New Arrivals
Crystal Drops / Ground Loops (a line, obscured)
Kostis Kilymis is a sound artist based in London, UK. This 7" contains new material following two cassette releases for Mazurka Editions and Hideous Replica. Two tracks recorded at home and outside in 2014 using circuits, pulses and wind noise - one a bit rhythmic, the other less so.
Mastered by A.F. Jones at Laminal Audio. 200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33 1/3rpm.
Light Silence, Dark Speech
Lea Bertucci - Light Silence, Dark Speech 7"
€7.00
Lea Bertucci's debut album Resonance Shapes LP from 2013 is an overlooked gem that caused a small stir at the IDDB office. On this much more stripped down affair the New York-based artist changed her bass clarinet for an old alto sax and the two cuts delivered here are somewhat different, but just as intimate and perplexing. 10 mesmerizing minutes that owes just as much to free jazz skronk as it does to contemporary sound art.
"L…
Play the hits from Danny Dark
Walter & Sabrina were responsible for one of the greatest musical cycles of the last decade, a mind-boggling masterpiece ofexquisite and eccentric composition, outstanding lyrical concept and depth, and startling orchestration, whose scale can only compare with the musical and conceptual intricacy of classic masterworks such as Parks' Song Cycle, Battisti's Anima Latina, Gainsbourg's L'Homme a la Tete de Chou, Perfect Vacuum's A Guide to the Music of the 21st Century and a very few others.A proj…
The Jail's A Fine School
First ever vinyl collection of the legendary 'Kostis,' the most enigmatic of all Greek rebetika artists of the early 1930s. Truly unique guitar duets and black-humor prose chronicling the hash dens, prison culture and pickpockets of old Athens. Virtuosic fingerpicking of Near-Eastern modes at the dawn of rebetika, when the bouzouki was yet to become supreme. Recorded under a pseudonym for export to the Greeks living in America, it stands as an enduring mystery and the high standard for a …
Rec Blast Motorbike
"The mighty 'classic' lineup of the Vibracathedral Orchestra returns with their first new music in many years. Here the quintet of Michael Flower, Neil Campbell, Bridget Hayden, Adam Davenport and Julian Bradley (joined by raconteur John Godbert) feature in a set of upbeat tracks that put the group's radical instrumental strategies into a package of full-on rock action. Recorded live using a binaural head system, the sound is nicely ragged in a you-are-there way, with scouring guitars and …
A Castle Popping
“Music For Private Ensemble” is Sean McCann’s first new solo album since 2011′s “The Capital”. Demonstrating a more serious study of orchestration and timbre than his previous work; it is a big step forward. The four arrangements presented here shy away from the use of synthesizers and effects processing – instead relying on voicing and movement to actuate the album’s sentiments. Inspired by the grandiosity of John Adams, the concerned somberness of Gavin Bryars, and the guttural tape work of Fl…
Ambient 3
Nr. 3 from the most famous ambient series, now reissued. Laraaji’s glistening album “Ambient 3: Day of Radiance” has from the beginning been considered an outlier. Though widely celebrated at the time of its release in 1980 -- as the third installment of Brian Eno’s emerging ambient music series (Ambient 1-4) -- the album also brought with it an aura of mystification. Where did it fit in? An uncharted synthesis of resonating zither textures, interlocking, hammered rhythms and 3-D sound tre…
Gloss
Lorenzo Senni's inspired Presto!? imprint presents one of 2015's most singular electronic albums with the solo debut proper from Theo Burt. Originally written circa 2009/2010, it's an album that was never really intended for public consumption but, thanks to Senni's efforts, is now presented here in all it's hugely individual glory. Perhaps best thought of as avant electro-pop or even some sort of Compute/R&Baroque composition, the Casio phase synth-sculpted arrangements of 'Gloss' elicit…
Insistency!
