New Arrivals
Spots
Moving freely through time and space via experimental DIY recordings since 2009, Joasihno return with their fourth album "Spots".
Tarantola
*300 copies limited edition* Hailing from Raw Culture, Anna Funk Damage returns with his third release on the Roman label, delivering a record as fierce as it is intimate. Tarantola was born out of a winter suspended between contrasting emotions – me…
Studio Music
*300 copies limited edition* The roots of Studio Music lie in a special encounter between sound artist Jan D’Haene and visual artist Mark Manders. Recorded in Manders’ studio, where sounds resonated among the artworks, the music unfolded in dialogue …
Various Small Whistles and a Song
*200 copies limited edition* Various Small Whistles and a Song, the new album by Chicago-based artist Lia Kohl, incorporates notions of space, social relations, and humor. As the title suggests, the album responds to Ed Ruscha’s 1964 photographic art…
Tornada
Assembled by Pedro Alves Sousa, Má Estrela is a conjuration of ideas and obsessions around dub, leftfield dance phenomena and the hypnotic potential of urban somnambulance.
Sum Variations
We are delighted to welcome American singer and folk artist Joesphine Foster to Nyahh Records!! This wonderful and strange recording features Victor Herrero , Paz Lenchantin, Michael Zerang and musicians from the village of Joujouka, Morocco. This la…
Fly Or Die II: Bird Dogs of Paradise
jaimie branch’s FLY or DIE II: bird dogs of paradise, originally released in the fall of 2019, was hugely anticipated in its time.
Live at Pompeii
*200 copies limited edition* “Detraex Corp arrives on Sagome to deliver a heady journey through experimental rhythm and dub-informed weight and release with their new album ‘Live at Pompeii’. The album, much like its Carlo Gabriele Tribbioli created …
Back In The HCA
*2025 stock. 150 copies limited edition* In 1972, four design students at the now defunct Hornsey College of Art (HCA) in London decided to make a record; neither the result of nascent dreams of stardom nor of fastidiously developed musi-cianship. Bo…
Low clouds hang, this land is on fire
For his third new album release for Drag City, Tashi Dorji turns to the electric guitar. After the furious acoustic improvisations that drove the previous two—"Stateless" and "we will be wherever the fires are lit" — it’s easy to imagine an album of …
Naebula
Devotional music most often gets distilled into earthy chants and ancient folklore, it doesn't always ascend to the sky like Julinko’s ‘Naebula’ an album that from the first organ note clearly trades in terrestrial dreams for ethereal visions. A feve…
10,000 Rivers
Robert Stillman didn’t set out to make a concept album about Steve Jobs. But as a composer and improviser whose music asks questions about his relationship with reality, a curiosity about the promises and follies of technology took him there. Followi…
Five Again
Five Again is a striking debut from Mi Ya that spans just six tracks but makes a lasting impact. The album was crafted at Space Talk and reflects on childhood not as a stage to abandon, but as a spirit to protect. Its delicate compositions echo fleet…
Memory Garden: New Age For Old Worlds
Good ambient will always been a comfort blanket during harsh times. Whether from a global or more personal perspective. This collection on Secrets of Sound brings together some real dons of the genre, from Mark Barrott - to Steve Roach, and sequences…
Things Gone and Things Here Still
*300 copies limited edition* Mister Water Wet returns to Soda Gong with "Things Gone and Things Here Still," an album that radically expands the project’s purview while preserving the homespun warmth and oblique tactility that have long defined Iggy …
Plough Through The Rust
The DIY ramshackle energy we know and love from the group is present and familiar, as is the dry wit and authenticity (a word I’m nervous in using, but if the shoe fits), however Plough Through the Rust often sees the group's songwriting taking a mor…
At The Montreux Jazz Festival
This live jazz album, recorded on June 15, 1968, at the Montreux Jazz Festival in Switzerland, showcases the extraordinary artistry of Bill Evans on piano, accompanied by Eddie Gómez on bass and Jack DeJohnette on drums. Capturing the trio at a peak …
Frontalier
Unchained—a name which at the project’s inception or on earlier recordings spoke perhaps to the ecstatic saturation of high gain guitar—has over the past three albums (N.D. Visitor, Pic, and Gabbeh) come to represent more and more an acknowledgement …