We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
First in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way through…
Transmuteo is the multimedia project of a mysterious New Orleans-based Atlantean being named Jonathan Dean. Transmuteo encompasses audio, video, digital art, site-specific installation art, radio broadcast, live performance, and experimental social networking.This is the debut full-length vinyl release by Transmuteo. The album takes the listener on an esoteric journey into holographic dimensions populated by ghostly signifiers of self-actualization and corporate success. Across two sidelong suit…
Red Planet establishes Arborea's complex synthesis of acoustic folk and minimalist drone right out of the gate. From the opening motif of the acoustic guitar lament "The Fossil Sea", Red Planet conjures a panoramic aura, like a lost outtake from Ry Cooder's Paris, Texas soundtrack. As that echoes its way into "Black is the Colour", an eerie and utterly transcendent take on the traditional tune, it becomes mesmerizingly clear how the soft confluence of texture, sound and style meld to create the …
British free jazz phenomenon Evan Parker with electronic and tape noise artist John Wiese in a set of real-time evolving improvisations intended for maximum volume. Vinyl version of the CD released earlier this year, but slightly different containing all the final mixes and edits of the sessions with a new and more intense mastering for the maximum listening experience. C-Section finds density in scarcity - deep, glacial muck bubbles emerge beneath Parker's inhuman circular breathing, only to pl…
As Takaaaki says, this is NOT usual Dubstep. He makes it evolve to a new Dubstep, with a heavy, dark and aggressive side, clinging to the bass and various BPMs, but some harmonies and even hints of melodies take all these sounds to a new level, creating a mutant Dubstep that hypnotizes the listener and takes him to lunar seas or snowy landscapes. But be aware that with Takaaaki decadence and crazyness are never far and Netsu might give you fever very quickly.
"I don't know about you lot but we're absolutely crazy about Grails here at Boomkat HQ, last year's incredible 'Black Tar Prophecies' album on Important blew us away so it's great to see 'The Burden of Hope', the band's 2003 debut, back in press on vinyl finally. At this time the band were working under the messy banner of 'post-rock' and lumped in with the whole Godspeed You! Black Emperor/Constellation scene; they were using violins, letting themselves succumb to the influence of dusty America…
The silhouetted, impressionistic black metal ambience of William Fowler Collins has cast a long shadow over all who've crossed his path. Returning to Type Records for his 2nd LP, two years since 'Perdition Hill Radio' and not long since recording with Gog and Isis' Aaron Turner, William still exists in a permanent nighttime state, as though the sun has completely abandoned the New Mexico desert and left him, and his music, to slowly decay in the darkness, suffering the attrition of sandst…
The production duo's debut full-length album is a highly focused study in the effects of consumer electronics that touches on sensual bangers and hyper-spherical anthems prime for the dance floor. The record was engineered by another childhood pal, Al Carlson, and mixed by Prefuse 73 who states: 'Mixing these ideas that span from high school notebooks into a present sonic territory is F+L's right on conceptual evolution.' There's a fantastical, futuristic narrative arc running hard throug…
Max goldt always knew how to take the rope off the german neck by using our language in a light and ironical way. however, before he became a national celebrity for his poetic satirical writings, he had produced a vast amount of home recording pieces whose quirky complexity and uber-earthly beauty has hardly been recorgnized and appreciated until today. after some years of silence, mr goldt - who never gives any interviews - has handed out a bunch of audio tape tracks to the soul scratchers of g…
Presented here for the first time on vinyl, Joe Colley's 'Anthem' LP gathers material from limited edition releases issued between 2001-2006. Side A presents Anthem a long form tonal study with contrasting climax. Side B edits together 4 shorter explorations culled from the Triptych triple business card cdr release and inserts a track from the 2001 compilation CD Coalescence. Mastered for vinyl by Giuseppe Ielasi. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket…
