We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Limited edition red vinyl 7", 100 copies. Two pieces for hand-held gas horns realized at the Music Research Centre, University of York, November 2008. Recorded using two Neumann U87 microphones and a Shure SM58 on custom-rigged pendulum.
This one-time limited edition of 750 copies comes from Austria's Comfortzone label and catches Mika Vainio in swaggering backroom dancefloor mode again for a 2nd, Jukebox-styled 7". A-side is a corrosive, killer slice of Industro-Bashment called 'Rasputin 3000', all skeletal rhythmic swagger and elemental distortion. B-side features an even more stripped down and haunted number called 'Devil Arrives To Finspång'. Nobody does this thing quite like Vainio - miss out at your peril!
7" vinyl was the quintessential format for popular music. Today, it is an undervalued and mostly promotional medium, used as a fetishistic signpost for a time of musical authenticity and a "healthy" popular culture. Two tracks from Biosphere originally recorded for Hågogaland Teater, Tromsø, Norway in 2006 and remastered in 2011. Part of the Touch Sevens series, cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
With an eldritch terror that could just as easily be from another dimension as the darkest ocean comes the latest release from Ural Umbo, Delusion of Hope. Feedback and melody barely escape from the murky crevices, tinged with a sense of grinding tension. Sharp, acidic percussion slices through the blackness with violent urgency, while electronic blasts and organic drones entwine and ensnare. Some dim instinctive memory vaguely resurrects a shadowy scene wherein black drums roar madly, and monst…
Vibractions, a sound installation and performance by Ferruccio Ascari, was conceived and created in 1978 within a program of sound installations organized by the center for visual arts Sixto/Notes (hich included site-specific works by Giuseppe Chiari, John Duncan, Walter Marchetti, Gianni Emilio Simonetti, along with contributions by representatives of the most radical researches of those years: Ant Farm, BDR Ensemble, Chris Burden, Paul Mc Carthy, Fredrick Nilsen, Barbara Smith, and Demetrio St…
Alessandro Bosetti‘s music for the last decade has documented the de- and re-contextualization of the human voice through a variety of means. Il Fiore Della Bocca achieved this through the natural alterations of ‘normal’ speech exhibited by the voices of individuals with speech impediments, such as stuttering and phonetic disorders. Africanfeedback did so through vocal mimicry of contemporary music and through a simple ignorance of the languages his subjects were speaking (often Dogon). T…
special gallery edition artists book, issued for the 2009 exhibition held at Villa Romana (Florence), a research project on the deserted island of mediterranean by visual artists Amedeo Martegani, Armin Linke, Giulia Di Lenarda, Giovanna Silva and the sound artists Giuseppe Ielasi and Renato Rinaldi. A lavishly b/n illustrated catalogue contains a exclusive 7" with music based on field recordings of the islands, very few copies available
Second 7" release for Dirty Knobby takes us on another diversion through a hellish landscape peppered with brittle discordance and fuzzed out string burn, courtesy of an old cheaply produced Indian 'banjo', or bulbul tarang, which had the wooden keyboard removed, a contact mic attached and then thwacked repeatedly with a screwdriver head. The track evolves from this nightmarish scenario into something utterly transfixing, again created using a contact mic, rubbing on a table top and fed through …
september 2009 release ; excellent (if painfully brief ; could really use an lp-length recording of this stuff !!!) single of ghostly guitar passages (recorded in harlem, usa, no less) from italian artist stefano pilia ...two mazzacane-connors-esque figures, drenched in amp-buzz (incidentally, the only way we could solve the ages-old 33/45 dilemma was to run the 60-cycle ground-hum through a frequency counter) ; impeccably channeled & gorgeously presented ... highly recommended !!! (MIMAROGLU)