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After returning from a year-long tour of Europe and Asia, the group returned home to Tokyo for this concert. Originally released on CBS Japan in 1972, the concert remained out of print for decades and has never before been reissued on vinyl. The line up features Takehisa Kosugi on electronic violin, vocals and radio oscillators, Ryo Koike on electronic contrabass, suntool, sheet iron, and harmonica, Yukio Tsuchiya on vibraphone, Michihiro Kimura on electronic guitar & percussion, Seiji N…
The legendary American artist Terry Fox is known for his pioneering work in performance, sculpture, drawing and installation. Throughout his career, Fox (who died in Cologne in 2008), focused on sound as a fundamental artistic material. Many of his most important sound works were realized long before terms such as "sound art" or "audio art" became widely known.This recording, The Labyrinth Scored for 11 Cats (1977), is now recognized as an early classic of the audio art genre. It is one of Fox's…
Fractured bleep techno and de-composed electronics for followers of Container, Keith Fullerton Whitman, Konono No.1, Ekoplekz, Harmonious Thelonious - Edition of 500, initial copies on olive green wax* Following a pair of strong LPs for Dekorder, Dan Hayhurst (audio) and Reuben Sutherland (visuals) released 'Slime Code' on cassette for Patten's Kaleidoscope label last year - and it's a peach. The music was performed live to 8-track tape from which a digital edit was compiled and from that…
'Bo Weavil presents a sublime duo recording from old sparring partners Oren Ambarchi and Robbie Aveniam recorded live in Tel Aviv in 2009. This is a single edit of the performance which perfectly captures the chemistry between Robbie's busy percussive maneuvers and Oren's textural overlay. A previous performance of the pair was documented on the 'Clockwork' CD (re-issued by room40) and prior to this the notorious 'The Alter Rebbe's Niggun' CD was released on Tzadik. Here, the two come together w…
Repressed! "Roberto Cacciapaglia is an Italian electronic composer who's made albums using every possible permutation of the same six notes, right up to modern classical, with The Ann Steel Album as the weird anomaly. Made with an American model who moved to Italy to make it big in fashion, Roberto took her languid, Laurie Anderson-esque voice and created a detached futurist popstar. The odd sound of these European futurist pop songs make it sound like the machines are breathing, creatin…
Wierd Records is proud to announce the release of a vinyl edition of Xeno & Oaklander's Vigils EP, originally self-released by the band as a limited edition CDR in 2006, here remastered with a previously unavailable bonus track. Merging the cold, cinematic aesthetics of artist Liz Wendelbo with the architectural exactitude of Sean McBride (a.k.a. Martial Canterel), Xeno & Oaklander have been the sharpest spearheads of twenty-first-century minimal synth since their formation in 2004. Using analog…
Already drawing comparison to the heyday of '70s acid rock & the likes of Amon Duul II, Peter Green's Fleetwood Mac, Japan's Flower Travelin' Band, early Pink Floyd, the Velvet Underground's drone jams, the electronic kosmische of Cluster & the unhinged organic grooves of International Harvester
Understand this: Yoga dispenses a sinister frailty of howling swellsin hissing static that combusts into crawling shock heaps, to the effectof Mayhem performing Twin Peaks incidentals in a prairie recordedby The KLF. A brief description casts them as black metal's answer to Throbbing Gristle. The texture-based rendering of their compositionssails them on a strange sea between song and sound effect as itbobs along the waves like a dead man s bottled message. Aspects ofGoblin rehearsals in dead hi…
...a set of totally twisted sides called Rocket Ship Rock featuring Yochanan 'The Outer Space Vocalist' (with his demented Saturn 45 Muck Muck/Hot Skillet Momma) and his way out friends backed by Sun Ra and his Arkestra! Atomic outer space genius from yet another Norton turban headed star!"