Third - and sadly last - chapter of the archival recordings fixed on tape by Hartmut Geerken during his stay in Kabul in the 70s. Insistency! was recorded at the Goethe Institut of Kabul on same day of the duo session of Hyndukush Serenade - May 22, 1977 - but sees also Maqsud Schukurwali and Ghafur Rasul - members of the Free Jazz Group Kabul - joining Geerken and John Tchicai and playing an insistent anthem, featuring also an eight year old Olaf Geerken at congas. On side B, the music g…
Different Forces
“Different Forces” is the second album by Hamburg-based duo Phantom Horse, following their self-titled album debut on Dekorder. These polyrhythmic vehicles are driven under the influence of Cluster and Harmonia, that venerable school of out-there German explorers; the tuneful ghost of Moondog can also be seen on the rear-view mirror, while the landscape rushes by with the hypnotic pulse of 1960’s Minimalism. Packed in their distinct homelike, warm sound, Phantom Horse effortlessly follo…
Show Us The Fire
"Zelienople exist as a unique entry in the pantheon of Chicago musicians pushing the boundaries of genre. The quartet takes basic song-structures and textural palates of folk and rock and infuses them with the spontaneous fluidity of jazz and the shimmering haze of ambient music, emphasizing subtle facets of each genre to create their own individual style. Show Us The Fire is Zelienople's first album for Chicago's Immune Recordings and shows the band taking a more simplified approach to r…
Machine to Machine
Following on from early 2015’s exercise in dissonant formalism “Sarava Exu”, “Machine to Machine”, Donoso’s newest full length work sees a return to a more melodic sound. “Machine to Machine”, continues to bridge the gap between Ricardo Donoso’s more rhythmic and melodic work alongside his more experimental, loose and dissonant side yet still maintaining his unique signature feel; “WTF”-polymertric rhythms, elegant cinematics and spine chilling tension. Recorded over the last two years …
Mnemosyne
Berlin-based Italian/Belgian duo Lumisokea present Mnemosyne, shedding the bass-heavy rollers found on 2014's Apophenia (Opal), and welcoming space and tension into the fold. Most of the groundwork for the record was made during a week-long residency the duo (comprised of Andrea Taeggi and Koenraad Ecker) rimprovised with a collection of synthesizers from the '60s and '70s at the Worm studio in Rotterdam; edited and combined the resultant sound with heavily-processed recordings of gamelan bell…
Passio
The recording of this formidable piece of religious music dates back to 1988, though Passio had its Munich premiere back in 1982. The piece is an interpretation of the Passion as given account by St. John's gospel, which is here performed by The Hilliard Ensemble. At the core of the piece is the dialogue between Pilate and Jesus, as played out between tenor and bass vocalists, respectively. One of the key elements to the emotive success of Passio is the punctuation of the piece, with the …
A Gathering Together
LP version. A Gathering Together is Ron Morelli's second full-length for Hospital Productions, a "techno" cacophony brought to its granular detail and reduced to its most elemental tonal depths. A cohesive fusion of surreal and feverish déjà-vu loops, brittle noise, fucked rhythms, scrap-metal percussions, pro-one metal synths, and an injection of near-buried DrÄÂno vocal samples, it's a fearsome celebration of brokenness and of amplified surroundings, with stereo-shifting drones and dr…
Musiche de Teisco
The last time we checked in with Italian musician Teisco aka Rimauri, aka Marco Melchiori, was quite possibly also the first time many of you checked in with this most singular of characters. For The Roundtable imprint’s reissue of his blasted ‘70s Italian library classic, Tuscan Castle & Country Seat, managed to be both a blast of fresh air for the library and soundtrack palate, and a defining moment in early 21st century reissue culture. But Tuscan Castle only tells part of the story. Enter Mu…
Macro
Ultra-limited early Robert Turman archival release, Macro was originally going to be titled Roots, because it really goes back to what I was doing 40 years ago, just more modernized technique. I had always taken small snippets of tape and records, repeated them, slowed down, modified, and layered etc, Macro was all done on the computer. I'd been thinking about how in the old days, pop songs were always between two and three minutes long. Most of my music has always been longer extended pie…
Pondfire
“I grew up on my grandfather's farm in the Muddy Creek basin of North Carolina. My grandfather was Hubert James Slater and was the most important man in my life. As an interesting coincidence we share the same birthday, June 8th. Living on the farm was extremely hard work but at the same time an amazing place to grow up, there were animals of all types and acres and acres of space where two young brothers could very easily find trouble to get into. My favorite place on the farm was the pon…
Knerpen! (bevel)
Antwerp-based nonconformist Dennis Tyfus debuts on PAN under his Vom Grill moniker with the Knerpen! (bevel) LP. Tyfus's dealings in unstable media -- spanning paintings and illustrations, films, radio transmissions and more -- reflect the freeform, sometimes parodic nature of his sonic output, which has been archived on his own Ultra Eczema imprint alongside many outsider, weirdo, and noise underground artists. Knerpen! (bevel) is a jarring collage of skewed electronics, tape loops, and tr…
Safe
140-gram LP version. Having partnered with Bill Kouligas in 2015 to relaunch his Lost Codes imprint as Codes, Visionist takes a defining step forward with the release of his debut album, Safe. The South London artist born Louis Carnell broke during a period of experimentation in UK music when, with the disintegration of the dubstep scene, emerging producers began looking to juke and Chicago house for inspiration. A pair of EPs on Lit City Trax (and a collaboration with Fatima Al Qadiri) in 20…