a video from each of…