New Arrivals
Quintet, Sextet, Duos
The final night of Otomo Yoshihide and Sachiko M's first residency in 2009 saw the pair joined by the long-running trio of Evan Parker, John Edwards and Tony Marsh and special guest John Butcher. Butcher played duos with both Otomo and Sachiko and joined the quintet for a rousing sextet: stunning twin saxophone interplay, the unparalleled openness of the Marsh/Edwards rhythm pairing, Sachiko's deft high-frequency interventions and Otomo's guitar at the center -- moving between abrasive textural …
Crritic!
Two interlocking pieces dedicated to Hans Keller, Desmond Leslie and Lester Bangs. I Only Asked uses an interview recording — questions only — to modulate various sound parameters, and is a reworking of a piece first performed at Café OTO, London in March 2011. Hatchet Job is based on a computer speech recording of all the negative reviews Moliné has penned for The Wire magazine in the last ten years. These amount to around 50,000 words.
What's That For, Mate?
* Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. * Recorded in March 2010, What's that for, mate? Is one of the first recordings the duo (Jack Harris & Samuel Rodgers) made together. At this time the two worked with a combination of no-input and acoustic feedback, digital processing and phonography. This recording sees a discourse resulting from the amalgamation of and conflict between the analogue and the digital, the gestural and the static, and multiple recorded spac…
It Just Ain't Flapping
Hand-numbered edition of 100 in recycled cardstock sleeve with envelope. VA AA LR is the London-based trio of Vasco Alves, Adam Asnan and Louie Rice. Their fearless experimentalism has previously seen them tackle instrumentation as variable as compressed CO2, distress flares and a Citroën. Here, while the tools are in more traditional electronics territory, the music is anything but. From a heap of pulsating speaker cones, whirring dictaphones and a virtuosic cameo by Stevie Wonder the trio forg…
Oera
Recorded in the small Norwegian town of Øra, from which the album takes its name, this meeting of two acoustic string instruments belies the simplicity of its instrumentation through the complexity and diversity of the music produced. Ranging from careful melodic a/tonal interplay to dense full spectrum harmonics, capturing the versatility and inventiveness of these musicians.
Quasi static crack Ppropagation
Brussels-based sound artist Yann Leguay is a true media saboteur. He appropriates industrial machinery for the playback of musical media (using an angle grinder to perform the live destruction of a microphone or to playback a CD at dizzying speed) with flagrant disregard for the accepted norms of audio behaviour. His back catalogue is equally deviant, releasing a 7” single without a central hole and a record composed from recordings of vinyl being scratched by scalpel. His Phonotopy label propos…
Remembrance
Recorded 9th February, 2004 at Steam Room Studios, London. Recording engineer Jon Wilkinson. Photos by Gérard Rouy except photo of Tony Bianco by Christopher Trent. Mastered by ArÅ«nas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by Danas Mikailionis. Co-producer - Valerij Anosov
Multiple
A cloud of quick gray motion, a presence in the forefront, then rapid withdrawal. A dazzling cloud, swirling, drawing together to the thinnest of waists, then wildly twisting in pulses of enlargement and diminution, a fluid choreography of funnels, ribbons, and hourglasses, spills and mixing, ever in motion and achieved through scale-free correlations.
