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This new long player finds the duo finally documenting something that is a bit closer to their very heavy live sets, w/ expanding peaks of white light distortion & enormous valleys of bottom end. Each side opens w/ a brief funeral dirge to set the mood, a precession of bare bones drum beats & bell like guitar statements that bridge the gap to the wider open spaces of the almost side long "Across The Desert Of Ash" & "Ancient Of Days."
Aggressive loop music based on sounds from photographic equipment and african field recordings. Besides being an early-Reich cheap imitation, ‘lagodelnulla’ is an italian expression (roughly translated as ‘lakeofnothingness’) found in an old Banda-Ngao lullaby (Central Africa, early ’60s). An ‘objet trouvé’ elevated as social commentary by the author. Volume encouraged. 35 minutes, transparent vinyl. Edition of 100 copies in recycled chipboard sleeve with silkscreened sheet (printed by Ped…
The road is long, sweaty and tense when your shoes are made of metal and you have to walk through a labyrinth with a magnetic floor to reach a brown sea full of hungry lobsters. The ship is waiting though, and the tension is building up heavily with every spin of this record, heavy meditative aircraft static blurr slowing down your usual codeine rhythm! modular synth carpets at its nastiest! you'll be purring when you're on the actual boat.. thick like your mommy's wallet, yet sparse droning tha…
The most recent release on the lichen label; all releases are hand-assembled by zach wallace in his native ann arbor environs and offer of a lovely wave of art-sound, field recordings, improvisation with natural non-instruments, and, in the case of this particular title, a pair of pieces by greg davis and zach himself on farfisa, distorted vocals, and bells. the first appears to be a zonked “cover” of lamonte young’s “31 vii 69 10:26 - 10:49 pm munich from map of 49's dream the two systems of el…
Mats Gustafsson : Saxophone [BarItone, Slide], Flute [Fluteophone]. Recorded live January 22, 2006, at Potlatch Festival, Oranssi, Helsinki Finland. Format : Vinyl, LP, LimIted EdItion. Released date :15 Nov 2007. Genre : Jazz. Style : Free Improvisation. CredIts : Artwork by Matias Pöschl. Mastered by Teemu Korpip. Producer : Olof Madsen. Recorded by Jari Suominen.
greay-area LP reissue, Lux Aeterna, was originally composed to celebrate a friend of William Sheller's wedding, thematically driven by concepts of union and togetherness, and ostensibly based on the Catholic mass, this is far from any sort of religious music you've ever heard. Following in the footsteps of other iconoclastic composers, like Serge Gainsbourg, Jean-Claude Vannier, Lee Hazlewood, David Axelrod, Scott Walker and of course Magma (more on that in a second), Sheller conjured up w…
Limited Restock* Andy Votel and Demdike Stare inaugurate their joint project under the Slant Azymuth aegis for Pre-Cert's 4th release of acousmatic sound poetry and hyperstitious ephemera. For our P's it's the best Pre-Cert yet and easily one of the darkest projects we've heard Votel involved with. While each track bears traceable hallmarks of their individual tastes, Slant Azymuth is perhaps best regarded as a shared vision, triangulated from three shadowy perspectives. They offer no exp…
Gary War's thick synth-heavy psychedelia occupies a space between spacey bedroom experimentalists like R. Stevie Moore or the more contemporary Kurt Vile & the abrasive proto-punk of Chrome & Debris. This album expands on the more stripped down sounds of his "Zontag" single, plying layers of warm fuzz & feedback on top of psychedelic pop song structures.
