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Beautiful new collaborative work from Jozef Van Wissem & Jim Jarmusch between Dutch lutenist Jozef Van Wissem and American filmmaker & guitarist Jim Jarmusch. Jarmusch's previous collaborations with Wissem have not prepared the eager listener for the expressivity and emotional depth of his playing on these duets. Respectful of one another's space the pair weave layers of melody and waves of feedback while acoustic guitar and lute wrap together with a subtle depth expemplifying an austere u…
Special Edition - White Vinyl. 3rd and final pressing limited to 400 copies for the world** Having already created a huge amount of interest, 'The Ghosts Of Bush' is finally here on a limited vinyl pressing and is easily one of the most pertinent and interesting Radiophonic and hauntological artefacts we've had the pleasure of stocking in recent years. Created by World Service studio manager Robin The Fog, 'The Ghosts of Bush' Consists entirely of nocturnal location recordings made by him at Bus…
What happens when two stars collide? An interstellar collaboration out of this galaxy! Here in this new fantastic LP from Virginia Genta (of Jooklo fame) and Chris Corsano (arguably considered 'the last drummer on earth'), both musicians put blood, sweat, and lots of muscle into three new wildly charged cuts!!!! The album begins at sunset on a terrace in Lisbon (Summer 2008) with ferocious sax and drums escalating as the sun sets with Chris' incredible drum solo leaving everyone in a trance, whi…
This is the first collaboration by ambient master Alio Die with soundscape creator Parallel Worlds. The unique sound achieved could be described as a hybrid sonic world, made out of bouncing electrons and air vibrations. The modular machines of Parallel Worlds are merged with the acoustic instrumentation and drones of Alio Die, joined by the ethereal voice of the Polish vocalist/composer India Czajkowska, resulting in a surreal, yet down to earth, listening experience. The compositions, b…
One of the key but underappreciated episodes in avant-garde jazz, Sun Ra's Atlantis sounds far out even today. Rather than a full-on assault on the senses, Atlantis is an exercise in build-up, with long, almost forlorn passages of Ra on electric keyboards setting a vast echo chamber for his Arkestra to spring forth within. Captured during one of the most adventurous periods for Sun Ra, *Atlantis* features the orchestral perfection of the best big bands of the century-and then proceeds towards mu…
A while ago one of the members of the youngest antwerp based free jazz band SHELDON SIEGEL (all 16 year olds..) visited me, I had just met them and he wanted to come by to get some records. We spoke about free jazz for a while, then he said the magical words "My dad use to play free jazz in the 70's as well".. I was like "ow, and if that was in antwerp, was it with WIM?", he said "Yes yes, he's on one of their tapes with Fred Van Hove, Ivo Van Der Borght etc". My heartbeat went a little faster, …
Vladislav Delay's EP Espoo features two conceptual, rhythm-intense tracks. Whereas the groove of the opener "Olari" derives from a sound loop which is manipulated by filters and echoes, the reverse is done with "Kolari." Starting from an impulsive, staccato beat, a sound carpet is woven by means of modifiers which gradually shape a permanent melody, close to Terry Riley's minimalistic concepts. Both tracks share a linear increase in density, and because of their break with the common four…
Sandy Bull's 1965 LP Inventions remains one of those legendary albums that almost no one has heard. Its impact, however, can be scene in the title of this new compilation spotlighting a great unsung hero of "psychedelic folk." "Blend," the 22-minute opus from 1963 that opens this disc, surely fits that designation, perfectly blending folk, jazz, and Indian influences into what Bull called "new guitar raga." An eclectic virtuoso who switched from acoustic guitar to banjo to Stratocaster to oud (m…
By necessity, any conversation about the music of Matt Valentine (MV) and Erika Elder (EE) is eventually going to touch on their prolific output. The Vermont duo's constant production has simply become one of its defining facts. In addition to a steady stream of studio albums for Ecstatic Peace!, MV & EE have continued to release small-batch recordings on their own Child of Microtones label, including a Dick's Picks-style series of live recordings on the offshoot Heroine Celestial Agriculture su…
