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First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.
A kind of different album from A. Baker (Nadja) as it leans more into shoegazery and drone-pop songs. “Green & Cold” is the strength of strings proved by A. Baker. His soft lyrics suffuse weightlessly into a humming cloud of perfumed guitar scour. Yes, when gazed upon, these patent leather shoes really do reflect up. However, “G&C” is accomplishes much more than throwing Loveless lights back up to Heaven. An ass-load or so of previous avant-garde releases has developed in Baker a skill-se…
1st live album by Norway's Geir Jenssen - recorded in 2007 by Chris Watson & mastered by Touch stalwart BJNilsen. In the early 1990s, he was a pioneer of so-called "ambient techno," but since then, he has refined his sound into something more magnetic & enduring. Here, he incorporates samples of field recordings by Jony Easterby & trumpet by Anders Karlskas, invoking a sparser, more arresting sound.
Recorded and mixed during 2008-2009 in Berlin. All tracks composed by BJNilsen using tape recorders, computer, organ, acoustic guitar, electronics, viola, subharchord. Field recordings from Sweden, Iceland, Norway, UK, Japan, Portugal and Germany. The subharchord was recorded in the EAM Studio @ Adk, Berlin. Viola played by Hildur Gudnadottir. Mastered by Denis Blackham at Skye.
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
A brand new album of minimal, cryptic & static sounds. The inexistence is the aplanatic condition of what is not existing, therefore doesn't subsist in the shot reality. Transferring this entomologic concept to radical music, we're consequently asking: inexistent sounds for existing people or existing sounds for inexistent people? Without schizoid presumption, "Inexistence" is replying to this existential question
This is: brass to the power of three, and a lot more besides. John Clark, Dave Taylor and Franz Hackl on French horn, trumpet and bass trombone are not just a brass trio but create a whole cosmos of sounds, styles and techniques. In their musical actions and reactions, each of the three is always also each of the other two, with the voices merging into complex moods and styles. On this album the trio reveal their sense of humor, and a moment later become absorbed in hymnic devotion. Big-band ges…
self-issued cd collecting two early 80s cassette-only releases (“quiz party” & “life in video city”) by richard bone, both tipped by the mutant sounds crew a few years back resulting in something of a renewed interest in this otherwise obscure figure in the 70s / 80s “minimal synth” wave - jumping back & forth between noisy, arpeggiated sequences & more atemporal modes (i can certainly hear the tod dockstader influence throughout the “quiz party” pieces) this is in many ways the perfect disc for…
All new Ilitch studio recording! An horrific grandchild springs from the magma: Ilitch'll itch your progadelic scratch with its well manicured talons of fire. This Ilitchian renaissance zigs deep space experimental and zags full metal Zuehl. Electronics chirp and howl like the opening coda of Susperia, then explode into Weidorje intensity fuzz violence, cheered on by a pecussive force that sounds like Mussolini being kicked to death. The shifting interplay between total rockers and extrat…
Composed by Taku Sugimoto. Tetuzi Akiyama: guitar. Recorded live at Loop-Line on October 23, 2009. Recorded by Taku Sugimoto. Mastered by Taku Unami. Drawing by Taku Sugimoto.
Takahiro Kawaguchi: tuning fork. Shinjiro Yamaguchi: guitar. Composed by Takahiro Kawaguchi. Edited by Shinjiro Yamaguchi. Recorded by Takahiro Kawaguchi at 102 Studio, Tokyo, November 9, 2008. Mastered by Taku Unami. Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album, on which he uses several remodel…
Nature Unveiled is Current 93's seminal first album. It's been returned to its original format of two tracks, and has been beautifully re-mastered by Denis Blackham. This reissue comes with a booklet with early photographs of the group members-- who included David Tibet, Steven Stapleton (Nurse With Wound), John Balance (Coil), and Little Annie-- and original insert materials.
early solo album of Luigi Archetti (GURU GURU, TIERE DER NACHT). Featuring; Dieter Moebius (CLUSTER),and HUBL.G! Japan press only. ".. this exceptional downtempo electronica album with hoovering swells that sound like Dom & Roland played at 33 1/3 rpm instead of 45 along with skittering breakbeats not unlike a stripped down Amon Tobin. Fans of Biosphere or The Orb should definitely take note of this one!!!" - aquarius.
Malpais is the first collaborative effort between William Fowler Collins and Gog. With both musicians based in the American Southwest (WFC in New Mexico and Gog in Arizona), the music is layered with hallucinatory visions of abandoned mines, atomic bomb blasts, genocide, and space travel. The listener is taken to a place that feels as though it could be the surface of the moon or a scorched earth strewn with bone dust and ash. Photograph by Max Aguilera-Hellweg.
Music for a Distance is the second release in the small music series. The title of the work in relation to the cover images (abstract photographs of Julius’ wife resembling landscapes merging into a distant horizon) suggests a work of uncommon poetic perception and inspiration. With the opening track "Music for a Distance," Julius achieves a sensitive balance of unpredictability and deliberate design, at times resembling a symphony of insects, complete with crickets and cicadas and rustling leav…
A beautiful set of compositions from saxophonist Roscoe Mitchell, presenting works recorded in the 2000s with performers including Thomas Buckner, Stephen Rush, Nils Bultman, William Winant, &c - "In the 45 years since he recorded Sound, Roscoe Mitchell's music has steadily evolved and diversified, making the idea of a comprehensive one-disc survey an impossibility. However, as much as any album, the both/and nature of Roscoe Mitchell's music is vividly represented on Numbers." -Bill Shoemaker, …
Lichtung is a collaborative project centered around an audio-visual installation. Sound artists Steve Roden and Rutger Zuydervelt (aka Machinefabriek) composed the audio, while the video element was provided by the German visual artist Sabine Bürger. The Mindelsee Lake, situated just a few hundred yards away from the gallery, became the natural focus of the installation. During their stay, Sabine and Rutger recorded the video and audio footage that became the foundation which Steve Roden res…
The 'Grundton' of this 30-minute composition is the recording of the concert given at SND Studios Sheffield (UK) in March 2009, entitled 'Why is there something rather than nothing?' by Mark Fell and powered with d&b speakers by Tony Myatt (MRC, University of York). The sounds of planes have been recorded in Mallorca (Spain) in 1987, and in Pilat (France) in 2009. This music comes after HCDC, composed in November 2008 after the death of Daniel Charles Ð his last days were darkened by brea…
Specially written for the John Butcher Group, this is the first full performance of somethingtobesaid - recorded live at the Huddersfield Contemporary Music festival in November 2008. Chris Burn (piano), John Butcher (saxophones & pre-recordings), Gino Robair (percussion), John Edwards (bass), Thomas Lehn (synth), Dieb 13 (turntables), Clare Cooper (harp-guzheng), Adam Linson (bass & electronic processing).
An inspired fusion of Middle Eastern rhythms and psychedelia resulted in this the gorgeous album by accomplished oud player John Berberian and his troop of skilled musicians. First released on Verve/Forecast in 1969 this exotic album features music based on traditional themes from Turkey, Armenia, Greece, Arabia and North Africa blended with the terrific improvised energy of psychedelia. So what you end up with here is bustling bazaars and scorched sands passed through the prism of the lysergic …