All For Now
All for now, by Thollem McDonas (Piano, Voice) and John Dieterich (Guitar). Celebrating their first public collaboration, All for now is one of those special moments, when the empathy and complicity between two players emerges into something far wider, complex, and profound than the simple circumstance of their encounter. In fact, as they play along, one wonders how did they have achieve such maturity in their first work together, evoking both their idiosyncratic inner voice and years of traditi…
s/t
Niagara are pushing modern house music in yet another direction. Their debut introduces one to their own unmistakeable balance between tropical psychedelia and danceable electronica.The Lisbon based trio's unconventional song structures rely on a stripped down junction between hypnotic repetition and immersive, experimental, spaced-out blips and cuts. Drawing equal parts of their raw analogue execution both from classic chicago tracks as well as mid 70s german experimental rock and electronic ae…
Music and Words 2
"Music and words 2" is the much delayed 2nd installment in an ongoing series of archival documents of Bohman's early work. As with the first volume, this CD is divided into 2 separate areas of his work. Adam is probably best known as an improviser, playing prepared instruments and objects, but the music here uses little of these purely improvised techniques. On this CD the musical sections consists of idiosyncratic lo-fi songs alongside short collage pieces and other experiments, recorded on ste…
Signature
Refraction without the appearance of colour.' Virilio is the sound project of Dimitris ‘KU' Papadatos and Corinna 'Cosi' Triantafyllidis. The duo launched their experimentations in 2008 initially recording their Skype improv sessions under the moniker Cassettine & KU. The Virilio project, launched in 2010 and it has been their main common vehicle in covering their sonar explorations and experiences in electroacoustic music and subtractive synthesis. They have performed in various occasions from …
Kaleidoscope
The idea for the Kaleidoscope works came from the composers' memories of playing with the prismatic toy of the same name as a child. The toy, of course, consists of colored beads in a tube of mirrors, whose reflections generate complex symmetrical patterns that change dramatically in density and texture as the tube is turned. With these pieces the aim was to emulate such dynamic spatial activity through sound, distributing fragmentary materials in space and immersing the listener in a rich and e…
Kartacz
If I were to look at the ideas promoted by the Experimental Studio against Ma e Instrumenty's practices, I would refer to the concept of music which is - for certain reasons - 'impossible' studio electronic productions, preparing instruments, using and editing tapes - all those practices once broadened the perspectives of the art of sound. However, the 'unreachable' sound combinations produced by Ma e Instrumenty could also be considered as an attempt to overcome the 'impossibility' in music. Ho…
Return from the centre of Earth
Recording during concerts in Chicago by Mikolaj Trzaska - saxophones, bass clarinet; Steve Swell - trombone; Per-Åke Holmlander - tuba; Tim Daisy - drums
Stone North
Mastered by Keith Souza & Seth Manchester at Machines with Magnets, Pawtucket RI. Estuary Ltd. is proud to present Stone North, internationally-renowned sound artist Ed Osborn's first full-length album since 1989. For this album, Osborn - whose work is included in the permanent collection of SFMOMA and has been presented at ZKM (Karlsruhe, DE), Mass MoCA (North Adams, MA), the Sonic Arts Research Centre (Belfast, NI) and the singuhr-hörgalerie (Berlin, DE) - has culled together a collection of r…
Strata
'Strata has been constructed from recording made in a series of vacant lots and their immediate surrounds in the north-west of Melbourne. These vacant lots are backed onto by various factories and warehouses on one side and a train line and Moonee Ponds creek (perhaps more aptly described as a concrete storm water drain) on the other. Running some 20 meters above all this is a large multi-lane highway overpass. This area has interested me for some time, the creeks and their walking paths act as …
Mantricoom
About 1 hour and a half of droning doom/ dark ambient on 2 cd in a de luxe handmade packaging by Luigi Mennella. As a long, phlegmatic journey towards annihilation, "Mantricoom" opens the door to a new perception of the union of ecstatic rapture and pain. With this rotten, obsessive, lysergic double album Croce (ex-keyboard player from metal combo Power Symphony) starts a new path among the meanders of the most viral sludge core, the meditative drone doom and a post-industrial sound corroded by …
Zemsta Plutona
Felix Kubin looks a lot like an alien on the cover of this set – and sounds a fair bit like a space visitor in the music as well! The work\'s got this very cool blend of electronics and playful rhythms – served up in a style that really takes us back to some of our favorite German work of the post-punk years – particularly the music of Der Plan and Pyrolator, both of whom would be a great comparison to Kubin\'s work! The tunes are catchy and playful, but also have this undercurrent of darkness t…
Soundtrack
Sax legend Mats Gustafsson teams up with experimental artists dieb13 and Martin Siewert. There's a distinct fusion approach to the album which results in many a dissonant moment with Gustafsson's jagged sax leading the way through the shrouded clouds of machine generated mess. Despite the overall hysteria embracing the improvisations, the trio manages to create calm areas in this storming affair, and thus making a nice contrast to the ever growing turbulence.