New Arrivals
Live at Aston University, Birmingham
Extremely rare recording of Can performing live at Aston University in Birmingham, on March 4, 1977 and featuring the new addition of Rebop Kwaku Baah (the Ghanian percussionist well-known for his work with Traffic, Steve Winwood, Eric Clapton, etc.) and Roscoe Gee (a Jamaican bassist who had also recorded with Traffic). Holger Czukay, now freed from bass duties, began experimenting with an array of electronic sounds, which he also began adding to the mix in part to counterbalance Can's …
Live in Paris 4.IX.86
Reissue of a classic tape from 1986. Bruno Cossano released 4 tapes thoughtout the 80s and appeared on various compilations such as the 'Hate's our belief' tape ion Aquilifer Sodality. Now for the firs time this Italian power electronics master can be heard on vinyl with some of his most powerfull and intense stuff.
New Age Outlaws
New York City, 2069. A new form of crime has evolved. Only one hard-as-nails ex-cop has what it takes to get to the bottom of their plot and stop the new age outlaws from finding the alien artifact and destroying earth as we know it." Back in March this year, NNF released the original version of this album on cassette, but it's maker, Dylan Ettinger, has returned to the master tapes in order to "further articulate the new age sci-fi ambient drift jazz vision of those pieces into something…
Cult Spectrum
Since 2009 Grant Evans has been peering ever deeper into the kosmische abyss with his records as Nova Scotian Arms for Aguirre, Preservation and Hooker Vision. He's also known for the lush Quiet Evenings releases with his wife, Rachel Evans (Motion Sickness Of Time Travel), but in solo flight his sound is more wide-eyed, exploratory, reaching heady new climes on 'Cult Spectrum', arguably his most vivid vision yet. Perhaps it's thanks to an exquisite mastering job by Lawrence English, but …
Assez de trop pas
Salmigondis is a collective (born in 2006) of musicians and graphist designers. Free rock, psychedelic, noise Ludovic Renaud (keyboard, turntables, electronics), Jean-Pierre Barja (bass, keyboard, electronics), Jérome Declercq (saxophones, keyboard, basse), Mathieu Renaud (guitar, electronics), Jean-Noël Cognard (drums,objects, voice). + some guests : Charlot (voice, percussion, flute), Philémon (sax, electronics), Eric Lewis (trumpet), David Khalifa (percussion), Etienne Foyer (drums). Recorded…
Caesarean
As Concern, Gordon Ashworth has explored drone music through an inspection of the textural components of acoustic instruments and recording processes. On Cæsarean the palette presented is a singularly precise one. Using simple sources (piano, clarinet, banjo, shrutti box, and acoustic guitar), tape processing (1/4” and cassette), and reverberation, Ashworth crafts delicate tape music through transforming repetitions and obscured fidelity. The emotional and physical presence of Cæsarean is over…
The Burden of Hope
"I don't know about you lot but we're absolutely crazy about Grails here at Boomkat HQ, last year's incredible 'Black Tar Prophecies' album on Important blew us away so it's great to see 'The Burden of Hope', the band's 2003 debut, back in press on vinyl finally. At this time the band were working under the messy banner of 'post-rock' and lumped in with the whole Godspeed You! Black Emperor/Constellation scene; they were using violins, letting themselves succumb to the influence of dusty America…
Duo box
Our Swedish hero of sublime saxophones, Mats Gustafsson, performs in three different duo constellations, spanning over three 7″ singles, all collected in a limited 99 copies box of wonder, on Kning Disk KD003-005. Mats collaborates with Fred Lonberg-Holm, Luca Tommaso-Mai and Leif Elggren, resulting in both electric, eclectic and sensational sounds; spanning over one 7″ single per collaboration. Two of the three singles has been previously released on Kning Disk in limited editions. The third co…
The Warrior
"Not since Albert Ayler stalked the hamnar of Stockholm and reverberated his fire music off the walls of LES tenements has there been an avant-garde jazz saxophonist who can all out wail like Virginia Genta can. Don’t let her calm presence fool you. Nor should David Vanzan’s taller stature lead to believe this is not an equal opportunity free jazz freak-out. From when their poles first were converged by the Cosmic Force in 1999, Italy’s (with Finnish godparents) Jooklo Duo has been winning he…
Brasilia in waitawhile
"It has always been one of my desires to do an album with Brazilian musicians/flavours... i remember years ago trying to do a free-funk-samba album with saxophonist Ivo Perelman which unfortunatly never happened ?! when Hartmut told me about a very special number that he did with Don Moye and musicians/artists from Brazil under the effect of Santo Daime's sacrament, i sensed that this might be what i was waiting for so long... warning: you'll NOT be able to hear this music seated... hip DJs took…
Cremaster/Komora A
A split single with Cremaster (Ferran Fages and Alfredo Costa Monteiro) on one side and Komora A (Karol Koszniec, Dominik Kowalczyk, Jakub Mikolajczyk) on the other side.
