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An epic concept album narrated and performed by Akira Sakata, Heike Monogatari ("Tale of the Heike") is the most disturbing entry so far in the DoubtMusic catalogue. This work is an expression of the philosophy of impermanence. It's also a vision of Hell. Woodwinds signify madness. Bells accentuate silence. And Sakata's voice unleashes a phantasmagoric torrent of shomyo (Japanese Tantric Buddhist chanting), death metal growls, and pure pandemonium. Is he serious? Or not? One thing is cert…
A narrow path of safety extending through the gloom, its edges bleeding into the fearful zones of disorder and formlessness that enclose it. Paths create borders, they limn the known from the unknown, the clean from the unclean, the citizen from the exile, the present from the past. But while paths create boundaries, they themselves are ambivalent, neither here nor there, neither now nor then. The act of making a path where none existed always involves the subjugation of the unknown and f…
This CD is the soundtrack to the film AUN, directed by Edgar Honetschlger. With stills from the film in the full colour 28 page booklet, the artwork is designed by Philip Marshall. Intention : 'AUN Ð the beginning and the end of all things' tells the story of mankind's quest for the future, his desire to create the tomorrow, his fear of and loathing for the apocalypse. It spins the Faustian theme twice and lays bare open the inexhaustible Judea/Christian believe in progress, which by the…
Terrapin is Giovanni Lami & Shaun McAlpine. An improv duo based on real time processing field recordings, analog instruments and digital sounds, all played and processed live. This work comes from some recording sessions in Giovanni’s Studio. Later subtlety edited without any overdubs, just choosing the most suitable parts, noticing something evolve from the session, forming a solid arrangement.
The fundamental idea behind the project is vivisection, holding an historical vivisectio…
Bob Rutman has invented what may well be the largest stringed instrument ever made. with a bow made of fishing line, he bows the suspension of a gigantic steel sail and in this way creates drones whose volume is not unlike the noise of a plane taking off. we might be reminded of russolo and 'the art of noise' by the futurists, or of machine music or industrial. and we're right and wrong there. of course, simply the look of rutman's steel cello gives a martial impression. so, it's not surp…
The inspiration behind Northern (including its music, title and photography) comes from Deupree’s recent relocation from the heart of urban activity in Brooklyn to the tranquility of the forest in upstate New York. Inspired by nature and the winter during which it was created, Northern, like much of his recent work, explores Deupree’s interest in stillness and a slowed sense of time. Through quiet textures, subtle movements, faint loops and echoes, it was his goal to create the type of music tha…
Regarded by collectors of Anatolian rock as The Daddy of all Turkish rarities, this instrumental record from 1973 has to be heard to believed and even then it’s unbelievable. Either these guys had time machines or DJ Kool Herc had secret Eastern connections. Ten tracks of swinging hybrid grooves that run from blues to jazz to folk to soul to kraut, Latin, African and beyond. Rare grooves, indeed.
