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Awesome release, stark, doom-laden ambience with an oppressive undertone. Sombre tones flow like lifeblood, underlying squeals of pain, abrasive bursts of metallic guitar drones, atonal meanderings, the occasional cosmic chant, all blurred by a rumbling dirge of noise...somewhere between Tony Conrad, Giacinto Scelsi and Sunn O
Valerie Martino's Unicorn Hard-On project has been a long running staple in the American underground since it's inception in 2003. Through her own Tangled Hares imprint, as well as many others, she's built a strong, constantly evolving catalog of singular works that serves to many as a prototype of the current beat-oriented phenomena currently sweeping the nation. Martino's vision, however,remains unphased and flourishes accordingly to her own unique vision; standing outside of any trends and re…
For her fifth solo album, Samara Lubelski finds a new home on Ecstatic Peace, with label boss Thurston Moore taking on a role as producer, even roping in his band's drummer (the estimable Steve Shelley). Moore recruited Lubelski for violin duties on his own solo LP, 2007's Trees Outside The Academy, and set about coaxing her into recording a different type of record from her established Social Registry output. Future Slip certainly diverges from the more baroque folk tendencies of her recent wor…
In March 2005, drummer Teun Vergruggen (Jef Neve Trio, Flat Earth Society) invited the eccentric guitar player Mauro Pawlowski (dEUS, Somnambula) and Rhodes/piano wizard Jozef Dumoulin (Määk Spirit, Magic Malik, Octurn) to play a single session based on pure improvisation. The result left most people wondering how to categorize this music, and brought Othin Spake on the stage for many concerts. Six years later, the band has played in many jazz and alternative venues in Europe, released three …
Early 20th century recordings from the great Greek singer Marika Papagika – recordings made for Columbia Records in NYC between 1919 and 1929! Beautiful material that quite easily could have gone lost to the world over the long, long years – very few photos of Marika are even known to exist! The sound is still wonderful, and it's put together in a great vinyl release by Mississippi! It comes with a lovely folder of notes, a bit of a nod to classic Folkways releases. Titles include "H…
Two key 80s moments from Peter Brotzmann – split together here on a heavy LP! First up is material from the album Low Life – hard-handed work from the duo of Peter Brotzmann on reeds and Bill Laswell on bass – a set that's kind of a side project of the Last Exit quartet, and one that comes across with a similar sense of power! Laswell's handling a fair bit of basses here, often with a bit of processing – thanks partly to producer Martin Bisi – and there's a dark, electric undercurrent to the who…
Mind Over Mirrors is the solitary reeling of Chicago-based Jaime Fennelly (Peeesseye, Acid Birds), who began developing the project when he moved from Bushwick/Brooklyn, NY to a remote island in the Salish Sea of Washington State in 2007.Utilizing an Indian pedal harmonium, oscillators, tape delays, and an assortment of synthesizing processors, Fennelly bends slowly- building, repetitive melodies into massive sonic mountains, that fits somewhere between a droned-out American Primitive, and early…
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
Hopefully MRTYU requires little introduction, because the project evades easy description. An odd compound of vedic imagery, metal misanthropy, and violin agony, this music moves away from any particular fan base in pursuit of its distant, darkened idols. Ornate shroud is MRTYU's most potent spawn to date. Hewing closer to song form than previous releases, the album conceals Antony Milton's violent guitar and violin work behind MRTYU's characteristic murk. Its pieces transition from jagged riffs…
Der Plan were invited to Tokyo in 1984 to play six concerts for Seibu, a Japanese department store chain. Seibu were staging a “German Week”. But how did they come to choose Der Plan, of all bands? Why not an Oktoberfest combo or the Scorpions? Moritz Reichelt explains: “German New Wave was really popular in Japan. They knew more about it than people here at home. Catalogues and magazines detailed every obscure record and depicted the covers. This particular department store chain was linked …
Zola Jesus didn't need to clean up to stand apart from the lo-fi horde-- they already had Nika Danilova's voice, which tends to cut through a track and leave an indelible impression no matter how it's recorded. Whether it's wordless yowling, an extended cover of "Somebody to Love", or something as disarming as The Spoils' "Clay Bodies", her singing has a way of sticking in your memory. Even so, the Stridulum EP represents a large stride forward, not just in production quality, but in the …
180 gram vinyl version. Tracklisting: Space Towers, Cogitation, Skylight, The Alter Destiny, Easy Street, Blue Differentials, Monorails and Satellites, The Galaxy Way. Recorded at Sun Studios, New York 1966 (a home recording).
The Black Jazz recordings of Doug Carn are always a revelation – some of the most powerful, progressive work on the American underground of the early 70s – music that got Carn into way more record collections than you might expect! The sound here is a perfect summation of Doug's early genius – his own work on organ and keyboards, never overdone and mixed perfectly with a righteous array of acoustic sounds from Rene McLean on alto and tenor and Olu Dara on trumpet – both players who soar to the s…
Recorded at Soopa studio and featuring Arthur Doyle (sax, flutes and voice), Jonathan Saldanha, Gustavo Costa and Filipe Silva (assorted percussions and electronics), this is a beautiful, wild, cut, with Doyle's touch being so deep, rough and gentle at the same time, while his band gives him plenty of room to spread out through minimal rythm patterns and a hypnotic work on bells and cymbals. Closing with an anthem that will give you shivers down your spine, this recording will bring you to an an…
Debut LP of one third of avant drone metal outfit Locrian. Contemporary artist / musician Terence Hannum is back on wax with two side of meditative and sonic cathartic noise torrents. Following on a dozen of highly regarded solo tapes and cdr, Spectral Life follows the artist through 2 tracks of electronic and acoustic drones blending in the most efficient way all the previous works of the artist. While the A side is made of short different synth-driven pieces blended together in an immense open…
A collection of the earliest recordings of the French sound sculpture musicians and Cristalists known as Structures Sonores Lasry-Baschet. Featuring the first fruits of one of the greatest unisons in experimental French music combining the beguiling haunting sounds of Jacques and Yvonne Lasry and the development of the musical inventions of Bernard and Francois Baschet. Exploring a similar route to that of early Michel Magne recordings (and often likened to “a French Harry Partch”) the emotive m…
Instrumental Tourist' is one of the year's most anticipated electronic music albums. The meeting of established artist Tim Hecker and studio magician Daniel Lopatin aka Oneohtrix Point Never at his Software Studio yields an otherworldly and near symphonic suite apparently conducted "...to mimic the tropes and techniques of jazz-based improvisation, with little preparation prior", effecting a wide-eyed and fascinating sound as dramatic and enchanting as any we've heard this year. As you'd expect …
For our 31st release, Minimal Wave is proud to present Belgian pop trio Pas De Deux, best known for their participation in the 1983 Eurovision Song Contest. The group was formed in 1982 by Walter Verdin joined by Hilde van Roy and Dett Peyskens. They released two LPs and several singles along with some incredible video work produced by Verdin himself. Stylistically, their music is a bit post-punk and completely new wave with vocals reminiscent of the indie girl bands of the late 70s and early 80…
Michael Morley, Nina Canal, Sara Stephenson : electric guitars. Recorded by Roland Groenenboom at De Player, Rotterdam, August 2009 mixed at My Pit, Port Chalmers, 2011. Artworks: Eric Claridge Owl Moth & Mothface 2012 oil on canvas 30,5 x 30,5 cm each. Limited to 300 copies. Labels: Bimbo Tower Records & Dilettante Courtoisie.