Deceiving Illusion
Great album by this Detroit group. The songs range from sticky amoeba-like free ooze to stuff of some international album Folkways suppressed because it was too fucked up for public consumption. Pretty fantastic sleeve. 500 made.
The Beat Generation
After several years spent searching for a publisher for On The Road, in 1957 Jack Kerouac s fortune finally changed as he literally became a star overnight, thanks to rave reviews by the New York Times and others who heralded Kerouac as the voice of a new generation. It was during this initial period of fame (1957-1959) that Kerouac also recorded a trio of albums. His first effort, Poetry For The Beat Generation, was recorded at the Village Vanguard in 1957 with soon-to-be pop icon Steve …
Tout for tea
Guitar, Voice - Derek Bailey, Eugene Chadbourne. Recorded 2-1-1995. Released by Rectangle, a Jazz and improvisation music label from Paris.
Suppression In The Third
Jason Crumer likes what you like: noise, girls, getting wasted once in while and maybe a spot of trouble here and there. He first started blowing minds as guitarist in the insane sludge punk core outfits Aluminum Noise and Facedowninshit. As well as the ultra-weirdo outfits American Band, Now In Darkness World Stops Turning and Amazing Grace. Since going solo in 2005 he's released fascinating and brainmelting USA noise death on labels like Iatrogenesis, Audiobot, Ignivomous, RRR, Nazot, Chondrit…
Compound
The cooperative of composer/improvisers John Wiese (Sissy Spacek) and C. Spencer Yeh (Burning Star Core) presents in a terrific session recorded in August 26, 2007 at The Compound, San Francisco. The work reveals further unexpected developments and strategies of this ongoing partnership. Familiar machineries were primed, but an increasingly alien attitude was fed through and processed into churning and bewildering shapes.
Predators
European tour 7". Two 5 minute studio tracks of processed underwater recordings. Bayonet and diving knife scrapings in a steel basin, recorded closely and then processed to breaking point. Limited edition of 200 copies.
Commiseration/Blood Temperature Pool
Primitive guitar riffin', synth's drone and effects. Raw beauty and energy in it's primal.
Gesamtkunstwerk - Dokument 81-86
Incredible release!! This ultra-deluxe leather-bound box set comes in a cross-like holder for the five Vinyl discs and also includes a DVD with two outstanding live-performances from 1982 and 1984 plus a large poster,10 postcards, a metal enamel-badge as well as an extensive 36-page booklet illustrated with archive photos of Laibach's hometown Trbovlje.The Box focusses on Laibach's early years as a provocative performance-music-and-multimedia-group and includes early studio and unreleased…
Weight
Nolan Throop is well known for his solo project Kakerlak and several brilliant collaborations. Parallel to this has always cultivated a passion for industrial and the more obscure noise, in constant progression through its project vergraben before and rumination now. Short tracks, monotonous and percussive, sounding like a degraded version of the SPK. Old drum machines, junk metal loops and radio voices that create industrial marches covered with a thick dose of negativity…