The sound of CHEN YI is rough & brutal... electronic music, soundcollages that reminds to Throbbing Gristle or (early)SPK aswell as electro-pop-tracks & songs like early Cabaret Voltaire, Chris & Cosey, Severed Heads...The Chen Yi Commune was founded in 1978 by about 20 women & men from London. The aim of the commune was to create a closed subsystem, a kind of subsociety and to narrow down its contact to the outside world only on very few specific actions.The Chen Yi commune never was interested…
Rhys Chatham has trail-blazed a course through late 20th century music, equally aplomb in post-minimalist composition as he is in punk. Not since Roebling laid his span across the East River has there been an artist who builds bridges in both how we hear music and how we can appreciate art. His latest album, Outdoor Spell, is a further document in that direction. Here has has eschewed 100 guitars, or even himself playing a single guitar, for the trumpet and voice, both electrified and dry. It is…
'Human Skab was a 10-year old boy from Elma, Washington who played African music with buckets and spoons. Thunder Hips and Saddle Bags is a 1986 cassette recorded by young Travis Roberts with his neighborhood pals and siblings. It was injected into the underground network of tape traders, zine scribes, college DJs, and freak seekers who were universally bowled over by its bewildering and utterly poignant snapshot of the mid-1980s. Skab's music -- an orchestration of pots n' pans, three string gu…
Over 15 years ago Daniël de Wereldvermaarde Botanicus (hat and cacti collector Cassis Cornuta) deejayed a ton of horrible la bamba versions for 2 hours in the now defunct situationist radioshow RTVS (Radio Centraal-Antwerp). The 'galdezen' of RTVS yelled-sung along, creating their own versions of la bamba while getting more and more hammered or naturally gone from a bamba trance! After telling me this short story Daniël mumbled 'I always wanted to dj all night long la bamba, I think it will driv…
There's something almost religious about this Charlatan (Brad Rose) LP, its narrative arc swinging from light to dark and back again. From the opening chords of "Lime Beauty," we're awash in polarized-lens glinting twilight, fluorescent skies over the water. "Trace Blue Outlines" is trance-like and reflective, with long, arpeggiated figures chasing each other skyward in a fugue. Darkness creeps in around the edges of "Vodka Rocks," with almost post-rock moodiness bringing the side to a cl…
I started making music in earnest in 1994 with a Casio keyboard and a four-track cassette recorder. Since 1996 I have been using a Korg MS10 analogue synthesiser and some effects pedals which I have added over time Ñ delays, phasers, a ring modulator and a pattern generator. Occasionally I use acoustic sounds as well. On this LP, I made extensive use of a pattern generator (a Moog Murf) in combination with other effects. Before recording anything, I spend time designing and shaping the sounds I'…
"since the last senking album "pong" (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massel's sound cosmos. on "tweek" senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it se…
just wild and free. virginia genta (golden jooklo age, etc.) on tenor saxophone and andrew barker exploding drums. paste-on cover art. edition of only 115 numbered copies.
LP version. "Heartland synthesist Dylan Ettinger follows up 2010's widely lauded New Age Outlaws imaginary cyber-soundtrack with a stark, dark, and intensely different collection of misshapen new wave weirdnesses, Lifetime Of Romance. Recorded at a proper studio, and written over the course of a year, the seven songs of Romance reflect a heavy influence from the fringier strains of bummed out quasi-industrial synth-pop in the vein of Fad Gadget, certain Cabaret Voltaire, early Human League,…
Picking up the threads with ease, Espers III was intended to be an aural reversal of the layered sound of II. The goal was to record fewer tracks in order to achieve a stronger, more oxygenated sonic presence. Where II was almost claustrophobic in its density and darkness, III was envisaged as being somehow lighter, effervescent; perhaps even of a cheery disposition at times (whoa there! Don't go not breaking our heart, Espers). Under these auspices, recording started in late 2008 and spi…
In view of the band's assertion that this is a program designed to be listened to in one sitting, it seems a little impertinent to discuss highlights. The seven tracks that make up "Throat" seem a little arbitrary in view of the overall discontinuity of the release, but in as much as this is music which has no time for a lot of preconceptions, that might be an inherent part of the band's intentions. The opening is where the Brotzmann reference comes into its own, but before the piece is o…