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It’s no secret how much we’ve loved Stephan Mathieu’s sublime drones and Sylvain Chauveau’s delicate compositions in the past, so to see these two pillars of experimental music collaborating has got us hot under the collar. But that’s not the half of it – not only did the two decide to work together, they had a very specific concept - ‘Palimpsest’ finds the duo reframing the timeless songs of Bill Callahan (aka Smog). Those familiar with Callahan’s writing might struggle to work out just how two…
Seitz Versus Gendreau is a collaborative experiment in using concrete music compositional strategies. These pieces were composed with created and found sound captured in San Francisco. 'Chorus After Rains': A strategy where we each use the same raw sound clips with different results. The two pieces are then melded to create one piece of music, the different modules becoming inseparable from each other. 'Things Lost That Will Never Be Found': A composition with live instruments, moving fro…
'Guitars warped so hard they dissolve into pure consciousness ! Seriously, this record had to happen because these two are the NOW of transcendental guitar weirdness. In families like ours where deformed music of one kind or another pours out of the speakers all day long, Toronto's Aidan Baker is a household name. He is no doubt one of the most imaginative experimental musicians of the new generation, quickly creating a universe of limitless sound with his bursting discography. He offers …
35 years have passed since Bill’s last new slab of vinyl was released. We bring you this set of gems from ‘78–’81. It’s bursting with a couple new tracks (with a few traded out from the ‘05 CD), a new sequence, new art, and expanded liner notes by the man himself.
The Pyramids' psychedelic Afro-jazz masterpiece finally lands thanks to Disko B. Originally cut in 1975 before they disbanded, 'Birth/Speed/Merging' marks a highpoint of the group's production values and was their last recording together. Since then the LP's achieved cult status for its celebratory fusion of carnivalesque groove with Sun-Ra-like cosmic vibes and progressive values; a worldly and entirely enchanting sound blessed with a real tangible sorta magic. The one to check is 'Black Man An…
In limited edition of 250 hand branded wooden box. Atom Earth Mother: A solo project from one half of Zoviet France Dedicated to the White Goddess and inspired by the prehistoric antiquities in Northumberland, primarily the enigmatic and beautiful 'rock art' that are known as 'cup and ring' marks, a form of symbolic language 4500+ years old, whose meaning has been lost in the mists of time. Utilizing digital and analogue equipment and production technique, location recordings, found sound…
Grandly orchestrated versions of highlights from the Zola Jesus back catalogue, arranged by none other than classically trained industrial survivor JG Thirlwell (aka Foetus, aka Manorexia). Conceived for a performance at New York’s Guggenheim Museum at the climax of her Conatus world tour, these tremulous string settings are really what Nika Roza Danilova’s tender but polished vocals have always been begging for, and the sensitivity and focus of Thirlwell’s charts, beautifully realised by the Mi…
A mutating web of feedback, choral echoes and lo-fi loops of various squeaking, rattling found sounds, settling gently into certain texture combinations before teasing the stasis through jolts of pitch bend or slow fades into somewhere else. It's a real nightmare collage: one minute it's a blast of screaming electronics, like someone tampering with the cockpit controls, and the next it's tornado of factory noise and alien sex. Musique concrete for the mind's darker, more paranoid recesses, with …
Long-awaited vinyl LP reissue of Unroof The House Of The Fishes by Key Ransone's Small Cruel Party. Originally released in 1993 as a limited to 50 copies tape on the Japan-based G.R.O.S.S label run by Akifumi Nakajima. Aube but now upgraded to vinyl by UK label Harbinger Sound. Mastered for vinyl by Scott Konzelmann of Chop Shop 'fame'. The LP is housed in a printed inner sleeve, along with a full-colour jacket, both featuring new artwork by the artist.Side A is a creeped contortion of ambient …
Limited edition 2LP version featuring newly-discovered songs exclusive to this LP: "Pompeii," "Shrinking Thing," "Drinking Water," plus two encores from DNA's final performance at CBGB's. Housed in a gatefold sleeve. New York's seminal no wave band, DNA, makes it's highly anticipated American CD debut with this definitive collection of studio and live recordings. Surviving two line-ups over a brief period of four years; this highly influential, strikingly original and extremely under-re…