A mythical Magma album recorded in 1971, during the 1001 Centigrades period. The album aims at introducing wider audiences to the zeuhl feel, with a less hermetic sound, favoring a groovier jazz-rock approach. Features the vocalist of Ergo Sum on one track as well as Tito Puentes on trumpet; otherwise this is pretty much the same line-up as in their previous album. A few dreamy moments with acoustic guitar and flutes (the track 'Clementine'), and other typically dense moments with pulsati…
Expo '70 bass/synth player Matt Hill has gone solo. His debut LP under the Umberto moniker is an analog masterpiece heavily influenced by the classic film score work of Goblin, except arguably better. From the moment you drop the needle, you'll be transported to Italy as an extra in a vintage horror flick directed by Dario Argento. This is some of the most accessible, yet totally authentic sounding music of the "giallo" genre we've ever heard. It was previously only available as a hyper l…
Acephale keep it spooky with Ecstasy's tremulous debut album of ether folk-pop. The best bits are the least twee, including the HTDW-onhelium styles of 'Wild Want' and the shrill ultra lo-fi home recording 'Haunted Love'.(BOOMKAT)
Deathpile's latest power noise excursion extrapolates the mind of the Green River killer; Washington State's most notorious - and at the time of writing - unsolved serial killer case. This is harsh power electronics with sadistic lyrics delivered in a frenzied manner. Deathpile is an outlet for the twisted mind of Jonathan Canady. On G.R. he is aided by the undisputed talent of twisted musical troubadour David E. Williams who provides the lashings of non-rhythmic noise. There's a defin…
From out of the Great Republic of Texas, and a new side project from Tom Carter (Charalambides) and Brian Smith (Iron Kite) rises a lone star called Friday Group. In a seemingly appropriate gesture, the opening scherzo of droney solo guitar twang blows dusty debris across the speakers, as if a small sand storm in a remote part of Amarillo. With wind wrestling loose gutters and flat chimes, the first movement is almost a weird paean to Ry Cooder's desolate Paris Texas score. Axe attacks ho…
Music : Franck Vigroux. Voice : Ben Miller. Franck Vigroux & Ben Miller began their overseas collaboration in 2009 with live shows in NYC and DC. Audio files and vocal tracks were then shared over the internet until a download release was made available on D'Autres Cordes Records. This release is now available on vinyl. number of corresponding records for 'FRANCK VIGROUX' : 4
Marbled dark-red vinyl, limited to 150 handnumbered copies. Handmade gatefold cover with latexpainting + 2 photos. Listing this record as "Nurse With Wound" in the title is not totally wrong as this is a great live performance (1982) of Steven Stapleton's wife Diana Rogerson aka Chrystal Belle Scrodd, she also released 2 wonderful records on United Dairies in the early/middle of the '80 (Belle De Jour & The Inevitable Chrystal Belle Scrodd Record). This is a really fantastic release by this Aust…
In its constant pursue of the lost treasures of the Italian avant-garde music, Die Schachtel in collaboration with the University of Padua has recovered from the ashes one of the lost and truly shining diamond of the early electronic/digital scene of the 60s and 70s. After more than two years of painstaking research and audio restoration, Die Schachtel is proud to present a new release dedicated to Teresa Rampazzi, a seminal yet very little known female Italian composer/musician, Founder of …
"Nottingham duo Felix make their Kranky debut with this fine and idiosyncratic collection of songs. The main focus here is the vocal/piano/cello talents of Lucinda Chua, whose sparse yet quirk-loaded minimalism receives guitar and bass backing from Chris Summerlin, who's probably best known for his work in the rock band Lords. Chua's writing is quite unlike anything else currently out there; her lyrics convey strange or often very simple, domesticated ideas delivered in a pared-down, plaintive f…
Harmonizer, or as lovingly referred to as HARMO around these parts is the Vermont duo of Toby Aronson and Greg Davis, whose previous effort, their self-titled debut on Aronson's own stellar NNA Tapes label was the definitive 5th world statement, and solidified them as sensais in the koan of new drone worship shared by the likes of fellow melodic noisers Caboladies and OPN. In fact Greg Davis (Kranky, Carpark) is zone veteran shredder whose explorations into pastoral electronics have been w…