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Following a few years spent living and playing in Scandinavia, an unknown saxophone player by the name of Albert Ayler returned home to the USA to begin imposing his revolutionary style of jazz on the world. Having recorded his debut album, My Name Is Albert Ayler for the Danish label, Debut Records, this session (which took place in New York City on 24 February 1964) was his first American effort, resulting in the eventual release of two albums: Spirits (released in 1964 on Debut) and Swi…
an edition of 250 copies on 180 gram virgin black vinyl. A live LP of incendiary concréte guitar shards. Two live sets from SuperDeluxe Tokyo. Imagine Derek Bailey slamming his guitar into the circuitry of David Tudor and the subsequent brawl. Polite applause please. This is the sound of Caravaggio. Marco works outwards from his home in Melbourne, Australia. Primarily a visual artist he produces artwork through the employment of an open methodology, avoiding practice riddiled with formal …
Limited to 500. Zak Boerger whittles a small niche all his own out of the vast trunk of bedroom psych-rock, & it's a quite stirring slow burn of a record - a steady rippling of melodic noise that cascades on your emotions, like Richard Youngs re-imagining the Laughing Stock-era Talk Talk sessions.
Digitalis invite us to dive headfirst into the synth froth of 'Soft Terminal', the latest emission from maverick soundscaper Norm Chambers, aka Panabrite. Over the last few years he's amassed a small library of exceptional material for the likes of Gift Tapes, Aguirre and Digitalis, plus one rather special pearl, a real scene classic, produced incognito and which we've been sworn to secrecy over. Compared with the stacks of dribbling dronesmiths and half-baked fantasists who populate this …
"Originally released in 1971 on Dandelion Records this was Bridget St. John's second and, arguably, best album. Produced and scored by Pink Floyd collaborator Ron Geesin, Songs For The Gentle Man was recorded at Sound Techniques in Chelsea (where everybody from Fairport Convention to Nick Drake had made albums) and is a far more sophisticated work than its predecessor. Organized around a small chamber orchestra, Songs For The Gentle Man is a set of cool, pastel songs that simultaneously h…
Alien Column' is the first full length LP by the thick-smoke-filled-Michigan-basement duo of Chris Pottinger (Odd Clouds, Cotton Museum and the Tasty Soil label) and Heath Moerland (Sick Llama, Cygnus, Drug Abuse and the Fag Tapes label). Often described as a post-Wolf Eyes combo, Slither offer a mutant take on free jazz through their multiple electronics manipulations and dual horn tandem (alto saxophone and clarinet). An additional proof to why Michigan is currently the best place to be on ear…
"For this new Latitudes release All Tomorrow's Parties mainstay Alexander Tucker joins forces with Dean Garwood, resulting in three terrific stretched out jams. Perhaps it's got something to do with the fusion of prog influences with jazz and psychedelia, but stretches of this bring to mind the Canterbury scene of the '60s and '70s from which Robert Wyatt and Soft Machine came to prominence. 'Golden Dome' slips into a bluesy cello riff (if that's not too much of a contradiction in terms) that lo…
Deathpile's latest power noise excursion extrapolates the mind of the Green River killer; Washington State's most notorious - and at the time of writing - unsolved serial killer case. This is harsh power electronics with sadistic lyrics delivered in a frenzied manner. Deathpile is an outlet for the twisted mind of Jonathan Canady. On G.R. he is aided by the undisputed talent of twisted musical troubadour David E. Williams who provides the lashings of non-rhythmic noise. There's a defin…
An internationally known artist, Franco Battiato has been everything in his long career, from beat singer to avantgarde performer, producer, contemporary music composer.His beginnings lay in the mid 60's, with many singles released with no particular success, the first two under his real name of Francesco. He had left the native Sicily (he was born in Jonia, near Catania in 1945) moving to Milan around 1965.Fetus, housed in a outrageous cover (reproducing a foetus) was definitely a prog al…
Hand-numbered edition of only 100 copies LP from Belgian visual artist Dennis Tyfus’s Vom Grill project: two tracks of non-spazz electronics, keyboard and profoundly deformed tongue, moving from scraping, skittering sound werks that come over like Blood Stereo play John Cage’s cartridge music to a fantastic fat, doomy synth solo that makes like Heldon hymning Lucifer. Less madman and a lot more moody than you might expect, this makes for a consistently bent atmosphere from start to finish.…
