New Arrivals
Seven stars
Fennesz's first solo release since Black Sea (2008) is a 4 track 10 vinyl, with a CD version soon available. Using acoustic and electric guitars, bass, synths, computers, Fennesz continues to engage and entrance us in equal measure. 'Liminal', 'July', 'Shift', 'Seven Stars' (with Steven Hess on drums). Fennesz writes: Seven Stars was recorded in Vienna in January 2011. I recorded and mixed the album within 3 weeks. Liminal and July were existing pieces which I have reworked. (I wrote an early ve…
First Aid Box
A vinyl rarity from Andrew Liles, known for his collaboration with Nurse with Wound. Velvet box containing 4 7-inchers (all in separate picture sleeves), a poster and a set of postcards. On the vinyls one can find an odd mixture of ambient and experimental music.
In Dust
In recent years, there has been a surge of electronic artists, for the most part new comers, who have rejected the digital approach which had dominated since the nineties in favour of the more organic analogue textures pioneered during the late sixties and well into the seventies by German experimental musicians, from the most exploratory, with the likes of Emeralds or Oneohtrix Point Never, to the bulk of the Scandinavian disco scene, spearheaded by Lindstrøm, Prins Thomas and DiskJokke.…
Chapter Ahead Being Fake Vinyl
Not sure you could gather four bigger names from the drone metal inner circle to record a pair of splits. Hats off to Hydra Head. Both new splits come with awesome artwork from Aaron Turner, and this Torche / Boris split comes with a pretty fucking sweet t-shirt option. Don’t try and tell me you haven’t been dreaming of wearing Wata on your chest. This one hasn’t sold out of black vinyl quite yet
Willow
Latest entry in Touch's bitesize Touch Sevens series, with typically lush cover design and photography by Jon Wozencroft. This one comes from NZ native Paul Douglas aka Rosy Parlane, and was recorded in Auckland back in 2008-9. 'Willow' is a blast, its radiant widescreen drones and shimmering surfaces - which corrode and curdle over the duration - calling to mind the work of labelmate BJ Nilsen. 'Morning' is more reserved, elegiac even; rotary organ tones and delicate processing conspire …
Repaired/Replaced
Touch presents a 7" from Mike Harding as part of the Touch Sevens series. Recorded in West Wittering in Balham using DPA 4060s onto a Nagra Ares P-ll digital recorder. Cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
IN IT: Immersive Live Salvage
A 5.1 Surround DVD (Dolby Digital + DTS, "audio only") + Ambisonic UHJ vinyl LP (an LP that can play surround when playing through an ambisonic encoder. It can also be played on a regular stereo). Following an invitation from Autechre to support them on their 2010 European "Overstepper" tour (30 concerts, 15 countries), UK experimental multidisciplinary artist Russell Haswell filled a Pelicase with a contact mic, crystal mic, electronics w/light sensors, fx pedals, SOS whistle, various m…
Sintesis: La Produccion Al Poder
Awesome box-set includes the lps "tesis" and "antisesis", an additional '7 and 50-pages booklet, 23 tracks. "síntesis" was el aviador dro y sus obreros especializados' second album. also featured here is the great (and quite different) 12" version of "selector de frecuencias" (dro-020, 1982), the complete "amor industrial" 12" (dro-040, 1983) and "vortex" 12" (dro-074, 1984).
Popular Electronics - The Singles Collection
'In 2004, the Netherlands-based Basta label released Popular Electronics - Early Dutch Electronic Music from Philips Research Laboratories. The four-CD (and seven-booklet) box set meticulously chronicled the pioneering electronica that Henk Badings, Tom Dissevelt, and Dick Raaijmakers recorded for Philips between 1956 and 1963. Since these recordings had originally been released on vinyl, collectors petitioned Basta for a vinyl edition. After consulting with Dick Raaijmakers, Basta decide…
Untitled
Open the gates to the mystifying world of Belgian electronic producer Hans Dens’ Innercity project. Truly alien, truly futuristic rhythmic mantras and techno miscalculations. Dens’ unique minimal beat style, combining elements of electronic, Kraut, and New Age weirdness, creates an otherworldly entity that transcends our earthly boundaries. Limited edition pressing of 300 copies.