"After producing their frozen trilogy of intoxicated dronemuzik for the Agency, these Scandinavian gentlemen have ventured into more absurdist territories through fictionalized soundtracks for imagined Mondo films and science fiction serials. It is in this context that BJ Nilsen & Stilluppsteypa present the apparitional Big Shadow Montana, an album of slow-motion delirium manifested in occluded smears, nocturnal gasps, and arcane tones from a variety of analogue synthesizers. Amidst the n…
Decades before his time, political and musical revolutionary, Sun Ra, developed a new plane of cultural existence where black people were all-powerful beings from outer space, sending their intergalactic message through jazz music. Recorded live in 1975 at Cleveland's legendary jazz club, the Smiling Dog Saloon, when Sun Ra and his Arkestra descended on the city for a week-long residency. You can imagine how the uninitiated's jaw must have dropped when Ra and his 15 musicians marched out onto th…
Kaa Antilope from Belgium is possibly one of the better kept secrets from the 1980's. Known to few people but loved by those. The reason is simple... this band was unique with their wonderful neo romantic, playful and melancholy sound. Their songs are best described as experimental synthpop with a poetic touch. Only one 7" record was released in 1982. Even today their music stands out with its very special sound of its own. There has not been a single other band since the 1980's that can be comp…
Michael Rother (half of the influential Krautrock group Neu! and a founding member of Kraftwerk and Harmonia) recorded this first solo album with producer Conny Plank in 1976. Rother's signature guitar sound, the mechanical percussion (Jaki Liebezeit of Can) and the simple yet outerworldly anthemic melodies make Flammende Herzen an outstanding and visionary record."Finally reissued on vinyl, this is the 1976 solo debut from from Neu!/Harmonia guitarist Michael Rother. This would be the fir…
On June 17, 2008, the exhibition Sonic Youth etc.: Sensational Fix openedat LiFE in Saint-Nazaire, France, with a focus on their multi-disciplinary activitiessince 1981 collaborations with visual artists, filmmakers, designers,and musicians, as well as other works selected by the band.As part of the exhibition project, My Cat Is An Alien performed on stagewith their long-time collaborator Ramona Ponzini (Painting Petals OnPlanet Ghost, Black Magic Disco, Z ev) singing Japanese, Michael Mo…
After returning from a year-long tour of Europe and Asia, the group returned home to Tokyo for this concert. Originally released on CBS Japan in 1972, the concert remained out of print for decades and has never before been reissued on vinyl. The line up features Takehisa Kosugi on electronic violin, vocals and radio oscillators, Ryo Koike on electronic contrabass, suntool, sheet iron, and harmonica, Yukio Tsuchiya on vibraphone, Michihiro Kimura on electronic guitar & percussion, Seiji N…
While these performances occurred on opposite coasts, the source material is closely aligned in both concept and process. These works highlight Gregg's ongoing preoccupations with sound and setting, incorporating the focused blend of acoustic and electronic sources that Kowalsky is already well known for. 'Electronic Music for Square and Sine Waves' documents Gregg Kowalsky's contribution to the 2011 Activating the Medium festival in San Francisco. This commissioned piece continues Kowals…
Second in a trio of limited edition new LP’s from the ever mysterious Vibracathedral crew, returning from another relatively quiet period with an uncompromising set of outre’ jams. Slightly reorganized around a lineup of stalwarts Mick Flower and Adam Davenport with frequent collaborators John Godbert (Total) and John Moloney (Sunburned Hand of the Man), the band here stretches way, way out over these six sides, taking in several different styles while maintaining “that” sound all the way throug…
'About the record. Live-recordings of Harddisko: 16 computer harddrives on power. Superreal computer music. Upon powering, each harddrive moves with its own speed and pattern, as directed by the firmware and mechanical constitution. Electromagnetic emissions picked up as acoustic signal reveal the specific tone of a drive. In various formations, the harddrives perform according to their past usage and current state.About the artist : Valentina Vuksic (CH - 1974) is a computer artist and progra…
“Almost Washed My Hair” erupts from the stereo like some bastard child from a universe where Iggy Pop fronted The Velvet Underground and the only song in their repertoire was “Sister Ray” but they could never remember how to play it. This ear-splitting and cacophonous rock sounds as raw and powerful as anything else in my record collection. The deafening guitars dominate everything; only ghosts of vocals and a hammering beat are perceptible under the overloaded amplifiers. However…
With the wake of his blessed collab with The Congos and his 'Ancient Romans' side still shimmering in our memory, Cameron Stallones returns from his mystic regressions to present a sixth solo LP as Sun Araw. With his return comes a startlingly fresh-faced clarity to his sound, as though millenia of metaphysical sonic travel have dislodged the overbuild of dusty amp wax and really let some cosmic sunshine thru. It's perhaps also down to some assistance in the final process from Pete Kember…
**Limited edition of 300 copies on acid yellow wax with photocopied A4 insert** Rome, Italy's Sea Dweller make a gorgeous racket on their heavenly 2nd album of shoegaze dreampop. Returning to Upside Down Recordings after 2008's 'Underwater Town', they've seriously refined their sound in line with their too-obvious-to-mention influences. Head-flossing melodies made from reverb-effected and delayed guitar treatments swoon about vintage Alesis drum machines in clouds of old Crumar synths and…