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Exact repro, originally released in 1962, a spiritual jazz masterpiece. "In the early '60s, flutist Prince Lasha's work with alto saxophonist Sonny Simmons was often compared to the trailblazing free jazz that Ornette Coleman was exploring at the time....Free jazz performances like 'Bojangles,' 'A.Y.,' and the rhythmic 'Congo Call' are abstract, cerebral, and left-of-center, but they're still a bit more accessible than Coleman's harmolodic experimentation.
Australian Charles Curse's music is one of the weirdest things I've come across all year. On Rain In Skull, fragments of disjointed folk melodies move across a plain of wheezing chords, tape hiss, children's voices, ambient washes, amp hum, electronic glitch and bits of buzz in general. The contrast between downcast guitar playing and the physical claustrophobia-inducing weight of sound is equally perplexing and intriguing. It's all presented in a decidedly lo-fi environment but the sound constr…
featuring Brian Sullivan & Nate Nelson (Mouthus), Pete Nolan (Magik Markers, Spectre Folk) and Karl Bauer (Axolotl). The LP features two side-long tracks of bubbling, meandering noise-drone collages. "What the hell is this madness? After the Georgia Sea Island Singers took me somewhere nice it’s up to this super-group to drag me back to the fierce, nightmarish industrial landscape from whence I came. Then again this isn’t the sound of Bradford. I don’t know what it’s the sound of actua…
The performance on this LP was recorded live at Roulette in New York last year. I have appreciated Knuffke's playing and music before, and I will do it again here. His tone is always full and warm, and he's a master at taking tough bends easily. The music is jazz in its purest sense : improvisational joy and emotional expressivity in a compact form. There is nothing but pulse in the pieces they play, even if the rhythms are not always explicit or when there are no patterns, the three musici…
Consisting of one side of solo lute material by Van Wissem and one side of new pieces by the duo. Film maker Jim Jarmusch plays electric and acoustic guitar and does tape on one piece. Van Wissem plays lute and 12 string electric guitar. Limited silver on black silk screened vinyl edition.
Limited edition of 250, with full color 23 by 33 poster designed and painted by G.Loli. Mutamassik (= tenacity in Arabic) is the musical avatar of Giulia Loli, who merges Egyptian percussions with hardcore breaks. The result, sometimes dubbed Sa'aidi hardcore & Baladi breakbeats is a mutant, syncopated form of instrumental hip-hop. The history of Giulia Loli herself is marked by fluid borders, being born in Italy of an Egyptian mother, moving to the United States in her childhood, staying in Egy…
LP version. Sub Rosa presents this cult album that has not been available in years. Re-released with new artwork, this is the 1980 version of Symphonie Pour Le Jour Où Brûleront Les Cités (the original version was released in 1976 and was later re-recorded). Pioneering Rock In Opposition filled with clashing percussion, frenetic orchestral motifs and apocalyptic brass. Not for the squeamish. It features the line-up of Thierry Zaboïtzeff (cello), Alain Eckert (guitar), Gilles Renard (saxoph…
"An earthy, eclectic record that manages to be challenging, but also remarkably patient, it's the sound of the formerly Ridgewood, NJ-based songwriter quietly coming into his own....a major creative step forward for Lynch, whose absorbing ambient pop sounds prove how refreshing this kind of subtlety can be." -- Pitchfork (8.5)
Understand this: Yoga dispenses a sinister frailty of howling swellsin hissing static that combusts into crawling shock heaps, to the effectof Mayhem performing Twin Peaks incidentals in a prairie recordedby The KLF. A brief description casts them as black metal's answer to Throbbing Gristle. The texture-based rendering of their compositionssails them on a strange sea between song and sound effect as itbobs along the waves like a dead man s bottled message. Aspects ofGoblin rehearsals in dead hi…
"Her first classic album originally released in 1969 on John Peel's legendary Dandelion Records. A wholly acoustic, almost wholly solo folk affair like a female Nick Drake or Nico recording a folk album. A calm, beautiful and somewhat melancholic batch of songs sung in that sunny low register always associated with Bridget make up this beautiful but criminally forgotten debut album. John Martyn adds second guitar and backing vocals while John Peel serves as producer. A magnificent sound p…