Untitled #205
Based exclusively on end grooves from vintage records, 'untitled #205' is a straightforward and joyful exploration of the potential for reincarnation of these unintended sonic structures into new life. More a tool than a final product, it delves into static, noise and rhythm with a hopeful perspective.' The untitled #205 mix on the a-side brings us 18 minutes of hissy, textural sound in dissolution, ranging from ryhthm to noise. The b-side has the 20 original loops López constructed out of…
Music For How Mata Hari Lost Her Head And Found Her Body
Julian Lynch and filmmaker Amy Ruhl first collaborated on Lynch's Seed video from his proper debut album (Orange You Glad) on Olde English Spelling Bee. Around this time, Ruhl was beginning work on her first film, an animated, allegorical biography of the courtesan, dancer & spy, Mata Hari. Spurred from talks about a using gamelan to score the film, Ruhl asked Lynch to contribute songs to the film & he delivered five new instrumentals. Drawing on both Indonesian music and his own bedro…
Vergezichten
Rutger Zuydervelt aka Machinefabriek is a master of self-made sound and time-stretching, sensitively handling organic recordings and samples on countless releases, and regards preset sounds in an organ or a cheap keyboard as a tonal find, as a part of the cacophony of everyday life. These bontempi-rhythms plus the computer-stretched sounds of saxophone (Espen Reinertsen) and voice (Mariska Baars) are the base elements of "Vergezicht 1" and "Vergezicht 2." It is stunning how Zuydervelt man…
Crossbow
Prurient (aka noise musician Dominick Fernow) has become one of the most well-known and influential names in the noise field. Anti-technology and anti-electricity. An unconventional use of banging objects together to create music; playing with live wire, pennies, frying pans, toolboxes, scrap metal, and used shotgun shells are an example of some of his instruments he has used before. On this new material sounds and voice gradually emerge, in a distant and threatening outhouse.
Deutsche Frau
Palminger, a word genius from hamburg, presents his view about german women who break the legs of horses (men) and keep their pain awake. a regressive-masculine paranoia scenario of terrifying dimension, accompanied by a real orchestra score composed by max knoth. palminger's tongue is full of sore, his mind is constantly alert. (label info)
Stand up comedy
Alessandro Bosetti‘s music for the last decade has documented the de- and re-contextualization of the human voice through a variety of means. Il Fiore Della Bocca achieved this through the natural alterations of ‘normal’ speech exhibited by the voices of individuals with speech impediments, such as stuttering and phonetic disorders. Africanfeedback did so through vocal mimicry of contemporary music and through a simple ignorance of the languages his subjects were speaking (often Dogon). T…
Deserted Islands of the mediterranean
special gallery edition artists book, issued for the 2009 exhibition held at Villa Romana (Florence), a research project on the deserted island of mediterranean by visual artists Amedeo Martegani, Armin Linke, Giulia Di Lenarda, Giovanna Silva and the sound artists Giuseppe Ielasi and Renato Rinaldi. A lavishly b/n illustrated catalogue contains a exclusive 7" with music based on field recordings of the islands, very few copies available
Vibractions, 1978 - 2012
Vibractions, a sound installation and performance by Ferruccio Ascari, was conceived and created in 1978 within a program of sound installations organized by the center for visual arts Sixto/Notes (hich included site-specific works by Giuseppe Chiari, John Duncan, Walter Marchetti, Gianni Emilio Simonetti, along with contributions by representatives of the most radical researches of those years: Ant Farm, BDR Ensemble, Chris Burden, Paul Mc Carthy, Fredrick Nilsen, Barbara Smith, and Demetrio St…
The Terrifying Realisation We Might Be Wrong
Second 7" release for Dirty Knobby takes us on another diversion through a hellish landscape peppered with brittle discordance and fuzzed out string burn, courtesy of an old cheaply produced Indian 'banjo', or bulbul tarang, which had the wooden keyboard removed, a contact mic attached and then thwacked repeatedly with a screwdriver head. The track evolves from this nightmarish scenario into something utterly transfixing, again created using a contact mic, rubbing on a table top and fed through …
Last Days vol. II
september 2009 release ; excellent (if painfully brief ; could really use an lp-length recording of this stuff !!!) single of ghostly guitar passages (recorded in harlem, usa, no less) from italian artist stefano pilia ...two mazzacane-connors-esque figures, drenched in amp-buzz (incidentally, the only way we could solve the ages-old 33/45 dilemma was to run the 60-cycle ground-hum through a frequency counter) ; impeccably channeled & gorgeously presented ... highly recommended !!! (MIMAROGLU)