New Arrivals
Deep Sea River
**1985 Album. Original copies** Curtis Clark often overlooked beautiful solo piano LP, his 2nd release on Nimbus, featuring vocals by Marlene Holsey on the haunting title track.
Tone River
Caught somewhere between environmental sound studies and surrealist sonic architecture, Sugai Ken helps mark the 30th release of Field Records with an ambitious new album. Commissioned by the Dutch Embassy in Tokyo, Tone River is the product of a year's intensive work between artist and label, created in part to examine the relationship between Japan and the Netherlands with regard to water management. While its doors to the Western world were closed during the 17th and 18th centuries, Japan kep…
Difference and Repetition / A Musical Evocation Of Gilles Deleuze
This new album (the tenth in their discography) was born from two ambitions: to pay tribute to Soft Machine's Third on form (4 sides / 4 titles) and to philosopher Gilles Deleuze (Difference and Repetition is the title of his thesis) on the contents. The 4 long pieces of this double concept album were developed over 2 years and each has a different style and climate. Bold and kaleidoscopic, Difference and Repetition perfectly synthesizes the musical and literary obsessions of Palo Alto.
Formed i…
Music For Insomniacs
“In today’s world, it’s harder than ever to let go & find sleep. So kick back and let this pastel soundscape from the NYC synth rocker, TM™ ♪ drift you off to dreamland like it was 1984...” -Tommy Mandel
"New York synth magician Tommy Mandel has an astonishing career as a composer, sideman, and electronic pop artist. Since the late 1970s, he has toured or recorded with a laundry list of talents including Todd Rundgren, The Clash, The B-52s, Tina Turner, Cyndi Lauper, and countless others. Yet it…
Sacrilège Vénération Vol. 2-b
Second part of the second volume of the dj project. Habits and customs in the land of wooden synthesizers. enjoy.
Les Transports
One third of the France sauvage crew concrete musique made of field recordings, synths, drum machines & heart 3 super narrative works to be listened whenever you can technology and pebbles reconciled think Luc Ferrari & Lionel Marchetti bingo.
Composé, monté, mixé entre 2014 et 2015 Merci à Guillaume Dubreu pour les "crikaka", à Henri Michaux pour la "Grande Garabagne" et à Jo.
Why
Living-room noise. Temporary retrospective of 75 minutes of/by William Nurdin. Sonic immersion, textures and off-road recordings accumulated during 10 years
Mangé Par Les Oiseaux
Solo electronic improvisation using feedbacks, fields recordings and electromagnetic fields. New proposal fromthe man who hides behind Somaticae. Naturalism & noise electro-acoustics. Microscopic assembly and electron swirls.
Trombe
Here it is, naked to the bone, free jazz in all its glory, loose, intense and furious, not in hanger but with "joie de vivre." A sax-drums duo like comprised of Thomas Beaudelin on saxophone and Erwan Cornic on percussion, makes you anticipate an essentialist approach to the communicative powers of improvisation. The music is dense and intense, seeming to drag everything that happens to be in their path with vehement free sounding and shamanic interplay. Don't miss this one
Back From The Deep Water (Sharkive: 1981-1987)
**Edition of 300, one-off pressing** Basking Sharks are one of the unsung heroes of the original minimal / synth–pop / wave era. Formed in 1980 in the North of England, members Adrian Todd, Ged McPhail and Martyn Eames used an array of home–made electronic instruments plus customized second hand synths to provide unique sounds. On stage they always played "live" without the use of backing tracks. Their stage act included a slide show, films and computer visuals synced into the stage performanc…
The Age of Electronicus
In astounding gatefold sleeve, tip! Dick Hyman’s 1969 opus, The Age of Electronicus - a visionary, funky excursion into the vast potential presented by the newly developed Moog synthesizer - stands as a shining example of the post-war avant-garde’s infiltration of the popular realm. Awash with creative optimism about the role of progress, change, and technology in society at large, it’s one of those obscurities that’s long been championed by diggers across the world, but has never fully gotten i…
Hokusai
NoBusiness presents Hokusai, a new set of recordings by Sabu Toyozumi and Mats Gustafsson, recorded live on 11th and 12th June, 2018 at Jazz Spot Candy, Chiba, Japan by Kunimitsu Tsuburai / 粒来国充. Concert produced by Miyoko Hayashi / 林美葉子Jazz Spot Candy. Mastered by Arūnas Zujus at MAMAstudios.
