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In 1997 Lasse Marhaug and John Wiese arranged to record a split cassette for Norwegian label Komkol Autoprod. The music was recorded on June 6th at the exact same time on opposite side of the Atlantic, as a form of musical telepathy. They also agreed to base the recordings on continous loops. The recordings were made, but the cassette was never released and the material remained forgotten until Marhaug found and digitized the master in 2014. It was agreed to wait until the recording was exactly …
Recorded during Ina/GRM’s 2016 Présences Électronique Festival in Paris, John Wiese’s “Escaped Language” is a concise and calculated piece which slowly evolved in various settings over a number of years. While 2015’s “Deviate From Balance” 2xLP was expansive and chronicled performances and work employing many other musicians, here Wiese dissects and reassembles portions of his vocabulary alone. Simultaneously dense and sparse, delicate and abrasive, free and tactical, the resulting reco…
The title of the debut album from The Transcendence Orchestra outlines the modus operandi of this pairing of Anthony Child and Daniel Bean. Recorded in a remote English rural setting over a period of 24 hours, this is an apt location for a recording that eschews time and space in favor of methodological displacement and deep psychological navigation. Modern Methods For Ancient Rituals is an experiment in acoustic and synthetic symbiosis which is deeply influenced by the atmosphere and acoust…
Further departing from both the cinematic abstraction of Piteous Gate (PAN 066CD/LP, 2015) and the hectic drums of Damaged Merc (2016), Berlin producer M.E.S.H.'s new full-length, Hesaitix, is marked by its hyper-ornamented rhythms and a sense of pensive, moonlit spaces. The atmosphere has shifted; the radical deconstruction of previous releases has given way to subtler interventions, building new structures in strange territories. Shifting from the meditative to states of manic unease, Hes…
Justin K Broadrick puts his club foot forward for Downwards on four trampling techno bombs gathered under the Exit Stance EP. With no prizes for guessing what the title is about, he further girds us against broken Britain’s grim future following his Suicide Estate 2LP for Hospital Productions. This is some of Broadrick’s most direct, primitive, and ruggedly impactful gear, forged in the belly of the black country with charred traces of late ‘90s Brummie techno edged by sparingly used daubs of pa…
Taking Place In The Foyer was originally released in a run of just 14 copies on double tape back in 2012 and is now available on vinyl for the first time as part of the ongoing Rainforest Spiritual Enslavement reissue series.The newly remastered, first and last ever vinyl cut of Taking Place In The Foyer forms the penultimate instalment in Rainforest Spiritual Enslavement’s necessary reissue scheme. Originally appearing second in the series, it then served to only heighten the enigma of a projec…
Rainforest Spiritual Enslavement’s amazing first release is the final instalment in this reissue series remastered by Paul Corley and cut to vinyl for the first time after its initial release back in 2012 as a 4 x Cassette release made in a run of just 16 copies. It features 40 minutes of dank psychedelic ambience, reanimated and spatialized with hi-end studio black magick.Completing the reissue cycle of Rainforest Spiritual Enslavement’s ambient invocations, Papua New Guinea [2012] is rendered …
From Ernst Thoma's secret vaults. Live recorded on 2 Track Revox at KOPROD Studio Zürich in 1982. Chapter #3 of Mr. Thoma having fun with the Serge Modular Music System and TMS Synthesizer, accompanied by Knut Remond on drums. Proto-techno/industrial/minimal synth galore...
From Ernst Thoma's secret vaults. Live recorded on 2 Track Revox at KOPROD Studio Zürich in 1982. Chapter #3 of Mr. Thoma having fun with the Serge Modular Music System and TMS Synthesizer, accompanied by Knut Remond on drums.
