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There was once a time when The Masque’s rare, fiery $400+ single, ‘Lady Of The Land’ b/w ‘Wake Up In The Morning,’ was thought to be unreleased material by Jim Morrison and The Doors — listening to it, it’s quite clear why. And that’s a pretty good starting point for appreciating the Masque. After all, what more could you ask for c. 1970?
Sold-out at the supplier. LP with obi strip, incl. booklet. Australian composer Oren Ambarchi and Norwegian guitarist Fredrik Rasten present Dragon's Return, a compelling new score for Eduard Grecner's 1967 Slovak cult film of the same name. Released via Viernulvier Records, this collaboration emerged from a live performance at the Videodroom Festival during Film Fest Ghent in October 2024, where the musicians premiered their improvisational soundtrack alongside the restored black-and-white para…
2025 stock Charalambides founders Tom & Christina Carter follow a vision of iconoclastic music as transformative force. Touching on the outer limits of acid folk, psych rock, and improvisation, their sound remains uniquely personal & consistent. Since 1991, Charalambides has released many recordings on labels like Siltbreeze, Kranky & Wholly Other.
Despite Tom and Christina Carter’s prolific solo careers and numerous other projects, Charalambides has existed in an unbroken trajectory for over tw…
2025 Vinyl Repress. ONE DAY ALL WILL BLACKEN AND BURN. Just as the two-headed basilisks predicted. Lies, Truth, Denial and Envy embodied. Their riddling yet oddly accurate prophecies were put in ink by Anuk Schleger the monk, in the scrolls that now hold many names - The Nameless Scriptures, The Unwritten, The Dirt Pages. And so far, every promise therein has been realized, hence why both kings and beggars now cry and wail. Everything will blacken and burn. The stormy, Endless Sea will boil and …
‘redrum’ (with a lowercase r) is the original music for the dance performance of the same name by the group nanou (with lowercase g and n). Composed in 2023 and staged in 2024, it won the Ubu Prize for best dance show of the year. The collaboration between Bruno Dorella and gruppo nanou has been going on for many years now, and for this show the music is almost entirely electronic, with rare inserts of guitar, bass and vocals. Bruno Dorella plays, produces and mixes the entire work, in a process…
"Disguise In Love" released in 1978, is the debut album of British punk poet John Cooper Clarke. Renowned for his quick-witted delivery and sharp humor, Clarke fuses punk rock with spoken word, resulting in a one-of-a-kind sonic experience. The album includes tracks such as "I Don't Want To Be Nice," "Valley of the Lost Women," and "(I Married a) Monster from Outer Space," highlighting Clarke's talent for social commentary and dark comedy.
Produced by Martin Hannett, known as (one of) the creat…
"For his first Mondoj release, Finnish musician Olli Aarni journeys to the wide oblique, where shapes are implied by slants of light previously thought impossible, coming from sources dispersed and hidden. The paranoid eye turns them into phantasms: distant pop songs, fields of fair folk spinning vocoded fudge, an exquisite tasting menu, the shiny towers of an inflatable castle protruding from underground. Scientific inquiry reveals spoken word, diatonic harmony, wide stereo fields, spectral she…
Tip! Minty (named after the Polari word for ‘snooty’) was formed in 1992 around legendary designer, performance artist and muse for painter Lucien Freud, Leigh Bowery. Alongside friend, and designer Richard Torry and club promoter, musician and filmmaker Matthew Glamorre, Minty was conceived to present ‘actions’ on the fringes of music, art and fashion and to explode (sometimes literally) in the face of growing homogenisation. Inheritors of the Post Punk and New Romantic scene, Bowery and crew l…
Klaus Morlock returns with Fireside Spells, an album blending eerie folk, vintage synth, and psychedelic soundscapes into a world of supernatural encounters, Cold War conspiracies, and time slipping away. Inspired by 70s horror soundtracks, lost transmissions, and forgotten folklore The title track evokes woodland rituals and ancient myths, while Henderson Makes Time shifts into 60s psychedelia, following a protagonist caught in a web of espionage and dark magic. The spectral synth work of A Gat…
What happens when you bring together familiar faces at London experimental music venue Café OTO, Charles Hayward (drummer Abstract Concrete, This Heat) and John Edwards (double bass), and the Total Refreshment Centre (hub of new london jazz scene recording studio ) like Alabaster DePlume (singer and saxophonist) and Danalogue (synths from Soccer96, The Comet is Coming), and the learning disability autism art scene like singers/spoken word artists Sebastian Golgiri and Dean Rodney Jnr (Fish Polic…
Matthew Bower's Total released 'Sky Blue Void' in 1994 through Freek, recorded the same year as previous NOHL reissue Skullflower's "Last Shot at Heaven." "Sky Blue Void" is the zoner of zoners, as heavenly and crushing as the rapturous cover art suggests. Release yourself to the void.