Sabu Toyozumi 豊住芳三郎 - drumsMats Gustafsson - baritone saxophone, fluteophone, flute
Threnody for Judas Iscariot
* Edition of 100. Housed in high quality folded card stock Silk Screened. * Spit-tested veterans of frontal-lobe extermination, Key of Shame’s Pat Murano (Decimus, NNCK) and Mark Morgan (Sightings) discharge focused algorithms of unease and decay in split-second intervals on their third LP, Threnody for Judas Iscariot. A sly codicil of dim textures and gestalt arpeggios, Judas Iscariot shudders itself open and stays gaping, bum notes skittering and splitting out of the electronic backwash like e…
The Imaginary Republic
The Imaginary Republic is an artistic research project focusing on questions of social practice. In particular, it considers the creative and restless imaginaries underpinning our political selves and argues for a deeper engagement with what Elena Loizidou terms “dream-action”: the figurative and poetic staging of world making activity.
The publication brings together participating artists Tatiana Fiodorova, Octavio Camargo / Brandon LaBelle, the Sala-Manca Group, and Joulia Strauss, whose prac…
Voice of Hearing
Voice of Hearing's key is that it is neither a book about voice nor hearing per se, but about how writing performs the dual-duel operation of assonance and dissonance, Vivian calls it the "unitary interruption" that regulates the gap "between you-my-me and you." There is a sense throughout the book that the me and you are both plural and abstracted, intersected and overlapped, hyphenated and hyperextended.[…] Doubt is constitutive of the project from the onset, from the I-intro, the not-only-I-i…
Fourteen Years
Fourteen Years is the first of three 10" comprising Charlotte Courbe's third album. It marks her return to Honest Jon's after two decades. Recently, Charlotte joined Noel Gallagher's High Flying Birds, singing and playing scissors. Her recording "Born To Lie" featured prominently in the TV series Killing Eve. After a cancer diagnosis last year, Charlotte felt the urge to produce and release new music. "It became like a vital thing." "MRI Song" and "Planet Ping Pong" were recorded during chemothe…
Downfall
Limited 2 LP edition. Downfall is the first album under the name Saito created by Lena Saito, aka Galcid, and produced by accomplished analog synthesizer guru, Hisashi Saito, aka Lena's husband. Having descended from a long line of Japanese sword-smiths, the industrial sound of smashing steel is embedded in Lena's DNA and reflected in her music, however there are also refined, hypnotic tones showing a side with more finesse. The music itself is not scored and is predominantly improvised. Words a…
On the Completion of My Master Work
* Edition of 100. Hand-stamped pro-dubbed C38 NAC super-ferric cassette tape with recto/verso printed golden card. Printed in Indonesia. Including download code of high quality digital version.* For this volume, Sydney duo Andy Rantzen and Jochen Gutsch team up with Brisbane-based Lawrence English to create a new trio work, themed around the ideas, life, and personality of a German philosopher, poet and thinker, Arthur Schopenhauer. Based on Rantzen’s spoken words and English’s haunting sine wav…
The Absolute End
* 2020 Stock. Limited 12" Edition on clear white vinyl. Produced in a quantity of 213 copies (numbered) * Different Fountains Editions presents "The Absolute End" by Michael Langeder, an investigation into ending, using samples from the last seconds of 111 songs – a 20 minutes collage of constant finishing.
Adagios From The Underground
In the Understage area of the Alexandra Trianti Hall, the musical saw in the hands of Nikos Giousef, and accompanied by piano, samplers and analog synthesizers, is transformed into a voice. 'An otherworldly child's voice', 'a Siren's voice' or 'a castrato voice', as it has been described, it easily climbs to tonic heights that the human voice can only reach with great effort. The pieces chosen for the program reflect this criterion, with works such as the aria 'Erbarme Dich, Mein Gott' from the …