New Arrivals
We Who Had Left
Necks pianist Chris Abrahams teams up with electronic artist and sound artist Alessandro Bosetti for six introspective and mysterious tracks that mix Necks like progress with ambient electronics and curious monologs, and one waltz.The piano recital format number one: a pompous italian tenor, his round belly almost exploding inside his tuxedo, stands beside the gigantic grand piano, holding a hand on it while protruding forwards. Outside the stage, an imaginary oceanic audience is seated on hundr…
Destroying The Night Sky
A very special release with an unusual mix of sound: Using Cadaverous Condition's "To The Night Sky" album as source material for their tracks, all the aforementioned bands have created a unique new style of music. Call it metal ambient, drone metal or electronics metal, the result is something previously unknown and exciting. Hear Nurse With Wound doing one of their darkest tracks ever - listen to Controlled Bleeding's totally insane restructuring of a rock track, or be surprised by Nocturnal E…
You+Me+The Continuum
Primordial Undermind's second full-length blast of psychedelic freakout guitar bliss evolves the sonics found on their critically-acclaimed September Gurls debut into freer, more expansive territory, while retaining plenty of the finely-honed song craft familiar to those lucky enough to have grabbed any of their unfailingly excellent singles. Long modal excursions into the heart of free guitar darkness like "Device", "Turning of the Worm" and "Persistence of Trinity", are counterbalanced by defi…
Boolean Blues
ASESOME NEW RELEASE! Josh Hanson is another of Portland, Oregon’s underappreciated sons. Having come up through the ranks of long-time, long-forgotten faves Hochenkeit, he also spent time as a member of The Davis Redford Trio. But Hanson’s path diverges into a totally different sphere nowadays, spinning solo modular synth exploits to the stars. Influenced not just by the likes of Subotnick and Cluster but also various types of Eastern sounds, Hanson is looking forward, trying to find new pa…
s3d (Ear & Eye)
s3d presents a world of fresh sounds from invented and unconventional instruments with names as curious and evocative as the sounds they produce: mothics, shimsaw, kyurukyuttsu, gloopdrum, corrugahorn, sprong, sundrum and many more. An international collaboration. Twelve experimental instrument builders/improvisors in an inspirational world-first.
Wege
Wege translates as 'path' and it's a fitting title for the latest rendering from master percussionist and experimental composer Andrea Belfi. The albums' four pieces act as orientation points through some imaginary sonic landscape. Wege is Belfi's forth LP (the first with Room40), and stems entirely from compositions completed at two artist-in-residence projects in Austria (Hotel Pupik) and in Brussels (Q-O2 Werkplatz). The album is built around a cyclic electro-acoustic system, through which Be…
Maria Minerva's Cabaret Cixous
Over the course of a 12", cassette, and a stream of ace youtube vids, Maria Minerva has emerged as one of the most interesting artistes to come into leftfield-pop focus over the last 12 months. 'Cabaret Cixous' is her debut album, a coruscating water-bed of mottled '90s dance-pop memes writhing under blankets of slyly sexy new age synths while her dreamy vocals whisper and croon seductively suggestive lyrics. It's not quite aural soft porn, but there's an inescapably lascivious element to …
Only
Pieces by John Cage, Morton Feldman, Hanns Eisler, Giacinto Scelsi, György Kurtag, Frederic Rzewski, Henri Pousseur, Théodore Botrel, Rudolf Siecynski, and Sephardic songs. Performed/interpreted by vocalist Marianne Pousseur. "I like to listen to music in places that haven't been designed for it. I like when music mixes in with noise. Only came from a very personal desire to open the doors of my musical world to the concreteness of daily life, to tear down the fictional barriers between places a…
Two lakes
In April 2010 12k recording artist Seaworthy (the recording project of Cameron Webb) and Matt Rösner travelled to the south coast of New South Wales to undertake a detailed field recording study of two coastal lake ecosystems at the Lakes Meroo and Termeil. The aim of the project was to explore the sounds of a fragile coastal Australian environment and to build from those sounds unique musical pieces that provide a place for listener contemplation and reflection.Field recordings were taken from …
Login
When, years ago, I read Herman Hesse's "Steppenwolf" I was struck by a part of the novel... Harry Haller, the main character, is walking through a passage with endless doors. As he opens each door he is thrown into a new, unknown, mysterious dimension; a life between the real and the virtual world."Login" is an imaginary journey through the web, where one can explore new realities - or different views of well known stuff - on a thin line between truth and fiction.For this sound project I've used…
Slap & Tickle
Massimo Pupillo, Terrie Ex & Paal Nilssen-Love recorded this gem live in concert at Kongsberg International Jazzfestival in July 2007. With the two tracks, Slap & Tickle on 32 & 16 minutes, they attack all senses with an exploding riot of free rock. If possible to describe, the music is in the midst of Black Flag, DNA, Pere Ubu, Last Exit, James Blood Ulmer, early Sonic Youth & of course Terrie's very own legendary band The Ex. All free improvised. Total freedom, total rock!
