We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Just arrived, stellar release as usual! FIRST EDITION ON VINYL!!! In 1999 SISSY SPACEK made their first recordings as a more or less "conventional" blur/grindcore duo consisting of CORYDON RONNAU (vocals) and JOHN WIESE (bass and drum machine). Shortly after, the band entered a recycling period in which Wiese produced a number of albums and EPs, the first of which was this s/t CD (originally released on Helicopter), transforming their original source material into hardcore musique conc…
"United" collects the 4 long out of print and rare Throbbing Gristle 7"s issued between 1979-1980, plus a version of "United" by Marc Almond as bonus, originally found on a 1984 flexi-disc. Only a few copies available.
The cooperative of composer/improvisers John Wiese (Sissy Spacek) and C. Spencer Yeh (Burning Star Core) presents in a terrific session recorded in August 26, 2007 at The Compound, San Francisco. The work reveals further unexpected developments and strategies of this ongoing partnership. Familiar machineries were primed, but an increasingly alien attitude was fed through and processed into churning and bewildering shapes.
The first new material from the legendary Ramleh since 1998 and it doesn't disappoint. Powerful droning intensity, motorik rhythms and warped guitar riffs dominate these two songs with one containing Ramleh's distinctive distorted vocals weaving in and out of this inventive chemistry. "Switch Hitter" could almost be described as a full on dissonant rock track, but Ramleh's desire for experimentation and improvisation lifts it way above the general rock mindset. Ramleh have not lost any of their …
Limited edition of 413 copies in dvd box including a numbered insert with a M.B. essay from 1982 titled After The Entrance, The Final Solution. The material conained here was previously issued under the moniker Leibstandarte SS MB. The moniker Leibstandarte SS MB and the nazi speeches that were added to the music were used without Maurizio Bianchi knowledge and without his consent. Cassette releases on the Come Organistaion Label, hence the Liebstandarte SS prefix, added by William Bennet…
The second series of compilations that presents the best artits that have sprung out of Italy's Northeast scene, rotating around Vittorio Veneto, Codalunga and the Three days of struggle festival, this scene is one of the most interesting and growing scenes of Europe. An intricate of labels, distribution and concert programmers. Featuring exclusive material from Be invisibile now, Bus de la Lum, Der Weze, Excellent Italian, Fantamatres, Kam Hassah, Lettera 22, Magic Towers, Nihil is me, Ottaven,…
Terrific new release by the cult 'a dear girl called Wendy' italian label: this recordings are a natural progression from the recent "Förruttnelsen" LP on Release The Bats. Like before filthy and decaying reel-to-reel/cassette/tape-echo loops, electronics, junk, field recordings, feedback blasts is mixed with industrial decay and creepy dynamic noise. Minimalistic textures raped by tapeloops, field recordings and junk abuse. Just raw electronics. Organic machine music. No happiness there. 7"…
'The third part in Jupitter-Larsen's series of old trade union / battle songs follows Internationale (Banned Production 2010) and Solidarity CD (Banned Production 2010). Written by the Viennese lyricist and essayist Fritz Brügel, presumably in the late 1920s, this piece deals with the events during the so-called July Revolt in the capital of Austria on July 15, 1927, caused by a court verdict which acquitted three members of the right-wing Frontkmpfervereinigung Deutsch-Österreichs (the sa…
This meeting of noise monsters Lasse Marhaug and Tommi Keränen is heavy, intense, truly ear-shattering noise bliss, and brutal as always. Pure harsh noise
RESTOCKED amazing 7": a wall of sound, predominantly on some 'obscure' and distorted machines, creating a terror noise music, originating from metal, a conceptual and extreme musical journey.
Pain Jerk and John Wiese are two titans of noise. Their collaborations are not a new. This is the stunning prologue, the first one, dated 2005. 7 minutes of synthesizers, electronics, noise. This is what a 7inch must be. Fast, violent, harsh. Play it at 45rpm as loud as possible you can. You know you need it. Artwork by John Wiese. Limited edition of 200 hand-numbered copies, one time presssing
'Gene P' was released as a cassette in 1980, and among the true Bianchi devotees old = best.On the first track (both tracks are untitled) Bianchi uses tape-loops of what could vaguely sound like gamelan music, or wind chimes. Its music with not many changes, music that is not loud and actually quite pleasing.The other side is more experimental. It uses vinyl, scratchy vinyl that is, with the needle jumping all over the place. Its a bit much experiment for the sake of experiment for me here. A mo…
Jason Crumer likes what you like: noise, girls, getting wasted once in while and maybe a spot of trouble here and there. He first started blowing minds as guitarist in the insane sludge punk core outfits Aluminum Noise and Facedowninshit. As well as the ultra-weirdo outfits American Band, Now In Darkness World Stops Turning and Amazing Grace. Since going solo in 2005 he's released fascinating and brainmelting USA noise death on labels like Iatrogenesis, Audiobot, Ignivomous, RRR, Nazot, Chondrit…
Recordings from Masami Akita and Kiyoshi Mizutani. Kiyoshi was a member of Merzbow in the 80's and has made solo works since 1989, though main man Masami Akita has been the backbone of the band since 1979. These recordings are mainly from the '87-'89 era, but some of the earliest recordings were released in 1979. The first Merzbow tour abroad was in 1988 in Russia, featuring Masami Akita and Kiyoshi Mizutani. The second was in Europe (Holland, Germany, and France) in 1989 where Kiyoshi als…
Here's an unmissable and collectable 150 copies limited edition CD album, released to celebrate our fifth year of activities and available only as a free "bonus" included in the "bag" that contains the latest 13 Silentes releases. Born from an idea by Stefano Gentile, who also actively participated to the making of the album, the Maribor project brings together for the first time in a collaborative CD some of the most remarkable names of the Italian experimental and avantagarde scene: Maurizio B…
This is the limited friends edition limited to 55 copies. This issue comes in a grey wooden box with grey T-shirt and grey LP vinyls, postcard set in a cardboard case with photos by Sinan Revell, a 36-page 12"x12" booklet with information and photos, and the 3 7" vinyls encased in a smaller, black wooden box.
The First all new Ramleh album since 1997, and the first new power electronics recordings from the project for 25 years. And yet Valediction is no ordinary “power electronics” record, nor is it anything as straightforward as simply a return to their roots. Valediction is very much an entity of its own – both consolidating and expanding upon everything Ramleh have touched on in the past, but also digging into entirely fresh ground for the band. Valediction is, perhaps, Ramleh’s most bleakly psych…
Obscure artist from Italy, harsh noise with not so dynamic structures, junk abuse, no space for field recordings or concrete parts. A brutal assault, perfect mix between early Bastard Noise era and 90s Japanese scene.
Abe at his best! Crudely generalising a contrast in free jazz tendencies between AMM/SME/MIC/FMP and AACM/ESP, it's hard to say if Abe's closer to the gentle, bearded intellectualism of some European improvisation, or to the gutsier funk of more US freedom fighters. Up there with the best of both Western sides of the sea, but unlike any one from either, his stroppy, razor-sharpening alto style mixes tousled emotionalism with dogged puzzling, like an amalgam of Anthony Braxton and a sadder, angri…
Amplified metal, electronics and tapes from Denmark. Alleypisser takes inspirations from italian industrial gods like M.B. and Mauthausen Orchestra and his phenomenal use of tapes and metal ensures that Alleypisser is one of the best industrial act in Europe.. The result for Kvalt is a 7" and a c38 for something like 50 minutes of music. All package in a reel to reel box with insert.