New Arrivals
Infernal Furniture
Infernal Furniture is a collection of piano sonatas, backed with a version -- "Infernal Dub Furniture" -- where the recordings are subjected to the studio effects of delay and reverb, changing the surface and meaning of the music. The piano pieces themselves are drawn from the collection 10 Sonatas Ten (2010). Piano and electronic processing by; composed and produced by Andrew Poppy. Mastered by Zachary James Watkins. Ultra-Red's Dont Rhine writes: "A provocative proposition; Satie meets du…
Fundamental Structure
Deceh is an anonymous duo featuring the elusive Eleh. Their edition for the Tapeworm series is "a close study of the harmonic composition of a Hammond organ and a Sruti Box with attention given to the organization of isolated frequencies and the effects of these vibrations on brain activity." Like all of Eleh's work, 'Fundamental Structure' is meditative, and, if you like, spiritual, seeming to slow time itself to a malleable blur and opening sublime temporal portals in the process. And w…
Dora Bengala
Doro Bengala propose a fireworks display, we use explosions as sounds and sounds as explosions of colours.We practise the art of sense stimulation through the use of coloured flames, of shrieks and low frequencies. Our group carry out a practice from Bengal founded by Mrs. Subhash Chandra Doro in the late 1895.
Normal Music
Early merzbow works featuring Masami Akita and Kiyoshi Mizutani. Recorded & Mixed at Various Studios on 1982. Remixed by Masami Akita at Lowest Music & Arts Studio, Tokyo. Remastered from Original Master Tape on Jan 2010. Originally Released on Lowest Music & Arts 1982.
Mummy Fingers
T TRANCE's latest acid circus. This sparkling C30 slipslides through all his manic dual-keys modes (one hand mans the organ, the other dances up & down a wah-fucked Casio), accented w/ the occasional mushroom starchild sing-songing vocals. Ltd to 120
Collection 4
Limited 150 copies, Early Merzbow works featuring Masami Akita and Kiyoshi Mizutani. Recorded & Mixed at Gap Works, Tokyo on 16 June 1981. Remixed by Masami Akita at Lowest Music & Arts Studio, Tokyo. Remastered from Original Master Tape on Jan 2010. Originally Released on Lowest Music & Arts 1982.
From slaves to warriors
Ultra-limited tape release by this italian minimal synth & drum machine duo, another side project by Ottaven/Canedicoda, abstract dread sounds with elements of clinical drone and throbbing frequencies to a more introspective ambient chaos
Solo Voice & Electronics: Memories Of Murder / Always Been A Sto
Massive double album from C. Spencer Yeh of Burning Star Core that mops up two years’ (2007-2008) worth of vocal experiments, running from acoustic throat-splurges and hysterical ticker-tape tirades through the sound of breath caressing microphones and physically impossible computer edited body extensions. The whole deal comes with liner notes from Yeh documenting the various strategies and set-ups, connecting sound poetry and 20th century avant garde techniques with current psych/noise practice…
split
I've first heard TELEFONO BALAFONO a few years ago on a (now)preistoric myspace website and i almost fell from my chair. A raw and plastic collection of music compositions recorded on a "broken 4 track cassette recorder" as stated by the artist that mixes unknown keyboards and drum machines with a no wave twist that for the time of the recordings was already predicting the economical-ethical crisis we're living in the now. Each fragment doesn't exceed the 3 minutes of lenght creating short a…
Alku Tape
... probably don’t need to explain this one in too much detail ; it’s a kevin drumm tape (of scattered, alternatingly minimal & harsh guitar pieces recalling his earliest recorded/released work) ; the second “pressing” after the first (of something like 40 copies) disappeared within the opening of the “merch tables” at the no fun fest this past may ...that we got even this scant handful of copies is due mostly to the largesse of alku’s anna & roc ; i wouldn’t dawdle too long if you’re interested…
Northern Resonance I
In the winter of 2008 C. Spencer Yeh (Burning Star Core) and Jon Wesseltoft (Tongues of Mount Meru, Maranata) would meet in Wesseltoft's native Norway to record the tracks, which comprise this tape. With Yeh on violin and Wesseltoft on harmonium the duo blazes through the northern sky unleashing a meditative eulogy to the Nordic gods of past, present and future. The reeds maintain the momentum while the strings wail in unison. Fans of Tony Conrad and Henry Flynt take note. Artwork by L…
