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In the early 1980s, a particular alchemy between new musical technologies and significant social, cultural, and political transformations in Ghana gave rise to a new style of highlife. Drum machines and synthesisers appeared alongside lilting guitar lines and punchy horns, and the emerging Ghanaian diaspora began incorporating US disco and boogie, R&B, European new wave, and Caribbean zouk and soca into their music. This style soundtracked the birth of a new, proud Ghanaian identity and captured…
*200 copies limited edition* "Neurotransmitters-Sphere-Music" is Jarl’s sixth album on Reverse Alignment, following on from 2021’s CD release "Spectrum Confusion". And once again Karolina Urbaniak has masterfully created the cover artwork, as she’s done for the five earlier Jarl releases for Reverse Alignment. Neurotransmitters are chemical messengers that help nerve cells communicate with each other. Referring to this concept, "Neurotransmitters Sphere Music" consists of four pieces showcasing …
The Błoto quartet had made a comeback six months ago with their first singles in over two years dropping “Szlam” and “Ścieki”. These tracks were pressed on a 7-inch vinyl by Astigmatic Records, but this only whetted the appetites of the band’s mud-loving fans, as the singles sold out instantly. And so, the band's musical onslaught continues. Ahead of their upcoming LP “Grzybnia” set to release in autumn 2024, Błoto is putting out another bacteria-laden 7-inch to conclude this brief series of sin…
*150 copies limited edition* The scheme is simple and decisive: a similar electronic device for an instrument played at each soliloquy for direct, introspective music, according to my psychic states. In this case, a lap steel guitar, an electric sanza and a bass guitar. Three instruments for four soliloquies, because there's no numerical logic here. The bass guitar speaks alone twice on the S side, and that's that. Speech is banished. "Quatre soliloques" without voice or words: the title may see…
"Three of Europe's most acclimated and proven improvisers—pianist Robert Mitchell (Steve Coleman, Greg Osby), bassist Neil Charles, and drummer/percussionist Mark Sanders (Jah Wobble, Rachel Musson)—band together as The Flame for the first time and emerge from pandemic isolation, and the forever wars and broken civics that accompanied it, with a hypnotic performance captured absolutely live on Towards the Flame.
Recorded at London's Cafe Otto in February of 2022, The Flame comes to life like mos…
Michael Fischer is a musician, composer andinstant composition conductor. He works on the immanence of language within sounds, their sculptural and dramatic evidence, on the tenor saxophone, the violin, on cd-player setting and conducted instant compositions, in improvised and experimental music / noise / soundscapes. Collaborations in literature - focus experimental poetry, dance, performance, installation, video. Next to his long standing collaborations such as duo Bagg*Fish with drummer Marco…
Triple LP edition, packaged in thick PVC cover with a foldable double sided poster and download card. Celebrating the 20 year anniversary of highly revered Jazz collective, Build An Ark from Los Angeles, California. Formed in 2003 and releasing albums between 2004 and 2010, the Carlos Niño co-ordinated project included contributions from luminaries such Phil Ranelin, Big Black, Miguel Atwood-Ferguson, Adam Rudolph, Derf Reklaw, Dexter Story, Dwight Trible, Gaby Hernandez, Mia Doi Todd, Munyungo …
Recorded in 1968 and intended as a tribute to her late husband, Alice Coltrane is supported in her first solo outing by Pharoah Sanders, Jimmy Garrison and Rashied Ali — all members of John Coltrane’s last quintet. While initial reviews to the album were lukewarm upon release, looking at it in the context of her larger body of work, A Monastic Trio serves as a delightful foreshadowing of what was to come. This Verve By Request title is pressed on 180-gram vinyl at Third Man in Detroit.As the lat…
We are delighted that Kosmoloko 3 becomes a reality on Galakthorrö’s 30th birthday. The concept hasn’t changed: Kosmoloko 3 is still a label sampler. Like its predecessors, it features only artists from the Galakthorrö label. No leftovers, no duplicates, no rehashes, ten tracks of exclusive material, no title has been released in any form before. Karl Runau’s contribution comes as a surprise after countless years with no signs of life. As a colleague from the early days of Galakthorrö, his contr…
The debut EP Kelc’h-Lizher is now followed by Mode In Gliany’s first full-length album Amer Armor on Galakthorrö. The unique synth wave of Boris Völt is freed from all exhilarating characteristics. The minimal wave pleasures of the early days are making way for that melancholy that is inherent in the music of Mode In Gliany anyway. Nourished by Boris Völt’s deep connection to his home on the north coast of Brittany. Instead of blood, the cool water of the seas flows through his veins, cold wave,…
