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A true experimental music classic by Maurizio Bianchi, originally released as private cassette in early 80's and then later bootleged on tape. This is the very first official re-release on CD of this incredible sound-material!!! This is the most intense M.B.: raw and experimental! Released on 1:1 high quality new generation CDr -> same quality and 99% same 'look' of a glass mastered CD. Digislim package.
Axel Dörner, Nobuyoshi Ino, Kazuo Imai, Noritaka Tanaka. This is the masterpiece of 2CDs, splitting the music into improvisation (momentary composition) and / or composition. Disc 1 is the improvised music by Axel, Ino, Imai. Guitar sound of Imai is hot and tingling, Ino plays careful his choice pizzicato and arcoexquisitely, and Axel's original sound bring Ôout' into their music. Their atmosphere of music is special one, cannot be similar from every music. Disc 2 consists of all Axel's composi…
The Preservation label presents Home, the third album from Olan Mill from Hampshire in the United Kingdom. Olan Mill is the recording project of composer and producer Alex Smalley, who to-date has received rapturous acclaim for his work that holds a sublime measure between the realms of modern neo-classical composition and ambience. On Home, Smalley has mined his most expansive territory yet to create a thrillingly evocative and deeply felt body of work. The tender clusters of sound that ha…
'Japanese percussionist Seijiro Murayama has been working in France since 1999. His musical approach is based on extreme attention to the performance space, the energy of the audience and the quality of silence. He is interested in how continuous sounds and microscopic events can delicately revitalize the environment. Now established in Beirut (Lebanon), french saxophonist Stéphane Rives has spent over last ten years developing new sonic array of extended techniques on the soprano. On thi…
'Created and performed by Christian MUNTHE. Upside-down steel 6-string arch top acoustic guitar. Touched by: guitar-pick, palm of hand, fingertips, nails, lips, tongue, teeth, breath, saliva, beer bottle, whiskey tumbler, plastic ball-point pen, paperback book, legs Christian MUNTHE is a Swedish free improviser that since the 1980's concentrates on the sonic possibilities offered by the acoustic guitar in solo as well as various ensemble settings. He has released recordings in his own name and …
Debut disc from the new collaborative project between Nathan Bowles (Black Twig Pickers/Spiral Joy Band) and Lisa Cameron (Venison Whirled). A real odd one this, lots of rattling and scraping of percussive objects creating 3 tracks of abstract improvised surreal sonic explorations. The sound is matched by what I can only describe as the weirdest sleeves I have every had the joy of releasing (and we've had some weird ones), but this one is far out, the guy at my local print shop looked baffled wh…
In 2010 electronic musician Esther Venrooy and drummer Lander Gyselinck were invited to collaborate with two Chinese musicians during the Shanghai World Expo. This event inspired Venrooy and Gyselinck to start their own collaboration which resulted in the creation of Point Break. Fascinated by speech patterns, film dialogues and cut-up techniques they explore the interaction between acoustic drums, electronics and digital processing.
Live concert recording May 2005. Derek Bailey, electric guitar. Agusti Fernandez, piano. Derek's final public performance was a duo with Agusti Fernandez as part of a series of concerts 'De Prop' which took place in one of Gaudi's magnificent edifices 'La Pedrera' on Passeig de Gracia.
“Jean Derome (flute, alto saxophone, etc.) and Lê Quan Ninh (percussion) are both leading figures in improvised music. They are also active in other musical genres such as jazz and contemporary music. They were invited by Tour de Bras make an entirely improvised concert that was a time of intense music. Such a sublime moment. Fléchettes documents this encounter, this dialogue while surprises and smiles apart, both fun and physical, both calm and truely energic.”
