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Formed in Los Angeles in 1965, The West Coast Pop Art Experimental Band were considered by many to be the West Coast’s answer to the Velvet Underground. The group created California psych/rock music that was both fragile and dreamy. Part One was originally released in 1967 on Frank Sinatra’s Reprise Records. Though they didn’t achieve the fame of other bands from the area, they have nonetheless achieved a cult status among collectors and people curious about a rich, albeit short-lived musical g…
2025 stock Released in 2015, this is arguably Dan Melchior's stand alone release in a massively impressive catalog. Eschewing the gutbucket trawl & extended electro pedal-whomp,The Souls of Birds and Mice is more fugue like; it isn’t composed of elements so much as it is composed of the composing of elements. Recorded at a pivotal time in the his life, one can detect the influences varying from his wife, Letha Rodman-Melchior to Pale Cocoon, Martin Davorin Jagodić' & Pôle running through this l…
2025 stock Thought these were long gone, but hey, not so fast! Originally released in 2013, this was Letha's 1st foray into the vinyl game AND her 1st under her own name (as opposed to Tretetam, which she'd been using since 2008). 'Handbook' is a lovely sound pastiche of everyday day life turned inside out. Both ambient & disturbing, her sound distillations are wondrous & hypnotic respites in this suffocating modernity. FFO; Moondog, United Dairies label, John Bender. Very last copies.
2025 stock When Don Fleming was doing the initial transfers of the tapes we’d gotten retrieved from Randy Cohen’s barn, every evening seemed to bring a new surprise. But nothing was a bigger jawdropper than the material which makes up the second LP of our Jack Ruby archival series.
The central core of the album is the sixteen-and-a-half minute track, “Destroy/Lost”, recorded at the band’s rehearsal space in January ’74. Robin Hall vocalizes and Boris plays electric viola, but the bulk of the pie…
2025 stock “Earl was a wonderful man with a great eye for new and innovative art. And such an amusing companion, too.” – Mick Jagger Earl McGrath was the ultimate ’70s jet setter, an art collector and comic bon vivant who stumbled into the record business between legendary parties in New York and LA and discovered Daryl Hall and John Oates and then Jim Carroll. Atlantic founder ∫ gave Earl his own label, Clean Records, in 1970; Mick Jagger hired him to run Rolling Stones Records in 1977. Friend …
2025 stock 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an off-strip seedy Vegas lounge. It also features one of Hazlewood’s greatest lines ever “One week in San Francisco, existing on Nabisco, cookies and bad dreams, sad scenes and dodging paranoia.”
Lee Hazlewood…
*2025 stock* In 1962, Karen Dalton summoned Richard Tucker to join her in Colorado, extolling the healthier lifestyle and plentiful gigs at Boulder folk club, The Attic. Upon his arrival, the pair solidified their personal and professional relationship, riding horses in the mountains, and performing as a duo at parties and venues throughout Denver and Boulder. Stories of the spell they conjured - and rumors of tapes - have circulated among friends and musicians who witnessed them, but until now,…
Sky Blue, a collection of unreleased songs by one of the most celebrated songwriters of the twentieth century, is a time capsule that Townes Van Zandt created forty-six years ago, and we’re only now just unearthing and opening it to find the treasures inside.
In the mid-20th century, Louisville gospel music was occasionally recorded when members of the local gospel community pressed 45rpm records and LPs, and released them through grassroots record labels such as Sensational Sounds, Grace, Blessed, and D.J.S. Over the years, a substantial body of work was produced in our city, but those recordings are in danger of being lost forever.
The Louisville Story Program has been working with dozens of people in the local gospel music community to locate, dig…
Tip! 2025 stock Join Mattias Uneback from then band Ìxtahuele on a fantastic exotica underwater adventure in sound! Sail the high seas, explore their depths, marvel at their strange and colorful inhabitants. Beneath the waves and through the depths, forgotten worlds lie waiting. Bioluminescent creatures that have never seen the light of day, ancient beasts of gigantic proportions, sunken continents and underwater caves all await you. Using a variety of both classical and novel instruments, Mr. U…
Emerging from the late 1960s underground music scene, Clark-Hutchinson's collaborative masterpiece "A=MH" broke new ground in psychedelic rock. Guitarist Mick Hutchinson and drummer Andy Clark's fusion of blues, rock, and Eastern influences created a captivating sonic journey. The Underground Impresarios label brings this limited edition LP reissue on heavyweight red and black splatter effect vinyl.