restocked, very last around...3rd in a series of 3 solo one-sided LP (previous two on qbico)... this time Mats G on baritone sax render an homage to his own country leading sax player: Mr. Lars Gullin. (label press)
Like its predecessor 'Rotary Signal Emitter', this is a proper headful of intuitive sample mulching and cheap, busted electronics, bubbling and fried with a knowing sense of psychedelia. In the course of eleven tracks on 'Toad Blinker' Dan Hayhurst clearly rejects the normative values imposed on Techno which so many producers get bogged down in and ends up with something genuinely marvellous and thoroughly endearing. OK it might not rock a dancefloor, per se, but its rocking our tiny minds…
The second volume of live Mars recordings from Feeding Tube. This one was recorded at the band's penultimate show, August 4, 1978, with spectral help from Rudolph Grey on the side-long take of "NN End." The quartet is at the full height of their power here, manipulating the language of tongue explosions both instrumentally and vocally. Recorded by Brian Eno, the sound is an advance from the galacto-fidelity of the Artists Space LP, and the performance is a staggering example of Mars in their…
Written and produced by Florian Hecker. Cut by Rashad Becker at Dubplates & Mastering, Berlin, April 2010. Cover: Florian Pumhösl, Modernology 15, 2007, Courtesy Galerie Daniel Buchholz. Typesetting by Tina Frank. 3 track 12' features pieces produced on occasion of a Comme des Garçons HOMME PLUS fashion show held in Paris, January 2009. A1 (5'12), A2 (2'40 + 0'48) and B1 (23'32) This could be seen as some of Hecker's most accessible work to a date, and a fine addition to any serious elect…
The album title certainly does not deceive. But there is something absolutely worthy about Baker's approach to drone composition. He employs a subtle, patient counterpoint that offers an appealing spaciousness when played loud. The music is utterly enveloping, seemingly forcing the listener into a meditative state (Do not operate heavy equipment while listening, unless that heavy equipment is speakers or a spaceship). The compelling organic majesty of these 2 long tracks wafts deep oceani…
Very special limited edition vinyl boxset containing 4 vinyl LPs & 1 vinyl EP-single (Original studio albums 'NEU!', 'NEU! 2', 'NEU! '75' and for the first time, an official release of 'NEU! '86' plus 'NEU! '72' - a previously unreleased live maxi-single 20 minutes). A 36-page picture book and NEU! stencil. Neu! have to be one of the most influential Krautrock bands of their era. The duo, comprising the late Klaus Dinger and Michael Rother initially cut their teeth in Kraftwerk before inv…
180 gram exact 1972 repro reissue. Featuring John Gilmore (tenor sax) and June Tyson (vocal). Tracks: "Universe In Blue Part I," "Universe In Blue Part II," "Blackman," "In A Blue Mood" and "Another Shade Of Blue." The Universe in Blue is a fantastic set. The title cut is just a slow blues soloing showcase with Sun Ra's "intergalactic space organ," trumpet (not sure who), John Gilmore's tenor sax, and back to Ra. June Tyson takes center stage for &"Blackman", giving a particularly impassione…
The music here is so transfixing, intensely devotional and sublimely beautiful, that some contemporary listeners thought they were levitating. Drawn from recordings made in istanbul by the gramophone company and hmv, during the first three decades of the twentieth century, amidst the ruins of the ottoman empire, it crosses and mixes the folk and classical heritage of turks, greeks, armenians and gypsies, muslims, christians and jews, urbanites and countrypeople, and the demands of tradition and …
Split 12" between two of the artists at the forefront of the experimental dance scene, SND and NHK. Aside from sharing three-letter names, the two acts also nicely compliment each other via skewed electronics which come out of mutual dance and minimal electronic sensibilities. SND offer a cut of jacking minimal loops, flows of repetition that unfold before your eyes (and ears), while NHK is suitably equal part bass-squelch with rudimentary snare Motorik via pirate radio broadcast. Mastered…
Five pieces for Computer Controlled Modular Synthesizer and Digital Signal Processing. Composed and recorded from February 2010 – April 2011 in Brooklyn, New York. 'esstends-esstends-esstends' is a collection of spatial compositions in which audio focal points shift between external and internal emanation sources. The intent with this work is to escape the stereo image and create an activated listening space of expanded spatialization. Using just intoned pitch combinations to produce diff…