In "massacre" Wolfgang Mitterer presents us with a passionate analysis of a timeless threesome: power, religion and violence. An opera for five singers, nine musical instruments and electronics.Based on Christopher Marlowe’s drama »The massacre at Paris«, Wolfgang Mitterer paints an acoustic picture of destruction, conspiracy and the thrill of power. His protagonists virtually rid themselves of their identities, turning into typological representations of different points of view. The concrete e…
Likeness is the newest release from the duo of Tom and Christina Carter. Recorded over a period of several weeks during the Spring of 2006, the album is a return to the spontaneous composition of previous Charalambides records such as Houston and Union. With the exception of "The Good Life", which appeared in a primitive version on the Wholly Other CDR Home, all of the tracks on this release sprung forth after 'record' was pressed, and were fleshed out via overdubs, editing, and a malfu…
This powerful 1972 performance by Arni Cheatham's group provides a unique glimpse of the jazz scene in Boston. The group borrowed the most innovative characteristics of jazz and rock, but never sounded derivative. This is early seventies "jazz fusion" of the highest order, before the term evolved to mean a light, commercially acceptable genre. As with many innovative jazz forms, the recording was made at one of the many local universities, Harvard. The resulting album was pressed in scant…
Sjunga slutet nu (Sing the End Now), the new long-awaited project by Hans Appelqvist, consists of both an album and a film. The work is about the angst and silencing of death and the meeting with the final end. The film and album have the atmosphere of a fairy-tale that feels both natural and original, a world where talking levitating spheres seem as ordinary as man. In it, we meet Theodora, an elderly woman that lives in a lonely house by a lake somewhere in Sweden. We also meet her friends: th…
Rarely you remember the moment you listen to a record for the first time as something clear and tangible - what is retained in the memory is the atmosphere and the emotions that the music evokes, but not much else. Atol Drone (Polycephal 2002) was an altogether different case. It broke through into my mind surreptitiously like a high Pacific wave and for years it held sway over the area of my musical memory responsible for the rough sea, atomic fears, sea fever, incomplete Morse signals no…
New York duo of Joshua Convey and Luke Krnkr. Blistering, overdriven shards of noise obscure the almost entirely hidden melodies. These musical moments are few and far between, as The Persistence of Meaning is more about reveling in destruction and decay, emphasizing raw feedback and hollow, rhythmic loops that shamble like the walking dead. Dirges from the deepest ossuaries can almost be heard, pained notes buried by locust swarms of static. While occasionally the pair engage in erratic Krautro…
Originally released in 1981 as an untitled mini album on Zick Zack, "Dub & Die" completes our re-issue programme of the band's earliest works. Recorded at SADW's Cassettencombinat studio in Berlin, the original 8 tracks represent the first release by this German Avantgarde/Industrial group that was once a member of the "Geniale Dilettanten" movement. Again, comparison with early Einstürzende Neubauten is permitted, altho…
This collection of rare album artwork reflects the independent energy of the African American jazz movement. Located in the heart of Soho in London, Soul Jazz Records is a musical oasis. While many of the quality record shops that once graced this area have closed their doors Soul Jazz seems to go from strength to strength. Stuart Baker and his partner Karen Tate oversee a thriving business which is driven by their own tastes and beliefs. A pragmatic duo, they recognize that the survival of Soul…
Reissued on Fledg'ling in 2005, originally released in 1965 by Decca. An experimental recording conceived by Austin John Marshall bringing together Shirley's haunting traditional song with Davy's guitar improvisations. Folk Roots, New Routes opened the door for Fairport Convention's Liege and Lief and Pentangle's debut. For this carefully remastered edition, Fledg'ling have restored the original artwork, added a new sleeve-note essay as well as previously unpublished photographs.
Some bands produce a CD every week; by now it seems 'normal' to have three year gaps in releasing records for Beequeen, which is a fresh antidote to the music business of more = more. For Beequeen, like good wine, things mature given more time. Whereas 'Sandancing' (2008) featured Olga Wallis a guest singer, on this new album she's a fully fledged bandmember, adding her beautiful voice to Beequeen's off beat songs. 'Port Out Starboard Home' features surreal dream-pop, but always with that unique…