New Arrivals
Three Days Afterwards
Three Days Afterwards is the fourth solo release from Arek Gulbenkoglu. Within manifests a disorientating assignment of tones, textures, and voice. Hovering around the key words below there is an unsettling psychedelic music - ready ripe and raw for the current foreboding age: Sickness; Rooms; FM synthesis; The fickle; Objects; Rituals; Armenia; Vibrations; The inconsequential; Three days afterwards; Arek Gulbenkoglu. Mastered by Joe Talia. Artwork concept by Arek Gulbenkoglu; Layout by Ma…
Moon Synch
LP version. Includes download code. MimiCof's latest album, Moon Synch, is an experimental sonic link between human and celestial bodies, mind and machine, gravitational ripples and rotations. Moon Synch is the result of an intricate search for converging frequencies, a wordless account of well-modulated speeds and interlocking spheres. Kyoto-born, Berlin-based MimiCof, who's also been releasing music under her actual name Midori Hirano since 2006, quite literally breaks new ground and ventu…
Dominions
2016 release. Dominions is the second full-length release from Canadian electroacoustic composer Sarah Davachi, following 2015’s Barons Court. A slightly more demure approach is at work here, shifting from the brooding textures of her previous work to softer tones and more delicate movements in structure, as in side openers ‘feeler’ and ‘ordinal’. Recorded primarily at her home base in Vancouver, Davachi returns with her typical assembly of electronic equipment, mostly consisting of vintage synt…
Departed Glories
It’s easy to forget that Norway shares a short stretch of frontier with Russia, right at the northernmost tip of the country. That region is where Geir Jenssen, the Norwegian electronic producer behind Biosphere, comes from, and where he has been composing his austere, disturbing and deeply textured ambience since the early 1980s. Biosphere has released many albums to date including 'Substrata,' voted the greatest ambient album of all time on the Hyperreal website, and has collaborated with Arne…
All This I Do For Glory
“All This I Do For Glory” is a reasoning and exploration of the machinations of ambition and legacy, an examination of the concepts of afterlife, and the first half of a doomed love story in the model of the greek tragedies. As a narrative, it exists temporally somewhere between 2015’s “Never were the way she was” (with Sarah Neufeld) and the first volume of the NHW Trilogy. With this, his first solo outing since 2013’s “To See More Light”, Colin Stetson ventures into territory both famil…
When We Parted My Heart Wanted To Die
The first part of Leyland Kirby, aka The Caretaker's, 'Sadly, The Future Is No Longer What It Was' series, originally released back in 2009 and now finally reissued. It's a prescient hauntological elegy somewhere between Vangelis’ Bladerunner OST, Lynch & Badalamenti’s Twin Peaks score, Erik Satie’s solo Piano works, William Basinski’s gradual tape decompositions and James Ferraro’s washed out visions, like a slowly abstracted Berlin/Manchester night-scape. Tbh it seems to have even more …
The Awakening Dream
LP version. Bureau B present a reissue of Jurriaan Andriessen's The Awakening Dream, originally released in 1977. Jurriaan Andriessen (1925-1996) was a Dutch composer. Although he was actually at home in classical music, he recorded three synthesizer albums in the late 1970s, the first of which, The Awakening Dream, is an outstanding excursion into experimental ambient and minimal music. Andriessen himself, 52 years of age at the time, called it a "trance symphony". The music - perhaps su…
Music from Saharan Cellphones
2017 repress, originally released in 2012. "A compilation of the most popular music circulating the Sahara desert on the unofficial network of cellphones -- where mp3s are stored, played, and traded in very literal peer to peer bluetooth transfers. The contemporary West African sound from the new school of DIY production with little or no commercial release outside of their locales, from spaced out Tuareg autotune, Ivorian club jams, Mauritanian synth, and Malian hip hop electro. Collected from …
Music from Saharan Cellphones Vol.2
2017 repress. "Contemporary pop music from the Sahara desert, where songs are stored on cellphones. Collected in Northern Mali in 2010 (since taken over by extremists who've banned music on cellphones) the second volume expands into new sonic territory - from dreamy Niger guitar ballads, Bamako club juke, and hi energy Moroccan child Raï - with a focus on the Autotuned DIY creations circulating the desert." Includes insert with liner notes.