The third album by Da-Sein fits seamlessly into the duo’s previous sphere of work. A gloom-ridden sound panorama, packed full of pulsating bass frequencies, swathes of feverish synths and noise-rhythms, spreads itself out before us. The voice of Kas Visions combines the manifold creative streams of Da-Sein to a cohesive whole. No matter how cold and unemotional the voice is, on this album it’s often the last human signal before the blackness absorbs the listener’s soul. Power electronics violenc…
Sühne Mensch has no musical past history. This is seldom in times when a trace is left behind early, even if it is merely digital. But this debut album is in no way the work of a beginner. The brain behind Sühne Mensch has collected many experiences even if primarily from other musical fields. Now he impressively channels all his knowledge into this very different music. Schmerzportrait is incredibly rounded and mature, complex yet compact, fitting in perfectly with the Galakthorrö style, but po…
The first LP by the Taj Mahal Travellers was recorded at Sogetsu Hall in Tokyo on July 15, 1972, which became the title of the work and was released the same year by CBS Sony Records. A live performance celebrating the 50th anniversary of this album was held on July 15, 2022. The only original members of the Taj Mahal Travellers who attended were myself and Seiji Nagai. This is because two of the six members passed away, two are religiously active and they can not play music according to their b…
I stayed in Iwate, where I was born, for a few days and created some sound materials using limited materials and old media. Over ten years ago, Iwate was devastated by the Great East Japan earthquake. Many old things that remained in my memory became rubble, dismantled, and new scenery was there. I bounced every song from “1982” straight onto an old tape recorder.
This album that comes out of my interest in sonic "degradation and rebuilding". I treated the guitar and synthesiser in a lot of new …
I was waiting for the bus to arrive at the stop when the rain started pouring. I quickly escaped into a chapel nearby, and that’s where the idea of this album came to be. Inside the chapel, I was reminded of the scent of Mauritius, where my father was from, and the pillars of dampen woods mixed with the ritualistic frankincense. The rain continued to hit violently on the metallic church roof as the road outside grew overwhelmed with angry drivers, honking their way through, their frustrations ec…
Characteristically invisible and inaudible, the wind is made manifest solely by its agency and performance on objects: huge waves crash to shore, sand dunes edge forward over millennia (rumbling as they go), cyclones uproot trees and houses, intergalactic winds confound the planets. On a more modest scale, I’ve been building aeolian instruments since 1979, part of my investigation into the innumerable aspects of the vibrating string. I designed the two recent aeolian instruments heard on this al…
Tip! This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure …
Billy Bultheel's debut solo album is an ambitious distillation of the composer's,' sprawling litany of influences and his unique approach to site-specific composition. A compilation of pieces created between 2016 and 2023, the album is a forceful testament to Bultheel's expansive performance practice and collaborations with cutting-edge visual artists like Anne Imhof and James Richards. Drawing inspiration from industrial music and metal as well as medieval and baroque polyphony, Bultheel devise…
Burning Love Jumpsuit were an Underground Irish band of movie obsessive shut ins who had access to a computer. They were active between 1991 – 2002. A three-piece of proto-edgelords, (D.F. Dresden, Smiley, J. Bassetti) Burning Love Jumpsuit jammed and sampled their way to notoriety in the 1990s, making experimental music that was equal parts thought-provoking funk and stroke-inducing gunk. A penchant for sleazy Americana, obscure movies and exploitative daytime telly inspired a pool of samples t…
'Black' is a musical eulogy to Amy Winehouse, a heartfelt memorial to a sorrowful demise. Its an album of predominantly beatless ambience possessed by the ghost of 'Back to Black'. Fragmented moods and hypnotic drones melt together as its circular beauty is set adrift, floating away into an endless void, where the original only remains in spirit alone. It doesn’t make particular sense why I was drawn to this idea and compelled to immerse myself in the original song, and her life in general, but …