LiveGrodor
We had been talking about this tape for a couple years now: a buncha killer livejams by the great Swedish band Den Stora Vilan (which supposedly translates something as ‘The Great Rest’). Long mellow West Coast influenced psych jams (think ‘American Beauty’ era Gratefuld Dead) meets Neil Young with a bit of Trad Gras Och Stenar thrown in. 200
Szampler
Limited to just 500 copies and already sold out at source, this latest edition from the Tapeworm cassette label is likely to be the most feverishly sought after to date. One of experimental electronic music's biggest names, Christian Fennesz has collected his library of samples (dating between 1989 and 1996) made for his old Ensoniq EPS-16 Plus and ASR-10 samplers. It probably goes without saying, but this is an amazing hour or so of music to trawl through. Any long-term fans of Fennesz's music …
Sound non sound 1
"Sound non sound" is a 15 minutes long session of samples, toy beats and synthetic waves that travels back in time to investigate some of the unexplainable mysteries of the recent Italian past, made of disappearing aeroplanes and exploding train stations by the hand of no one.A deeply describing music that manages to stimulate undefined images and shapes to the mind of the listener.
Omissions
Simple and elegant the music of Jonhatan Borges' project needs concentration, both to be played and listened. It simply concerns repetitive and extatic tape loops that don't need nothing more than the simple repetition. You'll find yourself waiting, with the ear tense to discover a subtle change, a single touch that worth the whole record.Edition of 100
v-p v-f is v-n
jjason kahn, civyiu kkliu, richard garet, scott smallwood, alfredo costa monteiro, daniel blinkhorn, stefan thut, ben owen, toy.bizarre, gen ken montgomery, robert curgenven, manfred werder / incidental music, pierre gerard, giuseppe ielasi, ferran fages, tarab, sawako, tmm mulligan, gil sansón, lawrence english, gilles aubry, takefumi naoshima, asher, ben scott, barry chabala, ubeboet, dominic lash, andy graydon, alessandro bosetti, greg davis, matt marble, andrew hayleck, seth cluett, p…
The Eight Thumbed Hand Serenades
Underground’s finest couple formed by Dylan Nyoukis and Karen Constance are here to delight us with a massive mind-hammering tape, originally out in a uber-limited 4xCS boxset on their own Chocolate Monk label. A fair where Muezzin Nyoukis will twist & pull your brains, a choir of voices praying, gargling & ooing, discomfort and unclear clatter all over. At some point you will find yourself in a damp swamp, two sticky beings calling each other (the mutant cricket here is Karen), a little slice o…
Verstreutes 2
Second revised and expanded edition of our book about the work of Asmus Tietchens. The book is in GERMAN. It includes essays about Tietchens, a fully commentated discography up to December 2005, short prose by Tietchens and a 70 minute CD collecting compilation tracks from CD and tape compilations from 1984-1995, plus one unreleased track.
Conversations
William Parker has long taken an active role in the presentation of his own art (self-produced records/CDs, concerts, festivals, publications) and that of others. That initiative continues with this major work, an anthology of musician-to-musician interviews in the lineage of Arthur Taylor’s seminal “Notes and Tones”. Approximately 12 years in the making, “Conversations” has hallmarks of being a very personal project, spotlighting many musicians who are largely unknown to even avid fans of the…
Site of Sound: Of Architecture and the Ear Vol. 2
Since the publication of the first volume of Site of Sound in 1999 the issues and activities pertaining to sound and architecture have expanded to circulate more dynamically within the fields of sound art, sound design, and spatial practices. From acoustical technologies and urban planning to public art, concerns for auditory structures and the experiences of listening are finding deeper footing within both artistic and environmental contexts. Recent noise mappings across Europe, along with new …