New Arrivals
Washing Machine
Washing Machine is the ninth studio album by the American experimental rock band Sonic Youth, released on September 26, 1995 by DGC Records. It was recorded at Easley Studios in Memphis, Tennessee and produced by the band and John Siket, who also engineered the band's previous two albums. The album features more open-ended pieces than it's predecessors and contains some of the band's longest songs, including the 20-minute ballad "The Diamond Sea", which is the lengthiest track to feature on any …
Goo
Sonic Youth's eighth album, Goo, was their first for DGC / Geffen. The album marked their major label debut, featuring arena rock staples like "Kool Thing" and "Dirty Boots" deep in its grooves.
This allowed Sonic Youth to enter the mainstream world, destroy everything in their path, and emerge victorious. They rode the Top 10 charts to sonic stardom and glory, or at least secured the opening spot on the 1991 Crazy Horse tour.
A Thousand Leaves
A Thousand Leaves was Sonic Youth's 10th studio album and the group's first major effort to be recorded at their own Echo Canyon studio in NYC. Free from the constraints of paying for costly studio time, the band was able to work at their desired pace and experiment at will. The result was an album born out of improvisation, chiefly characterized by the guitar interplay between guitarists Thurston Moore and Lee Ranaldo. The album title was inspired by Walt Whitman as Moore explained, "The same w…
Laughing Stock
** 2026 stock ** One of the lost gems of the 90s, Talk Talk's final album 'Laughing Stock' has gathered momentum in the hushed tones of music fans' conversations since it's release. At long last it has secured a reissue. The record took a year to make yet has required decades to fully appreciate. following up on the abstract 'Spirit of Eden', which sufficiently alienated pop fans of the band's earlier material, 'Laughing Stock' took spaces in recorded music to new extremes, with layers of silenc…
One Size Fits All
One Size Fits All’s 50th Anniversary 2LP “black glitter” anniversary edition boasts a brand-new analog cut of the album, a bonus LP of highlights from the box set, and the 50th anniversary edition booklet. The booklet has newly revealed photos by Sam Emerson accompanying the bespoke liner notes by Ruth Underwood, David Fricke, and Joe Travers.
The Composer Of Desafinado, Plays
Recorded in 1963, The Composer of Desafinado Plays documents the beginning of what would become a long-term creative relationship between Jobim and arranger Claus Ogerman. Although there was initial resistance by producers, Jobim not only plays guitar but piano as well in his debut for Verve. Jobim is joined by George Duvivier (bass), Edison Machado (drums), Leo Wright (flute), Jimmy Cleveland (trombone) and full strings on the 12-song instrumental set that features such bossa nova classics as “…
The Prisoner
Recorded and released in 1969, Herbie Hancock’s last Blue Note album The Prisoner is a powerful but overlooked masterpiece. A moving tribute to Dr. Martin Luther King, this nonet session features some of the most exceptional instrumentalists in jazz including Joe Henderson, Johnny Coles, Hubert Laws, Garnett Brown, Buster Williams, and Albert “Tootie” Heath. Hancock said of The Prisoner: “I've been able to get closer to the real me with this album than on any other previous one.”
Blue Note Tone …
Empyrean Isles
Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely considered to be his first masterpiece: Empyrean Isles. Recorded in 1964, the album seemed to distill the full breadth of Hancock’s artistry into a sweeping 35-minute musical journey. Joining Hancock on the voyage were three of his closest collaborators: …
Jazz Mood
The debut album from jazz multi-instrumentalist Yusef Lateef, Jazz Mood was originally released in 1957 on New Jersey’s Savoy label. Featuring five Lateef originals the album included Curtis Fuller (trombone), Hugh Lawson (piano), Ernie Farrow (bass), and Louis Hayes (drums). This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
Standing On A Hummingbird
*300 copies limited edition* "Originally released on Ezekiel Honig's Anticipate label in 2007, Standing on a Hummingbird is the debut album by Canadian sound artist Mark Templeton, now appearing for the first time on vinyl, newly remastered by Giuseppe Ielasi and cut by Lupo. Working at the intersection of post-glitch, electroacoustic ambient, and textural minimalism, Templeton composes through restraint and erosion, building patient and richly tactile pieces primarily from acoustic sources - fi…
Bongoville
*300 copies limited edition* After releasing an album in 2017 on the late lyon-based label s.k. records, and a tape on Lost Dogs Entertainment, the duo OD Bongo — aka Édouard Ribouillault and Amédée De Murcia — have teamed up with Carton Records, Zamzamrec, Prix Libre Record, and Basalte to present Bongoville, the latest episode in their musical saga.
