New Arrivals
Diana in the Autumn Wind
On Diana in the Autumn Wind, Gap Mangione turns late‑60s trio jazz into a Technicolor funk miniature: short, intricate charts, molten Rhodes, and a young Tony Levin/Steve Gadd rhythm engine that future hip‑hop would mine like sacred scripture.
Batteaux
On their self‑titled 1973 LP, Batteaux turn baroque folk into ocean‑lit folk‑funk: lush West Coast arrangements, sky‑high harmonies and proto‑yacht grooves that feel as Balearic as they do Laurel Canyon, somehow both overlooked and timeless.
Cafetic Atom
On Cafetic Atom, Magic Nousiainen & Wonderful Lehtisalo turn the Finnish DIY cosmos inside out: ecstatic free noise, cosmic hiss and bliss‑bleeding feedback spirals coalesce into a strangely serene, meditative storm of pure, glowing otherness.
In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music
On In Filth Your Mystery Is Kingdom / Far Smile Peasant in Yellow Music, Dagmar Zuniga threads five years of Tascam‑4‑track recordings into a porous, tape‑hazed songbook: fragile transmissions where harmony, hiss and fingertip detail make lo‑fi feel …
Take me, I’m yours
On Take Me, I’m Yours, Alan Abrahams and Jan Jelinek dissolve the border between song and sound design: multi‑layered vocal sketches are stripped of harmony and beat, re‑sculpted into fragile, pulsing landscapes where house‑born emotion drifts throug…
Vivel
*150 copies limited edition* Alexander Eldefors is a producer, composer, and mixing engineer based in the countryside outside of Stockholm, Sweden. With a background as both a sound engineer and musician, he has spent years recording, mixing and play…
Far East New Rock Invention 1969-1975
"What strikes me again, even now, is that rock from the late '60s through the early '70s remains the most compelling — whether Western or Japanese. In the mid-1960s, British groups like The Beatles and The Rolling Stones swept across the globe, while…
Godzilla
*2026 repress* Celebrated composer Akira Ifukube's formidable score for the legendary monster film, 'Godzilla,' continues to resonate nearly seven decades after its debut. Renowned for its groundbreaking blend of dark and evocative music, Ifukube's v…
The Straight Horn Of Steve Lacy
Originally released in 1962 on Candid Records, The Straight Horn of Steve Lacy finds a young Steve Lacy stepping forward with quiet confidence and a sound unlike anyone else at the time. Stripped of excess and focused on tone, space, and intent, thes…
The Best Of John Coltrane
The year 2026 marks the hundredth birthday of John Coltrane, whose groundbreaking artistry as a saxophonist, composer, and bandleader made him one of the most influential musical figures of the 20th century. To honor his immeasurable impact, Craft Re…
Future Present Past
Future Present Past is the second Impulse! Records album by the free jazz collective Irreversible Entanglements. The album was largely recorded at the historic Van Gelder Studio and showcases how the quintet fuses atmospheric jazz, world music tradi…
Lost Tape - 1980
Abdou El Omari was born in 1945 in Tafraout, south of Agadir -- a village suspended between the pink granite peaks of the Anti-Atlas and the waves of the Atlantic. A landscape already musical in itself. He grew up in the dry mountain light, surrounde…
Flirty Ghost
Flirty Ghost is an evocative LP by Rachel Kitchlew, a jazz and contemporary harpist known for pushing the boundaries of her instrument. A blend of jazz, ambient, and experimental sounds, the album was crafted in a spontaneous, deeply personal atmosph…
Caetano Veloso (A Little More Blue)
*2026 repress* Lilith present a reissue of Caetano Veloso's Caetano Veloso (A Little More Blue), originally issued in 1971. Often referred to as "Brazil's unofficial poet laureate" and the "Bob Dylan of Brazil", this heavyweight of Brazilian music wa…
Thresholds
On Thresholds, Andrew Anderson assembles a disquieting tapestry of foley‑like detail, field recordings and dream logic, a vinyl debut where precise sound art slips into phantasmagoria, hovering at the edge of memory, image and pure atmosphere.
Oblivion Seekers
On Oblivion Seekers, Ben Vida turns everyday speech into a glowing maze: neutral‑toned duets, drifting chamber textures and collaged overheard phrases dissolve meaning and sound into one long, entrancing mantra of language in motion.
Nafs At Peace
On Nafs At Peace, Jaubi turn a Lahore jam into a spiritual suite: North Indian raga, hip‑hop pulse and modal jazz woven into a journey from turmoil to stillness, as if Coltrane’s quest had been reimagined on tabla, sarangi and MPC‑haunted drums.
Dybbuk Tse!
On Dybbuk Tse!, Yoni Mayraz turns Jewish possession lore into a groove‑driven exorcism: live‑wire jazz, 90s NYC hip‑hop grit and Middle Eastern modes colliding in a story where a wandering spirit is forced out beat by beat.
Grzyby
On Grzyby, Błoto complete their mycelium cycle with a compact blast of medicinal‑and‑toxic club jazz: five mushroom‑named cuts of broken beats, sub‑heavy low end and live improvisation that argue for dialogue and interdependence in a world addicted t…