New Arrivals
Spots
Moving freely through time and space via experimental DIY recordings since 2009, Joasihno return with their fourth album "Spots".
Tarantola
*300 copies limited edition* Hailing from Raw Culture, Anna Funk Damage returns with his third release on the Roman label, delivering a record as fierce as it is intimate. Tarantola was born out of a winter suspended between contrasting emotions – melancholy, anger, love, confusion – distilled into a sound that transforms personal fragility into collective energy. There’s no pursuit of perfection here, but rather an urgency running through the veins, taking shape across supersonic punk, wave, am…
Studio Music
*300 copies limited edition* The roots of Studio Music lie in a special encounter between sound artist Jan D’Haene and visual artist Mark Manders. Recorded in Manders’ studio, where sounds resonated among the artworks, the music unfolded in dialogue with the imposing space. As the concluding part of a diptych, following the EP Études, this album evolves more slowly and with greater layers. It forms a dialogue with D’Haene’s introspective passages and invites a moment of pause and stillness. In d…
Various Small Whistles and a Song
*200 copies limited edition* Various Small Whistles and a Song, the new album by Chicago-based artist Lia Kohl, incorporates notions of space, social relations, and humor. As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes, with gue…
Mahku
Manizeh's debut album "Mahku" is a bold entry into the world of contemporary spiritual jazz. Co-produced by Leiter labelmate ganavya—who recently released the celebrated "Daughter of a Temple" and "Nilam"—and Leiter co-founder Felix Grimm, the album was recorded in early 2025 at the label’s renowned Funkhaus Studio in Berlin.
"Mahku" comprises eight chants, including a striking reimagining of Fleetwood Mac’s “Landslide,” sung by Manizeh’s daughter, Mahku Rimer. The album’s title, meaning “eclips…
Tornada
Assembled by Pedro Alves Sousa, Má Estrela is a conjuration of ideas and obsessions around dub, leftfield dance phenomena and the hypnotic potential of urban somnambulance.
Sum Variations
We are delighted to welcome American singer and folk artist Joesphine Foster to Nyahh Records!! This wonderful and strange recording features Victor Herrero , Paz Lenchantin, Michael Zerang and musicians from the village of Joujouka, Morocco. This latest release has Josephine digging deep into her archives. Raw and wonderful field recordings from Morocco and Spain. Enjoy!!
Fly Or Die II: Bird Dogs of Paradise
jaimie branch’s FLY or DIE II: bird dogs of paradise, originally released in the fall of 2019, was hugely anticipated in its time.
Live at Pompeii
*200 copies limited edition* “Detraex Corp arrives on Sagome to deliver a heady journey through experimental rhythm and dub-informed weight and release with their new album ‘Live at Pompeii’. The album, much like its Carlo Gabriele Tribbioli created artwork, represents a journey, a collection of sounds and emotions, sequenced to share with us, the listener, a variety of experience, and of memory, which are at once familiar and other.