Nashville's Terry Reed-he being neither Jerry Reed nor Terry Reed-self released his 'On Way To Alpha' mini album into this universe sometime in 1975 as a 7". While novel in formant, Reed's fantastical, solitudinarian take on inchoate, Psychedelic expression is uncannily impressive. Gentle psych, loner psych, however you choose to approach it, this aural nug is a giver of tremendous reward. Little seems to be known about Reed, or this release, via the interwebs & original copies rarely turn up. S…
Zaius Tapes is proud to announce the repress of Jim Shepard's dark, cathartic masterpiece, 'Picking Through The Wreckage with A Stick' lp. Originally released by Siltbreeze in 1995, it seemed no plans were in order to see it in print again, so we took matters into our own hands. And you will all be the better for it! 'Wreckage bears little to no resemblance to Shepard's proto metal-prog rock band, Vertical Slit. If anything it follows the trajectory of his debut lp, 'Slit And Pre Slit'. Both alb…
This is the second album by an Estonian composer and pianist, Volodja Brodsky, showcasing his original cosmic compositions performed on piano and vibraphone. Limited edition of 500 copies on 180g vinyl. Comes with a download code and an exquisite insert card by Savva Terentyev featuring the musical transcription of the title track.
During their work on the soldout 10 years jubilee 8LP boxset, the Austrian pioneers of Alpine Folk Music created this Dark-Psychedelic collection of scary tales around the holy mount Untersberg. Legends telling about people who went inside the hollow mountain, to visit Kaiser Karl and his folks living/sleeping there, waiting for the end of days to fight the final battle. In most of these tales the visitors were only a few hours or days inside the mountain and his inside castles and monasteries, …
This album is pure weird Alpine-Folk music with martial drinking-songs, alpine battle-hymns and strange fairie-tales out from the deepest Austrian and Bavarian forests, all embedded in a breath of black Monty Python humour. A pearl of pure Alpine Folkmusic!
Asiko Tito was an ambitious project Jazzhole Records embarked on in the late 90s to capture and promote the rich tapestry of local talent from across Lagos. This 10-track compilation showcases an eclectic mix of sounds ranging from afrobeat and Yoruba-funk to afrofunk, highlife and spiritual jazz. Each track is a testament to the vibrant music scene blending traditional rhythms with contemporary influences to create a unique listening experience that resonates with both nostalgia and modernity. …
Eroya is a collective of elder and young musicians based in the heart of Lagos which takes you on a journey dating back from the late 1940s to contemporary Naija grooves - from palm-wine, agidigbo grooves, juju/owambe styles, highlife melodies to afro-funk and afrobeats. Key members includes Sina Ayinde Bakare, son of the legendary maestro Ayinde Bakare the originator of Juju music, Multi-instrumentalist juju singer Fatai Rolling Dollar, Afro-funk tenor saxophonist Prince Eju Oyewole and afrobea…
"It begins with a shoebox of mysterious provenance, full of recordings from the Vendée department on France’s western seaboard: songs of love and war, life and death, played out on land and sea. Songs passed down and sung by ordinary men and women, gracefully delivered with the poetic economy which unites the folk song of all peoples. Next it takes a group of contemporary musicians to make selections from this treasure trove and sing these old songs anew; to sing them for their beauty, of course…
Pierre Bujeau is an expert at creating temporary escape zones—musical structures to evade the everyday. Sometimes he works collectively as part of the mysterious French groups Omertà and Tanz Mein Herz. But it’s when he’s on his own, performing as Megabasse, that he offers the most complete break from reality. His kit is simple: a few bottles of cheap lager, twin Fender amps, and his double-necked guitar. An instrument like this normally signals maximum rockist excess—think Jimmy Page, Geddy Lee…