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"The Art of the Improviser", a 2XCD, is Shipp's most audacious attempt yet to answer the enigmatic question of what it means to be a modern jazz musician. Already having explored the possibilities of electronically infused jazz on critically acclaimed projects with the likes of DJ Spooky, Scanner, and Anti-Pop Consortium, Shipp revisits an acoustic sound for this fearless voyage into the psyche of the improviser. Shipp's "idiosyncratic genius" shines through on this album, explaining once again …
Just arrived! The research-performance group kiva was created in 1975 by the American trombonist John Silber and the French percussionist Jean-Charles François as part of a research project at the Center for Music Experiment at the University of California San Diego. During the period of its existence (1975-91) various members (often graduate students from UCSD) joined the two permanent musicians, John Silber and Jean-Charles François, to contribute to the groups artistic production. Two persona…
Reissue of two LPs from Bloc Thyristors label and two groups run by the drummer Jean-Noël Cognard. Empan with Judith Kan, voice, Jac Berrocal, trumpet, piano, Dan Warburton, violin, keyboards, Béatrice Godeau, cello. Tankj with Serge Adam on trumpet, Jérome Noetinger on electroacoustic devices and tape recorder, Titus Oppmann on doublebass. Recorded and mixed by Patrick Müller.
A double CD inspired by a lecture given by Otomo Yoshihide at Tokyo University of the Arts on April 28, 2011, 'The Role of Culture: After the Earthquake and Man-made Disasters in Fukushima'. With John Tilbury, Greg Kelley, Annette Krebs, Chris Abrahams, Burkhard Beins, Choi Joonyong / Jin Sangtae / Hong Chulki / Joe Foster, Mural, Magda Mayas, Mark Wastell & Jonathan McHugh, Michael Pisaro & Greg Stuart. All the money collected will go to a non-gouvernemental organisation - Japan Society …
One of America’s greatest ever composers gets the remix treatment. What is it with remix albums this week - are they back? Anyway it’s always an odd thing the remix album, basically it’s just an excuse for the great and good to strut their stuff and do something decent on a high profile record.It’s a mixed bag of collaborators from Tyondai Braxton to Cornelius to Beck (who gets an entire side to himself) to Johann Jonannsson to Peter Broderick (still no doubt weeping from our review of his recen…
eRikm, turntables, electronics, live sampling. Catherine Jauniaux, voice, bird call, cupule, cazoo. In the beginning, there are stories, sometimes dark, told by Catherine Jauniaux. With stunning ease, she invents imaginary conversations where several protagonists spring from deep in her throat, like rabbits out of a hat, like actors from Japanese Noh theatre. eRikm's electronic sounds fuse and infiltrate hers creating an unsettling environment Ð clearing the way or tangling it up in a so…
Ahead of their time, the enigmatic Italian band A.t.r.o.x. were one of the first bands to move beyond the new wave styles and introduce strong electronic elements, an abstract-minimal heart attack in the best possible way. Lovely double CD set with their entire production.
Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, first conceived by the late Peter "Sleazy" Christopherson in Berlin in 2006. …
The works on these two discs were all written in the 1950s & 60s, at a time when Xenakis was at his most productive. It has to be said that, to the casual listener, this is not easy listening. However, to the more adventurous collector and to those prepared to explore new musical avenues, this set of the music of Xenakis will prove a rare and valuable opportunity. Featured works: Atrées, Morsima-Amorsima, Nomos Alpha, ST/4, Akrata.