12" version. Certainly not a group to rest on their laurels (especially difficult when they have new songs burning a hole in their collective back pockets), Deerhunter delivers five new tracks on this extended play. This is not some stop-gap release between albums, or mere leftovers from their most recent Microcastle album, but an all new session. The band loves the EP format and thinks it does not get the respect it deserves. Hell, some bands arguably work best in the EP format, think Cocteau T…
This is an extended, limited vinyl edition of a dark ambient classic, featuring an extra 10 minutes of bonus material. Initial copies come on white vinyl!* Another heart-stopping debut brought to you by the increasingly inspired Digitalis imprint, Concern is the recording project of Gordon Ashworth who in a previous incarnation (as Oscillating Innards) delivered an altogether more brutal take on experimental music before planting his feet firmly in the world of shimmering, layered drone…
Over 15 years ago Daniël de Wereldvermaarde Botanicus (hat and cacti collector Cassis Cornuta) deejayed a ton of horrible la bamba versions for 2 hours in the now defunct situationist radioshow RTVS (Radio Centraal-Antwerp). The 'galdezen' of RTVS yelled-sung along, creating their own versions of la bamba while getting more and more hammered or naturally gone from a bamba trance! After telling me this short story Daniël mumbled 'I always wanted to dj all night long la bamba, I think it will driv…
"For the past 25 years, New England's Idea Fire Company (IFCO) has positioned themselves at the frontline in the ageless battle for aesthetic purity. Founded by the enigmatic duo of Scott Foust (aka The Commander, aka The Last Great Man) and Karla Borecky, IFCO have built up a bulletproof discography, with each release refining the sound of its predecessor. They have been well served at home through their own Swill Radio imprint, and internationally, by Rund Um Den Watzmann, Entr'acte and…
restocked, but very few available...LP art edition of 310 numbered copies, recorded on 1973, NEVER previously issued on vinyl, this is a jewel from saturn: try to find it in the cosmo if you can. This albums originally intended for release by Impulse! in the early 1970s, Cymbals is very a much a continuation of efforts like The Night of the Purple Moon, with an overall extended sax workouts, and built out with plenty of welcoming grooves. An highlight from a fertile period when Sun Ra and his…
Artiste sonore et visuel basé à Londres, Jim Hollands a conçu 'Télépathie 101' comme la BO d'une installation vidéo en multi-projection. Électronique façon eighties et sous l'influence de John Carpenter. Première édition de 60 exemplaires.
... probably don’t need to explain this one in too much detail ; it’s a kevin drumm tape (of scattered, alternatingly minimal & harsh guitar pieces recalling his earliest recorded/released work) ; the second “pressing” after the first (of something like 40 copies) disappeared within the opening of the “merch tables” at the no fun fest this past may ...that we got even this scant handful of copies is due mostly to the largesse of alku’s anna & roc ; i wouldn’t dawdle too long if you’re interested…
I've first heard TELEFONO BALAFONO a few years ago on a (now)preistoric myspace website and i almost fell from my chair. A raw and plastic collection of music compositions recorded on a "broken 4 track cassette recorder" as stated by the artist that mixes unknown keyboards and drum machines with a no wave twist that for the time of the recordings was already predicting the economical-ethical crisis we're living in the now. Each fragment doesn't exceed the 3 minutes of lenght creating short a…
Cassette only - limited edition of 250 copies. A: Part One. B: Part Two. Cover features an illustration by SaxX, after Martin Sharp. Who on earth are The Van Patterson Quartet? The Tapeworm stumbled upon the lost psych rock recording, 'Live at F.W.' by The Van Patterson Quartet, late during a sleepless night. A link started a chain of events the Wormery would not sleep until the answer had been found! 'Who on earth are The Van Patterson Quartet?' we asked ourselves We sent out feelers via our co…
Cassette only - limited edition of 250 copies. The Tapeworm is really chuffed to have Philip jeck as its first release! Recorded in June 2009, at home in Liverpool. On 'spool', jeck eschews his usual prepared vinyl technique, instead playing bass guitar through various effects boxes. Philip jeck works with old records and record players salvaged from junk shops turning them to his own purposes. He really does play them as musical instruments, creating an intensely personal language that evolves …