This new release by Colin Potter, "The Abominable Slowman", is the logical follow-on from his previous 2015 LP “Rank Sonata”. Like that album, there are elements that were recorded many years ago, but this work also contains new music. Again, the emphasis is on rhythm, although the rhythmic components range from conventional drum sounds to strange electronic and/or mutated outbursts, often accompanied by squalling guitars. As to what this sounds like, keywords would be soundtrack, experimen…
Compiled by his wife Vera Tariverdieva together with Stephen Coates (in association with his publishing company Antique Beat), ‘Film Music’ includes a selection of the composer’s greatest tracks, including many previously unreleased versions. All were made with new transfers from original tapes and his own reel-to-reel machine. They are thematically programmed around Vera’s intimate knowledge of her husband’s music. It is with her blessing and dedication to see his legacy live on that we …
On Lee Gamble’s stunning first major work since Koch [2014], the rave dreamer reawakens to decode and interpret his hallucinations for Hyperdub, coming to terms with the idea of Mnestic Pressure - a confluence of individual and collective pressures on contemporary memory - in an astonishly febrile, vivid collision and projection of jungle and ambient structures. With his move to Hyperdub following a string of modern classics for PAN, Lee Gamble has effectively reset his sound to realise a …
The holy grail for Sun Ra collectors and fans, his original album previously released on Jackpot, with Tip-on Gatefold Jacketand Transparent Blue Colored Vinyl and an album that forever gave them a slogan to live by! The record's different than some of the other Arkestra work from the time – in that it's a bit tighter and more spiritual, more in keeping with the style of the Blue Thumb label, for which it was recorded – and soaring along on a wave of post-Coltrane spiritual jazz enthusiasm…
Limited double vinyl LP pressing housed in a deluxe gatefold Stoughton tip-on jacket. Original artwork by illustrator Heisuke Kitazawa. Includes book with extensive liner notes and bios by Yosuke Kitazawa and Jake Orrall. 2017 collection, the first-ever fully licensed compilation of this music to be released outside Japan. There was something in the air in the urban corners of late ‘60s Japan. Student protests and a rising youth culture gave way to the angura (short for “underground) move…
Purple Translucent double LP edition. Remasterd, sold out at source. Reissue of Current 93's seminal double album from 1992, Thunder Perfect Mind. Newly and perfectly remastered by The Bricoleur, this reissue comes with a new face to the old sleeve designed by Ania Goszczyńska. Comes on transparent purple vinyl and includes a four-page lyric insert. This reissue marks the first time that Thunder Perfect Mind has been available on vinyl since its first pressing in 1992.9.3 on Pitchfork: "Named fo…
This latest instalment in Soul Jazz Records successful Deutsche Elektronische Musik series delves deeper into the German nation s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others. The music of Deutsche Elektronische M…
Native Memphian William Eggleston, 77, is widely regarded to be the most important photographer of the late 20th Century, but there is another side to him that took root in his Sumner, Mississippi childhood, where he discovered the piano in the parlor that ignited in him a lifelong passion for music. It was a passion he carried forth his entire life, playing quite adeptly when a piano was handy: improvised turns on Bach, Handel, gospel, country, and popular selections from the Great Americ…
Karl Records catch Konstrukt and Keiji Haino in collaboration as you’ve never heard them. Veering from a killer spin on Turkish psych disco with wigged sax, wails and electronics harnessed to a disco thump on the 1st track, thru to mathy free jazz, exothermic outbursts, and a thrashing avant-punk piece, then coming to rest on a cooler ‘70s jazz-fusion tip. We’d love to hear someone deploy that 1st cut on an unsuspecting disco crowd!
First QR-Code EP, edition of 100 copies, recorded at EMS, Stockholm, December 2015, with the voices of Frédéric Acquaviva and Loré Lixenberg. Frédéric Acquaviva, born in 1967, has been since 1990 a sound artist and experimental music composer, creating chronopolyphonic installations and CDs and playing in art galleries, in museums or in underground venues. Staying away from traditional networks of musicians and composers, he meets and works with historical figures in art, poetry or video, s…
For the discerning digger, a previously unreleased haul of rare library cuts c. 1971-1979, picked out and dusted down from London’s Cavendish Music vaults by Mr Thing and Chris Read. “Join two of BBE’s most prolific artists and compilers, Mr Thing & Chris Read on a voyage into the mysterious, strange and wonderful world of Library Music, courtesy of Cavendish Music. Founded in 1937 and originally known as Boosey & Hawkes Recorded Music Library, Cavendish Music is the largest independent Li…