'Superbly stylish in conception and packaging, it shows that small independent labels can still be an inspirational force' (Daily Telegraph); 'definitive and essential' (Brainwashed); 'stunning in its historical interest and musicianship' (Boston Phoenix); 'phenomenal and mesmerizing' (Dusted); 'one of the major phonographic salvage operations of our time' (The Wire). 'The archival finds are, without exception, phenomenal – and mesmerizing. The oud, the santour and spike fiddle dominate. There a…
amazing (an cheap) double CD set featuring most of the Stockhausen "intuitive music" (ie quasi improvised). The first piece is Zyklus for solo percussion performed here by Tristan Fry in 1974. Zyklus was one of the first works with a graphic score allowing the performer some freedom to improvise. In the late 60s Stockhausen developed the idea of scores which determined a process rather than the exact content & his group toured the world playing this music. Several pieces are included her…
First issued as a very limited private tapes in 1981, now for the first time ever on CD for these early tapes by one of the most important figures in noise/electronic history, Maurizio Bianchi. These two discs were originally issued on tape in 1981 and have been bootlegged and cut into oblivion since then; this is the first time they've been made available digitally and fully uncut. Technology 1 has two long 25 min+ songs, both in a similar vein and showing MB taking a more subtle melodic approa…
orton Feldman's music continues to exert its fascination on listeners and record companies alike. After releasing its highly successful recording of the more than three-hour-long For Philip Guston, Bridge once again returns to the California EAR Unit for Crippled Symmetry, at only 87 minutes a mere bagatelle in terms of Feldman's late output. Well, maybe not. Scored for flutes, mallet percussion, and piano/celeste, Crippled Symmetry does exactly what the title says: it toys with not quite exact …
This 2CD pair features performances in Tokyo in 1996. Sod and Sodie Sock documents a performance at the P-House Gallery, where the three musicians performed together and separately. The action extended beyond the gallery, into the street in front, and down the block to a local hair salon. Recordings documenting the simultaneous activities of Kelley, McCarthy, and Violent Onsen Geisha have been combined to allow the listener to experience the entire group of, spatially separated, performances at …
"The Koeln concert shows us these positive vibrations marching through "the complete continuance of creative music," and on towards the next millennium. The "success of the future" is not a lost cause as long as there is music like this in the air."-Graham Lock"Although Anthony Braxton does not play on this double CD (whose contents were released for the first time in 1995), his presence is certainly felt. He conducts the band through a fairly free improvisation and five of his compositio…
David Rosenboom (b. 1947) is a composer/performer known as a pioneer in American experimental music. This series of eight works, created between 1978 and 1981 and presented on these discs in chronological order of their composition, demonstrates a remarkable extension of Rosenboom’s techniques from his …Plymouth Rock… series of 1969–71 using the harmonic and sub-harmonic series. The In the Beginning series exemplifies the idea of model-building as a compositional process. A simple process …
'From Chinese traditional music to avant-garde freestyle improvisation, this beautifully-packaged double-CD features the music created by the meeting of these two extraordinary artists of different cultures and even different generations - violinist Malcolm Goldstein (born 1936), one of the greatest maestros in the field of freestyle improvisation, and Chinese pipa virtuoso Liu Fang, young master on the traditional classical music of China.' label info
The first disc is an anthology of the music Moondog made in Germany, after moving there in 1974. The second is a recording of his last concert, on 1 August 1999. Both are excellent and amazing examples of Moondog's skills. Excellent notes and photographs.
Null II and Null III are the second and third part of the well-known Italian/Swiss composer’s massive electronic work on the theme of “nothing” (Null), whose first part saw the light with the 2010 Die Schachtel “Null” edition in ZeitComposers series.In this pieces Archetti’s thick sound drones borders on the edge of tonality as their many layers develop with a sort of “geological” pace. The work is in fact intended as a musical research on the “interior” of sound, obtained by large masses of sou…
Stunning double disc collection of mind-erasing loops, avant classical drone and minimal cold wave threat from Jason Lescallett, presented as a back-handed tribute to Big Black’s notorious 1992 album Songs About Fucking: Songs About Nothing is the sound of pure entropy, moving from ear-scalding feedback sculptures through nod-out minimal synth repetition through scrambled choral works and widescreen soundtrack drones. The first disc unfolds in a series of stately movements linked by a form of ob…