Pete um, a breeder of horses and creator of quirky tape loops, had already created a proud number of tracks scattered over a series of cd-rs, a 7" and a split lp, when he happened to run into the talent scouts of gagarin records in a small pub of his hometown cambridge. the fateful encounter set the clock ticking for a release but it would be five years before the essence of um's vast output was distilled into a flock of 18 tracks that now dazzle silvery on this very record. meanwhile, his music…
After a long time out of print Sacred Trails 7", a new release from Altar Of Flies for Wendy.Minimalistic textures, tape loops, field recordings and junk abuse, all mixed in an unique cruel sound. AOF explores line between man and nature, with analog machines he transforms in sound the cold of his lands, the feeling of no light, the man perfection in loneliness. The result is the must organic, deep and dark AOF release ever.A new start for this criminally underrated artist, a new powerfully soun…
Limited Copies! By some mysterious and fantastic stroke of luck Sixtoo and Marco's Bully imprint have landed themselves the exclusive rights for this obscure third album from electronic psych masters The Silver Apples. Not only that but they have also now produced the first ever vinyl version of this seminal LP and have even dug deep enough to include some killer bonus cuts - never before heard. The band's name was inspired by the same poetic source that Morton Subotnick nabbed for his se…
Providence, RI's (recently relocated from Nashville, TN) Container returns with another slab of alternate universe bent techno. Schofield's take on that over-used genre is not only unique but utterly compelling, forming a modern and exciting new sound. While the classic Container sound is still in tact, this album offers a look into a previously closed door in the Container sound world. LP, like its predecessor LP, is recorded in mono and it cuts right down the middle of your skull, and do…
Vladislav Delay's EP Espoo features two conceptual, rhythm-intense tracks. Whereas the groove of the opener "Olari" derives from a sound loop which is manipulated by filters and echoes, the reverse is done with "Kolari." Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent melody, close to Terry Riley's minimalistic concepts. Both tracks share a linear increase in density, and because of their break with the common four…
Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church, Berlin, careful attention was given to capturing the unique resonant acoustic offered by the airy, stone building, exhibiting the broad palate of aesthetic qualities the group are able to create. Subtly evolving sound worlds that evoke, at times, t…
This is a very unique electroacoustic work by an unknown French artist. Two records self produced that sometimes sounds a bit like the first Lieutenant Caramel."There is an outside music to the man, the wind, the sound of leaves, thunder and birdsong. In what he hears, the man develops the idea that sounds refers to forces that exceed it. The music of nature is a communication with God. Or with gods. [...]Martial Bécheau practice montage, the assembly of this matter that is the sound. Orchestr…
This album is made up of one long jam session recorded live-in-studio at Inner Space in Cologne during the 1973 Future Days sessions. More ambient than their previous efforts, Future Days was also singer Damo Suzuki's final album with Can. Members of Can had first encountered the self-defined '20th century nomad,' Kenji 'Damo' Suzuki, a few years earlier on the streets of Cologne. It was shortly after original Can vocalist Malcolm Mooney had left the band and they were left without a singer…
Max goldt always knew how to take the rope off the german neck by using our language in a light and ironical way. however, before he became a national celebrity for his poetic satirical writings, he had produced a vast amount of home recording pieces whose quirky complexity and uber-earthly beauty has hardly been recorgnized and appreciated until today. after some years of silence, mr goldt - who never gives any interviews - has handed out a bunch of audio tape tracks to the soul scratchers of g…
Finally reprinted...Returning with a brand new album of arid, dustbowl blues and slow-motion desert-scapes, Evan Caminiti and Jon Porras resume duties as Barn Owl for a third album. Previously this band has tended to court associations with the sound developed by Earth for their Hex album; the overall effect is resolutely bleak and doom-laden, yet not entirely without some grounding in the language of grassroots Americana. Ancestral Star takes the Barn Owl sound to a new level of refinement, spe…