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It was a cavernous tone that broadcast from a ventilator duct that inspired Patrick McGinley to begin collecting field recordings and working them into his slow-arc compositions. At the time when he heard that particular tone in that particular ci…
"Splinters is remembered, indeed lionized by knowing UK jazz fans, as the monumental musical meeting of tenor giant Tubby Hayes, trumpeter Kenny Wheeler, saxophonist Trevor Watts, pianist Stan Tracey, bassist Jeff Clyne, and legendary drummers John S…
Things get dislocated, gather themselves, spread across areas of varying intensities. More intimate or more complex song. closer to the sacred, left untouched by mediation, even slightly incomprehensible, though mostlyambivalent and reality-pierc…
'The only album by Tia Blake was recorded at the Ossian Studio in Paris in 1971 and released that same year by the tiny French label SFP (Societe Francaise de Productions Phonographiques). Great psych-folk with guitars, dobro, flute and fantastica…
Now I've seen the Starving Weirdos play live, which always tends to blur opinions of a band's recorded material. If you see a band play and they are a bunch of obnoxious f*ckwits with no clue what they're doing it can colour your judgement somewha…
Volume 3 in the series of Sun City Girls singles, compilations, and rare tracks, consists of material recorded between the mid-1980s and early 1990s. Much of this collection reflects the Arabic guitar instrumental and acoustic pseudo-Asian vocal f…
Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing…
Spend any amount of time in the company of Keith Rowe and the names of certain painters will arise in conversation with some frequency. Caravaggio, Twombly and, among others, most definitely, Mark Rothko. Just as, long ago, he'd imagined what the gui…
Adriano Zanni aka Punck is a field recordist, sound designer and photografer. He released records on great labels like Afe Records, Setola di Maiale and Creative Sources. This is his first release for Boring Machines and it's his most personal recor…
Crazy about the sound: the composer as a medium fHis bizarre way of composing earned Giacinto Scelsi not only fame and respect; he was also mockingly accused of dilettantism. Scelsi regarded himself not as a composer in the traditional sense, i.e. on…
The first solo album of Patrick Gauthier (ex. Heldon, Magma, Weidorje) in 1981. Magma+Heldon sound! The original LP was released on CY Records in 1981. Featuring: Christian Vander, Bernard Paganotti, Richard Pinhas, Francois Auger, Didier Batard, Dav…
To say that the words "unique" and "singular" are over-used in describing music is to state the obvious. To apply these words to the sounds created by the various duo/trio configurations of the Texas group Charalambides over the last decade plus wo…
Recorded in the same two week session as 'AODDOL I' by Stuart Hallerman at Avast and mastered by Mell Detmer, Earth's 'Angels of Darkness, Demons of Light II' carries on in the freely improvised, folkloric vein of the title track from their last …
12k presents Status, the result of two of the genre’s most talented, and diffferent, composers; Frank Bretschneider and Ralph Steinbrüchel, sharing their sounds and styles. Status began in the Spring of 2003 when they designed their own sound sequenc…
By 1956, the early New York street recordings of the great Moondog had reached British shores. His primitive percussive sounds struck a new nerve with many artists and musicians, none more so that fine London jazzman Kenny Graham. So inspired was …
Collaborating since 2004, Dispersal Patterns is Bach and Kannenberg's second joint project. Departing from their earlier emphasis on systems and graphic notation, they here rely on intuitive communication as they weave two improvised soundscapes f…
Reissue of a very obscure free music document, recorded in Cambridge, MA, sometime in 1970. Notable for it's Saturn-esque paste-on cover artwork (eloquently reconstructed here), and general cosmic vibe, this record harkens back to days when "out" …
Northern Spy is proud to present two of John Butcher’s most recent experiments in moving sound waves through space. On Bell Trove Spools we hear Butcher in two distinct situations: Richmond Hall, a Houston art gallery housing a permanent Dan Flavin c…
Susann Wehrli (flutes, melodica) with Karin Ernst (laptop, live electronics).DUE is playing. A beginning, a tone, a noise, a sound. Listen. Act, react. No ready-made concept, no intended form. Awareness. Liability. Instant composing, where what has b…
Reissue of debut release by the collaborative duo of Chicago-based percussionist STEVEN HESS (HAPTIC, PAN AMERICAN) & French composer/producer SYLVAIN CHAUVEAU. Produced by Helge Sten (Deathprod), whose characteristic smudged ambience is evident as h…