‘Live at Pompeii’ sets things off with the tone-setting ‘Tykes…
Back In The HCA
*2025 stock. 150 copies limited edition* In 1972, four design students at the now defunct Hornsey College of Art (HCA) in London decided to make a record; neither the result of nascent dreams of stardom nor of fastidiously developed musi-cianship. Bowes Road Band’s sole LP was simply the result of an impulse to create. With only fifty copies originally pressed, the LP’s Berlin flea market discovery revealed a foray into a delicately balanced world of psycho-trip meltdowns, rich jazz improvisatio…
Bent City
The culmination of an almost 10 year journey, Phil Yost's debut LP Bent City, originally released on Takoma Records in 1967, finally sees the light of day again. The beginning of Yost's visionary trilogy. Bent City returns August 5, 2025, pre-order the LP now to listen to an unreleased version of the title song "Bent City." Painstakingly remastered from the original 1/4" tapes and including an 8-page, 12" booklet featuring extensive liner notes and unseen photos, ephemera and more, detailing the…
Low clouds hang, this land is on fire
For his third new album release for Drag City, Tashi Dorji turns to the electric guitar. After the furious acoustic improvisations that drove the previous two—"Stateless" and "we will be wherever the fires are lit" — it’s easy to imagine an album of his electric guitar improvisations as an encompassingly incendiary essay. Especially when titled low clouds hang, this land is on fire. After all, this is a man capable of tearing up the place with the tactile musical violence of Bill Orcutt and Dere…
Naebula
Devotional music most often gets distilled into earthy chants and ancient folklore, it doesn't always ascend to the sky like Julinko’s ‘Naebula’ an album that from the first organ note clearly trades in terrestrial dreams for ethereal visions. A feverish quality permeates the whole record, as if a ritualistic performance was being captured from start to finish, a collection of hallucinatory doom, synthetic neo-folk hymns and ghostly art-rock. Julinko, stage name for Giulia Parin Zecchin, has lon…
10,000 Rivers
Robert Stillman didn’t set out to make a concept album about Steve Jobs. But as a composer and improviser whose music asks questions about his relationship with reality, a curiosity about the promises and follies of technology took him there. Following an intuitive path from James Bridle’s acclaimed book on non-human intelligence Ways of Being to the seminal 1995 essay “The California Ideology”, Stillman arrived at Walter Isaacson’s biography of Apple founder Steve Jobs – and what would become t…
Five Again
Five Again is a striking debut from Mi Ya that spans just six tracks but makes a lasting impact. The album was crafted at Space Talk and reflects on childhood not as a stage to abandon, but as a spirit to protect. Its delicate compositions echo fleeting memories, candles that won't blow out, naps of escape, the quiet joy of rain. Mi Ya describes the work as a refusal to let go of the child within, a reminder of innocence that still whispers. Hazy ambient synths and delicate melodies shine on tra…
Memory Garden: New Age For Old Worlds
Good ambient will always been a comfort blanket during harsh times. Whether from a global or more personal perspective. This collection on Secrets of Sound brings together some real dons of the genre, from Mark Barrott - to Steve Roach, and sequences them into one soothing, calming trip that touches on all different sub-sounds and styles from New Age to celestial. A spoken word intro from long-running ambient radio Jaroslav Kovaracek sets the scene before you're then cast adrift in supreme sonic…
Things Gone and Things Here Still
*300 copies limited edition* Mister Water Wet returns to Soda Gong with "Things Gone and Things Here Still," an album that radically expands the project’s purview while preserving the homespun warmth and oblique tactility that have long defined Iggy Romeu’s work. Where earlier records tilted toward the dusty swing of sample-based beatcraft or spectral minimalist jazz, here Romeu opens the frame to a more ensemble-minded approach, inviting a stellar cast of supporting musicians, including SG alum…
Plough Through The Rust
The DIY ramshackle energy we know and love from the group is present and familiar, as is the dry wit and authenticity (a word I’m nervous in using, but if the shoe fits), however Plough Through the Rust often sees the group's songwriting taking a more introspective and personal path. Whereas Pig City was sonically expansive (and three songs here are drawn from those sessions), Rust often draws things closer, finding the charm within the scaled back honesty and rawness.
"Like Velvet Underground i…
At The Montreux Jazz Festival
This live jazz album, recorded on June 15, 1968, at the Montreux Jazz Festival in Switzerland, showcases the extraordinary artistry of Bill Evans on piano, accompanied by Eddie Gómez on bass and Jack DeJohnette on drums. Capturing the trio at a peak of creative interplay, the album presents a captivating blend of original compositions and classic standards.
The repertoire features Evans originals such as “One for Helen” and “Nardis”, alongside his masterful interpretations of timeless pieces lik…
Frontalier
Unchained—a name which at the project’s inception or on earlier recordings spoke perhaps to the ecstatic saturation of high gain guitar—has over the past three albums (N.D. Visitor, Pic, and Gabbeh) come to represent more and more an acknowledgement of and sensitive remove from a crashing world. An excuse of oneself from trend towards a siloed artistic development. On Frontalier, Nate Davis crosses further into this patient personal lexicon of guitar composition, presenting a new set of richly …