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For more than 15 years, Tokyo, Japan's Tenniscoats have been keyboardist/vocalist Saya and guitarist Takashi Ueno. The duo have brought equal parts meditative intensity and whimsical humor to a series of acclaimed psychedelic albums, beginning with 2000's The Theme of Tenniscoats. But Tenniscoats have rarely released music without collaborating with others. Most famously, they teamed up with Scottish indie-pop legends The Pastels in 2009 for the wonderful Two Sunsets album on Domino Records…
Monochromes Vol.1 is the new sound work by Italian multimedia duo TU M'. The Monochromes series is a collection of modular audio and video compositions for chamber ensemble. Fragile atmospheric colours made of sound, light, space."A poet always has too many words in his vocabulary, a painter too many colors on his palette, a musician too many notes on his keyboard.
beautiful psych/weird-folk album, most of the tracks are guitar driven bucholic neo-freaksters keep reading!. While playing this psychedelic-melodies many names came to mind, basically: Red Krayola, John Fahey, Syd Barret, Devendra Banhart and obviously his mentor, mr. Marc Bolan
Lost and found all of a sudden, this album is the exploration made with the chanting voices of unknown nature. Choral fragments were decomposed and restructured, arranged with the effects and atmospheric shifts, creating the mysterious soundtrack to the otherworldly ceremony. These echoing voices are going directly from the lost memory or the daydreams, nobody can tell you where they are from, where they are calling you. Here are some words of the author, giving you just the hint but not t…
Claire Bergerault, voice. Jean-Luc Guionnet, pipe organ. 'Music that proves that improvisation can still offer something vibrant and different. Intense, powerful music that will annoy as many as it delights.' Highly recommended !
Seductive but perilous, he Kilimanjaro Darkjazz Ensemble's new session under the Mount Fuji Doomjazz Corporation name is a new combination of drones and jazz. Creating sensual, murky and dark atmospheres, “Succubus” the evolution of this band, with stronger horns and a focus on hypnotic, soundtrack-like material. A deep, dark and yet seductive trip again for the corporation.
Bill Fay is one of English music's best kept secrets. At the dawn of the 1970s, he was a one-man song factory, with a piano that spilled liquid gold and a voice every bit the equal of Ray Davies, John Lennon, early Bowie, or Procol Harum's Gary Brooker. He made two solo albums but his contract wasn't renewed, which left his LPs and his reputation to become cult items. But he never stopped writing, the music kept on coming. Now, in his late sixties, he has produced Life Is People, a brand …
Volume 3 in the series of Sun City Girls singles, compilations, and rare tracks, consists of material recorded between the mid-1980s and early 1990s. Much of this collection reflects the Arabic guitar instrumental and acoustic pseudo-Asian vocal folk styles of the band from the period when they recorded relentlessly. The 14 cuts vary wildly in scope yet maintain a consistent listening experience throughout, bridging a wide gap between the band's second full-length LP Grotto of Miracles (T…
This performance was very special concert under candle lights, summertime passion. We performed in garden with very relaxed audience in that atomosphere which will ever bring you there. This track alone is worth documentation for creative moment of time and space.
Becalmed is the debut album from Sydney pianist Sophie Hutchings, recorded between two different settings: one with engineer Tim Whitten, best known for his work with The Necks, and one with Tony Dupe, who records on the preservation label as Saddleback. Becalmed isn't an entirely solo affair, and you'll hear Hutchings' family and friends helping her out with violin, cello and percussion - all elements that greatly help bring these recordings to life. Beautifully recorded, elegiac and romantic c…
Robert Horton’s musical exploits are diverse, heady and spans over three decades. From his early punk days to joining various groups in pursuit of free jazz, drone and even psychedelic hillbilly, Horton is happily hard to pin down. He also makes his own instruments. One found regularly across the 30-plus releases he’s been involved with since 2005 is the ‘boot’, a four-stringed instrument that plays like an otherworldly dobro or slide guitar. Tom Carter has been a lightning rod-like figure…
One person says, sings or recites in any language. After the first minute, a second person joins the first one and they say, sing or recite in any language. After the two minutes, a third person joins the first one and the second one, and they all say, sing or recite in any language. And so on...The 'Zaj concert for 30 or 60 voices' from Esther Ferrer (member from group ZAJ since 1966) dated at the beginnng of the eighties in Spain under the aegis of Franco's system. The Concert has been…
First collaboration between Maurizio Bianchi and Akifumi Nakajima, the second one being the Mectpyo Saisei on Para Disc. Four long tracks of drowsy noise ambiance.
Third album from Oslo's PAAL NILSSEN-LOVE & Chicago's KEN VANDERMARK who have previously worked together in SCHOOL DAYS & FME follows their 2 "Dual Pleasure" releases. While it seems barely possible, the duo have become even more groovy on this third album. Free Jazz w/roots in both the American & European traditions: warm, groovy, melodic & funky at the same time as it is raw, wild & energetic. The pure art of spontaneous music. Independent underground jazz at its very best & a free jazz master…
There’s probably not much to say about punk’s continued existence. Like jazz or sitcoms or party politics, it just carries on eating and breathing and shitting and propogating. It’s only interesting when someone comes along trying to advance the form. Like “Arrested Development” or Dennis Kucinich, they’re usually forgotten. This would all be relevant if Neptune were a punk band, which we’re not at all sure is the case. They create a sense of undermining the status quo, which is pretty pun…
Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-piercing. At times, the music seems to lead us to a meaning that is deeper than the textual level. or is it the depth of another possible song? That's when the music takes us to areas that seem perpetually urging, more than their simple addition of voi…
The piano trio is probably one of the most common ensembles to be heard in jazz, and truth be told, I am a little weary of them, preferring the expressiveness of a horn section. Yet once in a while, a piano trio comes forward that has something new to tell. When I listened to WHO Trio's "The Current Underneath" (Leo Records) a couple of years ago, I was immediately enchanted by the sheer musicality of the project. This one, "Less Is More", is even better. The trio consists of Michel Wintsch on p…
The best-selling instrumentalist in the world, with over 70 million albums sold to date, Kenny G. is an international superstar who has earned countless prestigious awards throughout an illustrious career that spans three decades. He has distinguished himself as a master craftsman and one of the most gifted artists in the world, through nineteen best-selling releases. Now add one more to that list of multiple-platinum chart-topping records: NOTHING SPECIAL. Kenny's first album in at least…
The recording of The Dunrobin Session took place during a residency at Carleton University in Ottawa, Canada, during which Pauline Oliveros presented a series of concerts and workshops in collaboration with percussionist Jesse Stewart, who teaches music composition at Carleton. Oliveros and Stewart are composers, performers, educators, and writers, and each has pursued creative exploration of new instrumental resources while developing expertise on a traditional instrument (accordion and drum).R…
Every once in a while a record like this one appears out of the ether without clear reference points. Web details on The Books are sketchy, but I have ascertained that they're a duo consisting of guitarist Nick Zammuto, who lives in North Carolina and has released some solo material under his surname, and cellist Paul de Jong, who lives in New York and has composed for dance, theater and film. After that, the pool of Books information dries up fast. The music is similarl…