For nearly ten years, OD Bongo has been performing across Europe, often late into the night, carrying drum machines, samplers, and synths. The duo…
Fern
10" featuring this explosive encounter between two of the wildest and most irrepressible musicians on the current international adventurous scene: the American electronics artist Container (real name Ren Schofield) and the Australian drummer/percussionist Will Guthrie.
Exuma II
Exuma returns with Exuma II, the hypnotic follow-up that deepens the spellbinding fusion of Bahamian folk traditions, mystical storytelling, and raw, soulful performance. First released in 1970 on Mercury Records, Exuma II expands the singular vision that introduced the world to Exuma’s otherworldly sound earlier that year.
On Exuma II, the artist refines the eccentric, ritualistic atmosphere of his debut while offering moments of greater restraint and melodic clarity. Where the first album dazz…
Visita do Fogo
Bruno Silva, operating here under his restless Serpente alias, returns with Visita do Fogo — a sharp, stripped-back and incendiary counterpoint to the drifting, dream-jazz abstractions of Dias da Aranha. If that record floated like smoke, this one crackles and snaps like dry wood.
Visita do Fogo finds Silva stepping back into the heat of his beat-driven origins, embracing a raw, forward-leaning approach that feels closer to his live detonation than a studio construction. The record is built on s…
This House is a Body
London experimental spoken word and electronics duo BAG land on Phantom Limb with mesmerising new album This House is a Body, marrying visceral poetry with exploratory production to achieve beguiling, occasionally screwy and occasionally dreamy sonics. “This album functions as a floor plan, a house in itself, collecting and containing the ecosystems of multiple rooms,” write BAG - Canadian artist and poet Jody DeSchutter and London producer Daniel Allison. “The roles we play can be defined by th…
It's nice to see a lake in your eyes
Carol Maia & Jeremy Gustin’s haunting collaborative album is the result of a long distance partnership during which tracks were traded back and forth across thousands of miles, Jeremy working from his home studio in Brooklyn and Carol from hers in Rio De Janeiro. Later they enlisted support from a number of key players in the Rio scene, Frederico Heliodoro, Paulo Emmery, Ricardo Dias Gomes, and from Brooklyn’s musical community, Will Graefe and Ryan Dugre, to shape this understated masterpiece o…
Bangor Flying Circus
Bangor Flying Circus, the self-titled debut from the short-lived but influential Chicago progressive rock trio, is a striking document of late-1960s American psychedelia and ambitious musicianship. Formed in mid-1967 and active through 1969, Bangor Flying Circus brought together seasoned players from the Shadows of Knight and H.P. Lovecraft to create a sound that bridged blues-rooted rock, baroque psychedelia, and forward-looking progressive arrangements.
Recorded and released during a moment of…
Witchcraft Destroys Minds & Reaps Souls
Coven’s groundbreaking debut album Witchcraft Destroys Minds & Reaps Souls (often shortened to Witchcraft) is reissued in a newly remastered edition, bringing renewed clarity and presence to one of the most infamous and influential records in occult rock history.
Originally released in 1969, Witchcraft Destroys Minds & Reaps Souls confronted the era with overt occult and satanic imagery and lyrical themes that were unprecedented in popular music at the time. The album’s controversial content—arr…
Growers Of Mushroom
Emerging from the fevered crossroads of late‑1960s psychedelia and early heavy rock, Leaf Hound’s debut album Growers of Mushroom stands as a raw, unforgettable statement of power, groove and atmosphere. First issued in 1970 as Leaf Hound by Telefunken in Germany and reissued in the UK in 1971 by Decca under the title Growers of Mushroom, this singular record captures the original band line‑up at their fiercest and most imaginative — and remains a cornerstone for generations of heavy, psychedeli…
Felt
Felt, the elusive Southern rock outfit hailing from Alabama, proudly announces the long-awaited reissue of their one-and-only album, Felt, originally released on the cult Nasco label in 1971. This vinyl gem captures the raw fusion of gritty blues and mind-bending psychedelic rock that defined an era of underground innovation.
Formed in the heart of Alabama's vibrant music scene, Felt channeled the soulful twang of Delta blues with swirling psychedelic experimentation, creating a sound that's equ…