1979 - 1983
Michel Bertier : prepared mellotron, doublebass. Sylvain Bélot : visuals and projections. Rodolphe Blois : tape recorders, editing and mixing of tapes. Guillaume Loizillon : synthesizers, vocoder, tapes. Claude Micheli : synthesizers, sequencer, G.S.S.A (semi-random sound generator, electronic device built by Claude Micheli). A French group who existed from 1979 to 1983 in the field of electroacoustic, audiovisual and improvised musics. the group worked with a multichannel system of 10 loud spe…
Amber Sea
Duo of Agnes Szelag & Marielle Jakobsons (aka DARWINSBITCH). They create electroacoustic songs on many instruments such as violin, cello, voice, bass, gezhong, piano, & accordian. Their scores are often conceptually or process-driven, resulting in their unique style of electroacoustic music, reminiscent of Scandinavian free folk, lullabies, dramatic film scores, & electronic improvised music
Shunt
Strøm are Gaudenz Badrutt, pianist and electronic musician (1972) and Christian Müller (1971), clarinettist and electronic musician. Under the name of strøm the two artists from Biel mix since 2001 various ingredients: free improvisation with conceptual music, contemporary music ideas with free jazz explosions, down to earth, drifty energy with spherical sound. The duo mixes electro-acoustic chamber music skillfully with allusions to contemporary pop-aesthetics. Both musicians studied at …
Sol Sketches
Film director Chris Teerink asked me to make the soundtrack for a documentary he would be making about American artist Sol LeWitt. This was in 2009. Chris and I agreed that the music and the images should both be equally important in his film. We didn't want the score to overpower the images, but neither did we want it to become solely background 'muzak'. I searched for a certain openness in the sound, while at the same time keeping a directness to it. Musical references for me were the piano pi…
Watershed
If the three compositions proposed by Denis Fournier have already been recorded, they merit to be here as resurgences, like scenarios encouraging the freedom of transformation without which free interpretation is nothing. “I often say that I don’t make improvised music, but that I improvise music. In other words, I put together there and then elements of my life, of my history, of my culture…” In other words, no structure commands the action. Every structure opens to the action (to sharing) whic…
Mind Ctrl: Psychic
A new label (The Fader) brings a deluxification of 2009's Psychic Chasms, which now also contains the bonus album Mind Ctrl: Psychic Chasms Possessed, featuring nine exclusive remixes and cover versions by Toro y Moi, Body Language, Javelin, Bibio, Yacht, Darby Cicci of The Antlers, Twin Shadow, Dntel, and Anoraak!An elusive new project from composer Alan Palomo, Neon Indian delivers equal parts synthetic nostalgia, dream-pop lullabies, and grinding guitar noise to create something eerier t…
Los Autodisparadores
A soft immersion, leaving the surface behind,knowing that on the inside, wide horizons are waiting.In the mines of matter: laboring and exploring, searching and will-o‘-wisping, but always with compass and sextant at hand.Ample discoveries are the prize – never boastfully on display,but tended with archeological care: larger molecular aggregates, atoms, elementary particles; interacting or alone.A journey, seemingly documenting itself through close observation. Land surveying through experiencin…
Stasis
Zbeen is an electro-acoustic project by Gianluca Favaron and Ennio Mazzon. Zbeen’s improvisational approach is developed from the human-machine paradigm which is represented by the interaction with digital instruments specifically designed and developed for this project. K-Frame, Zbeen's debut EP, was released by Ripples in January 2012. Unlike K-Frame, which was developed as a sonic counter-part to the linear algebra concept of an ordered set of ‘k’ linearly-independent vectors, Stasis elabo…
The source
“A 4000 year old rock band" W. S. Burroughs. Recognised internationally, Jajouka goes back up to the late Rolling Stone Brian Jones, across his collaboration of 1968, but also to Paul Bowles, Brion Gysin, and William S.Burroughs which had already established their residences for some years together with these musicians of the mountains of Rif. "The Source" is the new record of The "true" Master Musicians of Jajouka and it goes back to the origins of their sacred music. Bachir Attar, last …