The 2nd of two keenly awaited vinyl EPs supporting the ambitious 32 hour, 16GB microSD card release of Terre Thaemlitz's 'Soulnessless' - this time featuring a killer reworking from Terre's DJ Sprinkles Alias, plus a sublime 18 minute Piano excerpt of the original. With 'Meditation on Wage Labor and the Death of the Album (Sprinkles' Unpaid Overtime)' on the A-side Terre returns to the deeply arresting New York/New Jersey minimalist House approach which made his 2009 LP - 'Midtown 120 Blue…
2012 repress, LP version. This is Reykjavik-based composer/producer Ben Frost's second release for the Icelandic Bedroom Community label. By The Throat is blood red and cloaked in shadow. Produced in Iceland by Ben Frost and Valgeir Sigurðsson (Björk, CocoRosie, Bonnie "Prince" Billy), this album features performances by Amiina of Sigur Rós fame, Arcade Fire's Jeremy Gara, Swedish metal outfit Crowpath and composer Nico Muhly. Aside from the purely musical language of harmony and melody, there'…
As sold on recent tour - Limited to 500 copies on clear green vinyl with all handpainted covers. This record features 5 instrumental mixes of songs from the latest kranky lp (songs for the broken hearted). These mixes are completely different & in some cases hardly sound like the kranky version. There is also a sixth song which is unreleased. The covers were made using recycled lp jackets, all white washed & then painted on. Some have concrete designs & some are very free form. Photocopied tour …
'From a cirlce Kreis to a spinning top Kreisel. From german Kreisel to yiddish Dreidel. To make this LP turn creates a constant movement of a meaning and a place which spins and can never be caught hold of. The LP condenses various elements of the exhibition Memory Wheels by Elise Florenty and Marcel Türkowsky, presented at the Art Center Synagogue of Delme, curated by Marie Cozette, in March 2009. Objects, drawings, films, language and sound were echoing different characters of Franz Kaf…
"An earthy, eclectic record that manages to be challenging, but also remarkably patient, it's the sound of the formerly Ridgewood, NJ-based songwriter quietly coming into his own....a major creative step forward for Lynch, whose absorbing ambient pop sounds prove how refreshing this kind of subtlety can be." -- Pitchfork (8.5)
Absolutely mind melting release from this consistently amazing American duo. This release has a very different sound to the superb drone recordings of their recent releases, yet it is still totally immense but really quite unexpected. This was previously issued as a tour-only CDR in a press of somewhere between 20 and 30 copies. Brian Pyle and Merrick McKinlay spent sometime recording legendary Humboldt based pianist Darius Brottman, who also happens to have a radio show before Brian's own show …
Alien Column' is the first full length LP by the thick-smoke-filled-Michigan-basement duo of Chris Pottinger (Odd Clouds, Cotton Museum and the Tasty Soil label) and Heath Moerland (Sick Llama, Cygnus, Drug Abuse and the Fag Tapes label). Often described as a post-Wolf Eyes combo, Slither offer a mutant take on free jazz through their multiple electronics manipulations and dual horn tandem (alto saxophone and clarinet). An additional proof to why Michigan is currently the best place to be on ear…
"Nottingham duo Felix make their Kranky debut with this fine and idiosyncratic collection of songs. The main focus here is the vocal/piano/cello talents of Lucinda Chua, whose sparse yet quirk-loaded minimalism receives guitar and bass backing from Chris Summerlin, who's probably best known for his work in the rock band Lords. Chua's writing is quite unlike anything else currently out there; her lyrics convey strange or often very simple, domesticated ideas delivered in a pared-down, plaintive f…
A bludgeoning mix of machine and vaudou / Central African percussion plus other acoustic instruments combine to create one of the most physically intense musical experiences ever. Songs featured in VBS's films 'Vice Guide To Liberia' and 'Mandingo'. Since 2007's Whitehouse album Racket, and after his original 'Afro Noise' mix became one of the most downloaded experimental mixes ever made, William Bennett's remarkable Cut Hands album has seen 4 long years of meticulously obsessive studio w…