Biotische Verwitterung
A disquieting record to accompany the nightmare of now. Baldruin documents this darkness, finding some hope in the helplessness. Buried within these grooves, lies a dizzying array of crepuscular sonics. Barely alive, it drips with dread. Rachitic loops return to us, like traumas. A sticky submission. My goodness, these earworms are infectious.
Reassemblage
We just knew last year's debut Visible Cloaks offering for RVNG, the Miyako Koda-featuring Visible Cloaks single Valve, would be the prelude to something greater from Ryan Carlile and Spencer Doran. Reassemblage marks the Portland pair's second album and further expands upon the Visible Cloaks 'verse, calling on Motion Graphics and Root Strata alum Matt Carlson for assistance.
Inspiration for the album stems from a video essay of the same name by Trin T Minha-ha, which explored the impossibi…
Cathedrals
All songs written & produced by Bi Nostalgia. Recorded & Mixed at the Room, August 1986 excerpt.
Vision's Fugitives
Franco Falsini's Sensations' Fix are one of the most mysterious and enthralling entities to come out of the rich italian 70's prog rock scene. Unless many of their contemporaries such as PFM, Le Orme or Osanna, which leaned heavily on the British sound of prog giants Emerson Lake & Palmer, Genesis or Soft Machine, Sensations'Fix music was always more akin to the experimental tendencies of German krautrock bands like Neu!, Can, Amon Duul II or the more adventurous directions those musicians took …
Spoiche
United Bible Studies is an experimental and improvisational folk band from Ireland, with members in the UK. There are a few core members such as David Colohan as well as a host of incidental contributors on both the live performances and studio albums. Pastoral psychedelia and traditional song have remained the cornerstones of the band's style, alongside collective improvisation that can take the form of extended drone-works or explosive outbursts of ecstatic noise. The lineup currently in…
Capital Dub Chapter 1
"Communist Dub is Pan Sonic member Ilpo Väisänen's second solo album for Editions Mego (Asuma having appeared 2001). This striking new release is a statement against technocracy and the erosion of human community. Whilst Jamaican dub and ska are often cited as an influence on Väisänen's work, this album utilizes dub as strategy as opposed to genre -- the precise manipulation of sound and the removal of all extraneous material to create a disorientating landscape of austere spaces. Pulled in…
Galassia M81
Fabio Borgazzi – aka Fabio Fabor – played literally every known style of music, from baroque to “satanic” electronic, in his library music albums released during his career which lasted almost seven decades. Born in Milan in 1920, Fabor was one of the great artisans of post-war Italian popular music. Author, arranger and conductor with a classical background, he started writing songs (in the 1950’s and 1960’s) for popstars such as Nilla Pizzi, John…
Lescudjack 10''
"Lescudjack" is one of the finest moments in Michael Chapman's epic discography. Originally featured on 1978's "Life On The Ceiling" album, the instrumental track melded the British guitarist's distinctive finger picking style with throbbing synthesizer lines and heavy space rock influences. Famously a favourite of Daniele Baldelli, and a long-standing secret weapon of Kosmiche-minded DJs, Chapman's peerless original version is joined here by a brilliant Lexx edit that subtly extends it into a m…
New Age Sewage
The Brown brothers emerge from the depths of California with a new collection of oozing drone centred on ‘heavy visions of negative west coast mythology.’Darkness is never far away from a Robedoor session, and their first album in four years finds Alex and Britt Brown dealing with ‘multiple seismic life events.’ Naturally this results in quite a powerful listen, Robedoor’s sludge even denser and mired in more pain and crepuscular mysticism. The brothers craftily let the gloom seep in slowly over…
The White Album
"In this double album named after the famous Beatles' album but having little or no artistic relationship to the same, we have decided to throw aside all preconceived notions of what music has been and recreate the wheel in a rocking fashion, utilizing a myriad of miscellaneous and sometimes famous musicians to put together a concoction of je ne sais quoi. There is a giant spider picking away at and eating your face one piece of flesh at a time, Larry. I like slow songs, and I like fast songs. I…
In Silhouette
The master of atmospheric magick and nuance, Brian Pyle a.k.a. Ensemble Economique returns to Denovali with the latest findings of his endless search in the shadows. With In Silhouette the revered artist and engineer commits some of his sharpest, most absorbing synthesis at the service of a cryptic, underlying narrative which never fully gives up its secrets but keeps you guessing by way of adroit inference and suggestion. Quite crucially it all feels somehow fresh yet deeply timeless, distillin…