If "Cathedral" is one of Nigel Ayers' most celestially minded records, then "Invocation of the Beast Gods" is among his most ritualistic. We start at full throttle with suffocating tension before giving way to an uneasy release. "Tranquil" this is not, but Ayers' delicate touch allows him to explore the full breadth of the album title's implications — here you will find moments of whimsy, contemplation, and full-bore reckoning. No Holiday is pleased to offer "Invocation of the Beast Gods" alongs…
*2025 stock* Nocturnal Emissions' releases throughout the 1980s are eclectic, adventurous and intermittently raw. 1991's "Cathedral" is something else entirely — ritualistic, expansive, awe-inducing. It is at turns warm, ominous and ethereal. We could come up with adjectives all day, but it really must be heard to be believed. Originally released by Italy's Musica Maxima Magnetica, "Cathedral" finally gets its due on vinyl with a deluxe 2xLP edition featuring a large booklet with many of Nigel A…
Groggy, engrossing new work from Ulla under their newly minted U.e. tag, riffing to the sublime on a set of (mostly) acoustic reveries that tap into the kind of smokey vapours favoured by the likes of Vincent Gallo, Voice Actor, Jonnine. Oh aye, it’s a special one.
A new year, label, album and handle for Ulla, a multifaceted artist who has draped our pages with wonder, under numerous aliases and collabs, for almost a decade. On ‘Hometown Girl’ they distill transience and flux into a quiet set of…
CEM has gained international notoriety over the past years for bewitching club and festival audiences alike with his feverish, polymorphic and richly referential DJ sets. For his debut full-length album, FORMA, the Berlin-based Herrensauna founder momentarily departs the dancefl oor, instead contributing a refl ective and at times menacing compositional study on terror and temporal anachronism for our perplexing times. All six pieces were originally commissioned to accompany Portuguese artist Ma…
Recorded at the 1970 Montreux Jazz Festival in Switzerland and produced by Helen Keane, Montreux II (originally issued on the CTI label) was the second of Bill Evans’ Montreux concert recordings to be released, following the Grammy Award-winning Bill Evans at the Montreux Jazz Festival (1968). It features the leader accompanied by Eddie Gomez on bass, and Marty Morell on drums. According to AllMusic writer Ken Dryden, the concert finds “the pianist in peak form” presenting “a terrific live perfo…
Further Conversations with Myself, released on the Verve label in 1967, was Bill Evans’ sequel to his 1963 Grammy Award LP Conversations with Myself. As on that initial album, here all the pieces are unaccompanied solos with piano overdubs. On Further, however, he plays just two pianos instead of the three he had previously employed. According to AllMusic reviewer Scott Yanow, “The program is brief, but Evans plays quite well throughout. In particular, his versions of Johnny Mandel's ‘Emily’ an…
The German guitarist, bandleader and soundscape architect JJ Whitefield has been an innovative force of the contemporary scene of Neo-Jazz-Kraut, and adjacent sub-genres within the world of organic grooves, ever since the early 1990s. The work with his group Poets of Rhythm drew the blueprint for what’s now known as retro-soul, and his creative canvas has never been blank since with numerous solo projects and collaborations across diverse constellations.
'Off The Grid' is yet another testament to…