In his interpretation of the music from Osvaldo Coluccino, Alfonso Alberti takes us by the hand to lead us part of the way through our innermost being.What we hear seems like fractured piano music, like notes and sounds scattered in space: in his “Stanze,” Osvaldo Coluccino uses the piano’s resonant body to generate resonances in the spaces within us. He removes the windows, eliminates all opulence, and confronts us with environments that lie within ourselves. The light and the dimensions keep c…
Second album for the Brooklyn trio led by guitarist Ninni Morgia (ex White Tornado, ex La Otracina), in this recording with Stuart Popejoy (Bassoon) on bass and Kevin Shea (ex Storm and Stress, Talibam!) on drums. Compared to their first album, that featured Peter Evans on trumpet, “The End of the Empire” is more various and eclectic. The eight tracks open up to psychedelic and ambient music besides free jazz, marked by Ninni Morgia’s visionary guitar, Stuart Popejoy’s pulsating industrial bass …
This compilation, originally released in 1984 as a vinyl LP by Multiple Configuration in collaboration with the legendary ADN label, is finally available again in a completely remastered CD version. "Ekhnaton" collects tracks recorded by the most daring and remarkable bands that were active in the experimental Italian scene during those years. "Simple Italian Research Vol. 1" was (and still is) the subtitle of an album that includes two tracks from each of the following bands: Maze 1066, Tasaday…
2011 release. Satoko Inoue is an experienced performer of Ferrari’s works and had a lively exchange of ideas with the composer, who was also present at the recording sessions. No wonder then that precisely those ideas of open work and its “anecdotal” interpretation were the ones that were most important to him – as such sounds were to him always abstract at the core, even if he first illustrated them in a very visual and associative way. Satoko Inoue writes: “We discussed, he explained ab…
Scelsi's works usually originated as transcribed improvisations; therefore they are never based on superficialities of form or compositional technique but always directly reveal the core of their message. Pianist Marianne Schroeder reports that Scelsi recommended daily improvisational practice as a method for discovering one's own creativity; and on his Suite No. 9 "Ttai" the composer is said to have commented: "Play it whenever you're sad. And when you're in high spirits." In Ttai, which links …
Ap'strophe is the duo of Ferran Fages (acoustic guitar) and Dimitra Lazaridou Chatzigoga (zither). Recorded by Christian Pallejà at Maik Maier studios in Barcelona, december 2008. Mixed and mastered by Ferran Conangla. With their music they investigate the perception of the distinctive timbre of the guitar and the zither alongside the differences and similarities of their string instruments.
The name under which Melbourne singer, songwriter and multi-instrumentalist Paddy Mann records and performs, Grand Salvo has quietly and unassumingly developed a body of work that has inspired both hardcore devotion and more recently, wider recognition, stemming from his previous album, Death. The ambitious fairytale orchestration received rave reviews from all over the country. With Soil Creatures, Grand Salvo has returned with no less scope but sits within quieter surroundings. This gorgeous s…
Mountains’ music is defined by slow builds, and subtle transformations, textures and melodic lines that evolve in a variety of ways to create grand soundscapes and acutely detailed compositions. For Centralia, the duo of Koen Holtkamp and Brendon Anderegg wrote and recorded in a way that mirrors the pace of their music. While the current trend in experimental music is towards hyper-prolificity, Mountains have taken their time on Centralia, resulting in an album that is as precise as it is boundl…
It is the continuation of a body of work intertwining instrumental and electronic music following the acclaimed 2004-2008 work les arbres (Mention, Prix Ars Electronica 2009). The mixture this time is more edgy : a rich and complex electronic sound composition alongside the folk inspired guitar played by Simon Trottier (member of the extraordinary haunted blues band Timber Timbre). After 2 albums of improvised folktronica with Simon Trottier, Nicolas Bernier decided to explore that singu…
Cold and glacial drone recorded at the prestigious EMS in Stockholm. 58 minutes of northern iciness. Moon Over Torrelorca, the second album from Keränen, serves as a great follow up to his amazing debut album Bats In Attic that Lasse Marhaug's Pica Disk released last year. In contrast to the high energy multi-layered noise- bomb the debut offered, Moon Over Torrelorca instead showcases a carefully composed drone piece from this highly skilled sound artist. It’s cold up north.
A 2006 concert recording at London's legendary Vortex by Evan Parker (tenor saxophone), Steve Beresford (piano), John Edwards (double bass) and Louis Moholo-Moholo (percussion) with special guest Kenny Wheeler (trumpet & flügelhorn) joining the band for the second set."-psi
CD edition, 'House' is the 2nd official full-length offering by Cleveland, Ohio duo MIST featuring Sam Goldberg (of Radio People) and John Elliott (Emeralds, Outer Space, Imaginary Softwoods etc) after 2009's self-titled debut effort on Amethyst Sunset. A suite consisting of 7 complex, layered compositions shows new progression in composition and melody from the duo. From the lightning fast, bittersweet crescendo of 'Twin Lanes' to the dramatic chord progressions of 'I Can Still Hear Your Voice'…