New Arrivals
Untitled #205
Based exclusively on end grooves from vintage records, 'untitled #205' is a straightforward and joyful exploration of the potential for reincarnation of these unintended sonic structures into new life. More a tool than a final product, it delves into static, noise and rhythm with a hopeful perspective.' The untitled #205 mix on the a-side brings us 18 minutes of hissy, textural sound in dissolution, ranging from ryhthm to noise. The b-side has the 20 original loops López constructed out of…
Monad
Wire's Bruce Gilbert restarts Touch's 7" series, which has previously seen highly collectable shortform releases from Mika Vainio, Fennesz, and Phillip Jeck. Following an Editions Mego reissue of his seminal mid '80s works and recent live outings, these two tracks comprise his first new material since 2009s 'Oblivio Obligatum' and find him working to typically stoic, yet subtly dynamic scheme of electronic sound art. Both tracks deliver cold, metallic drones with a "coruscating" resonance, all p…
Popular Electronics - The Singles Collection
'In 2004, the Netherlands-based Basta label released Popular Electronics - Early Dutch Electronic Music from Philips Research Laboratories. The four-CD (and seven-booklet) box set meticulously chronicled the pioneering electronica that Henk Badings, Tom Dissevelt, and Dick Raaijmakers recorded for Philips between 1956 and 1963. Since these recordings had originally been released on vinyl, collectors petitioned Basta for a vinyl edition. After consulting with Dick Raaijmakers, Basta decide…
Repaired/Replaced
Touch presents a 7" from Mike Harding as part of the Touch Sevens series. Recorded in West Wittering in Balham using DPA 4060s onto a Nagra Ares P-ll digital recorder. Cut by Jason at Transition. Artwork & photography by Jon Wozencroft.
Rose Pillar
180 Page Hardcover Book with 11" Record, featuring Kevin Drumm. What separates Dominick Fernows Prurient project from the rest of the contemporary underground cannon is its unyielding personal subject matter. From the inception of Prurient the concept has always utilized intimate details, photographs, letters and other ephemera culled from places where most artists would choose to obscure. Prurient draws these details into focus more than ever on Rose Pillar, a 180-page hardbound book of Fernows…
Surviving The Garden Of Hate
"Copper Glove, the new project from Baltimore's Door (formerly Earth Crown; who shared splits with Secret Abuse and Kites on past Arbor releases), shows a further progression of his one man industrial-noise synth unit. In opposition to his former work, Copper Glove is more mindful of composition; utilizing tone generators and processed synthesis and vocals, to present a dense cut up analog form of industrial concréte. Door's nihilistic optimism carries itself with a sense of effortlessne…
The poetry of decay
Recordings by Gordon Sharp (2001-2010) at Belmont shore (ca), mid-levels (hk) & Kobe (Japan) the mid-levels (hk) but manly at Roi vert, Okamoto, Japan. Cut at dubplates & mastering, Berlin, august 2010. Cindytalk have been active since 1982. During the 80s and the 90s their sound was defined by broken down rock structures and abstract piano ambience. A third side to their coin emerged at the dawn of the 21st Century with a turn towards obscure computer usage pushing all ressemblance of me…
skls
S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That’s their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! — like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It’s…
Vibractions, 1978 - 2012
Vibractions, a sound installation and performance by Ferruccio Ascari, was conceived and created in 1978 within a program of sound installations organized by the center for visual arts Sixto/Notes (hich included site-specific works by Giuseppe Chiari, John Duncan, Walter Marchetti, Gianni Emilio Simonetti, along with contributions by representatives of the most radical researches of those years: Ant Farm, BDR Ensemble, Chris Burden, Paul Mc Carthy, Fredrick Nilsen, Barbara Smith, and Demetrio St…
Deserted Islands of the mediterranean
special gallery edition artists book, issued for the 2009 exhibition held at Villa Romana (Florence), a research project on the deserted island of mediterranean by visual artists Amedeo Martegani, Armin Linke, Giulia Di Lenarda, Giovanna Silva and the sound artists Giuseppe Ielasi and Renato Rinaldi. A lavishly b/n illustrated catalogue contains a exclusive 7" with music based on field recordings of the islands, very few copies available
Stand up comedy
Alessandro Bosetti‘s music for the last decade has documented the de- and re-contextualization of the human voice through a variety of means. Il Fiore Della Bocca achieved this through the natural alterations of ‘normal’ speech exhibited by the voices of individuals with speech impediments, such as stuttering and phonetic disorders. Africanfeedback did so through vocal mimicry of contemporary music and through a simple ignorance of the languages his subjects were speaking (often Dogon). T…
The Terrifying Realisation We Might Be Wrong
Second 7" release for Dirty Knobby takes us on another diversion through a hellish landscape peppered with brittle discordance and fuzzed out string burn, courtesy of an old cheaply produced Indian 'banjo', or bulbul tarang, which had the wooden keyboard removed, a contact mic attached and then thwacked repeatedly with a screwdriver head. The track evolves from this nightmarish scenario into something utterly transfixing, again created using a contact mic, rubbing on a table top and fed through …
Last Days vol. II
september 2009 release ; excellent (if painfully brief ; could really use an lp-length recording of this stuff !!!) single of ghostly guitar passages (recorded in harlem, usa, no less) from italian artist stefano pilia ...two mazzacane-connors-esque figures, drenched in amp-buzz (incidentally, the only way we could solve the ages-old 33/45 dilemma was to run the 60-cycle ground-hum through a frequency counter) ; impeccably channeled & gorgeously presented ... highly recommended !!! (MIMAROGLU)